THE ART OF SPACE: In the vibrant interiors’ world of Alexander Wong, every detail colours the bigger picture

Alexander Wong steps into the Champagne Bar at the Grand Hyatt, exuding an aura of artistic precision. He is dressed meticulously in a sharp suit, a carefully chosen tie, and accessories that tell a story of a confident personality. His bleached blond coiffure, a signature of his bold style, catches the light as he laughs, confessing: “Today, I’m extra particular.” Referring to his appearance ahead of our shoot, he continues: “It’s all about branding – presentation is an art, after all.”

A love for art and colour lies at the core of one of Hong Kong’s most visible architects and interior designers. For Wong, the process of designing isn’t merely about constructing buildings; it’s about creating living, breathing artworks that evoke emotion, challenge boundaries and reflect a multicultural mosaic. “Everything you can imagine is real,” he shares, echoing Picasso to emphasise how imagination fuels his work.

Asked about his upbringing, Wong trains a light into his soul. “Where does one begin – self-awareness or the dawning realisation of existence?” he ruminates. “Childhood is too vast to summarise, but my earliest passions were rooted in the visual arts, particularly in drawing and painting.” He recounts being nurtured by culturally rich parents and studying privately under Luis Chan, the renowned Chinese surrealist painter. Later, he was mentored by Lee Kwok Hon, a Paris-trained Hong Kong artist. “I was utterly absorbed in art,” he says. “My idols spanned Picasso, Michelangelo, Wyeth, Degas, Bacon and Hockney. London’s museums became my second home.”

Childhood in Chromatic Light

Wong’s early immersion in art shaped his perception of space and form. “Art taught me how to see – not just look,” he explains. These lessons became the foundation for his future dreams, where space wasn’t just a vessel or an enclosure but a narrative, an emotion waiting to be unlocked. Standing before architectural masterpieces like the Le Corbusier-designed chapel in Ronchamp or Carlo Scarpa’s Brion tomb weren’t just aesthetic moments for him, but revelations that space could evoke existential truths, emotions and even transcendence. “Art rewired how I experience architecture – space became a meaningful narrative, not just a structure,” he reflects.

As a youth, his curiosity was insatiable and a fascination with combining art, science and technology naturally drew him toward architecture. “It’s a discipline that synthesises everything I love,” he says. His time as a post-graduate student at Princeton University was pivotal, though “the city beyond the campus, especially Manhattan, taught me more about design than any classroom. Museums, galleries, the streets – they are living architectural laboratories.”

These experiences laid the foundation for his approach: architecture as a vessel for storytelling, emotion and cultural dialogue. “Architecture isn’t just a profession; it’s a way to communicate the human condition,” he asserts. “Design is a story told through space.”

Range of Growth

Founded in 2001, Alexander Wong Architects faced its share of storms – economic volatility, global crises, and pandemics. “The journey began with a leap of faith during the dot-com bubble. We navigated through SARS, natural disasters and personal trials,” he recalls, adding with a chuckle: “I remember repairing office PCs on the floor – humbling but formative.”

“Every setback was a lesson in adaptation.” His secret? “Resilience is like painting when there are holes on the canvas, but you just keep going. Survival is the beginning; evolving to become stronger and better is the real goal,” he states.

Over the years, his firm transitioned into a multi-award-winning, multi-disciplinary powerhouse. His “GSCC” framework – Growth, Strength, Competition, Cost-Benefit Ratio Over Time – guides the team’s colourful evolution. “We look beyond mere expansion,” he says. “Diversity and excellence in design, innovation and inclusivity in approach – these are our true objectives.” His re-interpretation of DEI (Diversity, Equity, Inclusion) becomes Diversity in design, exceeding users’ Expectations with a relentless pursuit for Innovation, creating spaces that are vibrant, meaningful and culturally rich. “We also try to blend diverse professional disciplines like a painter mixing different colours or even in different mediums – each stroke contributing to the greater whole.”

Crafting a Cohesive Spectrum

Wong’s approach to integrating architecture, interior design, urban planning, branding and property development is like composing a symphony, with each section appearing distinct yet harmonious. “We don’t force cohesion; we allow each element to find its own natural voice. The key is organic dialogue, driven by the project’s unique narrative,” he affirms. This flexible methodology lets each discipline shine; sometimes architecture takes the lead, other times branding or interior design. “It’s about respecting each colour and letting them blend naturally.”

Where do his ideas come from? “Narrative is the core. A project begins with a story rooted in its context.” As prime examples of a visual story told through space, he cites Bamboo Futura in Chengdu, influenced by pandas and bamboo forests, and Carmen Futura in Langham Place, Mong Kok, a cinema project inspired by Wong Kar-wai’s sensuality, which earned him International Property Awards in architecture and interior design, respectively.

He channels inspirations from nature, technology, history and even dance – Argentine tango or Russian ballet – each adding a unique hue to his creative palette. “We infuse tradition with innovation,” he says.

Colours of a Global Palette

Designing across cultures, Wong seeks to create environments that resonate universally yet celebrate local uniqueness. “It’s not about ‘East meets West,’” he explains. “It’s about dialogue, creating spaces that speak a universal language while honouring their roots.”

His Cinema Exotica interiors for a Shanghai shopping centre, for instance, balance Middle Eastern and Eastern influences, fostering cultural exchange rather than superficial blending. “Multiculturalism adds depth and richness, like layering different shades for complexity,” he notes.

Winning more than 90 international design awards is a testimony to his vibrant vision. “Recognition fuels our passion,” he admits. “But what truly matters is how our designs impact lives, creating spaces that inspire, comfort and elevate the spirit of the everyday users.”

Projects like Carmen Futura, WM Hotel in Sai Kung, and his ‘Ice & Fire’ interiors for Vivace restaurant and ‘Spiral Sky’ Banquet Hall at the airport’s Regala Skycity Hotel are masterful strokes on a global canvas. The rare achievement of winning the “World’s Best Interior Design” accolade four times at the International Property Awards cements his firm’s luminous reputation. “Winning awards is just the icing on the cake — the honour is knowing that our design is able to touch the lives of our end users in some real meaningful ways,” he reflects.

Art of Branding

His standout hair and snazzy suits aren’t just fashion statements; they are part of his branding. “It’s about the power of presentation,” he says. “Imagination is everything, but how you present that imagination is equally important.” He advises young architects to develop their own voice, stay curious and build networks because “who you know is as important as what you design”.

So what’s next for Alexander Wong Architects? “A big project on a different continent, perhaps,” he hints. The design visionary sees the future as a kaleidoscope of AI, cultural renaissance and hyper-specialisation, with each facet adding a new hue to explore. Success is about creating a lasting impact, yet he remains humble. “In a million years, no one will remember who built what,” he muses. “But the lessons we learn, the stories we tell – those are the true colours of our legacy.”

As our shoot wraps up, Wong swiftly changes into his casual attire. “Business as usual,” he says as he heads back to his office, where the art of architecture continues. His bleached tresses catch the light one last time, a symbol of boldness, creativity and the endless spectrum of human imagination.

Interview, Text & Art Direction: Joseff Musa Photographer: Jack Law Videographer: Iris Ventura

Hair Design : Zen Yip Suits : Suitsupply Ties & Bowties : D&G, Boss and Tom Ford Shoes : Ferragamo Glasses : Polette Makeup : Bobbi Brown

Creature Comforter: Margaret Chiu, the gentlest of animal activists, inspires humankind to be compassionate and connected

Margaret Chiu’s residence in Tuen Mun, surrounded by lush greenery and facing a serene harbour, reflects her personality – a sanctuary of calm, simplicity and grace. As we step into her garden on this radiant August morning, the gentle scent of grass mingles with the quiet hum of passing cargo ships visible offshore. A dozen pet dogs, affectionately called her “fur babies”, lounge comfortably nearby, each rescued, adopted or gifted, a testament to her boundless love for animals.

Taking us on a tour of the property, Chiu shares stories of her lifelong dedication to creatures wild and tame, the environment and the community. At one point, she reaches up to pluck longan from a tree, examining the fruit thoughtfully before offering us a taste. “Hmmm… that’s nice,” says the conservationist in her characteristically soft vocal tone. “You should try some. It’s simple, but meaningful. That’s what life is about.” Her words echo her essence: a life rooted in balance, beauty and kindness.

Chiu, the daughter of Deacon Chiu, the late entrepreneur of Far East Consortium and Asia Television fame, speaks wistfully of her childhood in the Hong Kong countryside. “I was six when I lived next to a mountain, surrounded by animals and nature,” she reminisces, her face softening to match her voice. “My friends were cats, dogs, birds and rabbits; stray cats would come for food – I’d feed over 30 cats every day. We had two dogs, a cocker spaniel named Sunday and a local yellow dog. They waited for me at the door every day. We were a family, surrounded by happiness, love and safety.”

She pauses for an instant. “I remember once caring for a baby bear and a leopard [at the zoo in Lai Chi Kok, her father owned]. I fed them milk and cornflakes, carried them around, and they’d climb on me like trees. I had scratches everywhere – people thought I’d been in fights! But I was just happy, surrounded by animals. Nature gave me peace and taught me that animals express emotions just like humans. They’re my family, and I cherish that connection.”

The bond she shares with her staff is equally heartfelt and genuine. Singling out one of her house help for particular praise, Chiu chuckles: “She’s the master of posing – so confident in front of the camera. Let’s have her guide me today.” Thus begins our light-hearted photo shoot.

Harmony in Heritage

Her upbringing amid nature and a large family in which she was the only girl among eight children instilled a deep understanding of harmony and resilience. “We’d swim at the beach during summer, and my brothers would take me to secret mountain waterfalls for picnics. Those moments made me realise that animals and nature are like us – they feel sadness, happiness and fear. Protecting them is protecting ourselves.”

She worked at Sung Dynasty Village, which, like the zoo, was an attraction at Lai Chi Kok Amusement Park, bought by Deacon Chiu in 1962. “It was a theme park transporting visitors back 1,000 years ago to the Song Dynasty,” explains the dutiful daughter. “It was based on a famous Chinese painting of a bustling marketplace during the Qingming / Ching Ming Festival [Tomb-Sweeping Day]. I learned about Chinese traditional food and even wrote a book about the cuisine.”

She emphasises the importance of harmony, drawing parallels between Chinese cultural principles and her work. “Chinese food comes from the cycle of nature: after rain, there’s sunshine; after sunrise, sunset. Everything in nature is interconnected and constantly adjusting to find balance. That’s true for health, society and ecology.”

Her insights reveal a philosophy rooted in resilience: “Just like a tree during a typhoon, we need to bend to survive. Balance isn’t rigid; it’s dynamic and evolving like life itself.”

From Tradition to Technology

While reflecting on the varied roles she has fulfilled – including Executive and non-Executive Director of family companies within the Far East umbrella, Chiu highlights a venture into jewellery design when she lived in Paris. “Creating my own brand was a memorable milestone,” she recounts. “But my true passion lies in preserving our cultural heritage and protecting our environment.”

Her job of recreating immersive historical experiences at Sung Dynasty Village, which opened in 1979 and enchanted visitors for nearly 20 years, was driven by respect for cultural resilience. “Honouring our roots helps us understand who we are and what we must protect.”

Looking forward, Chiu excitedly discloses a current business project in another field close to her heart – pet services. Here, her passion for innovation shines. “With AI and digital technology advancing rapidly, I see a future where pets are fully integrated into our daily lives, even when we travel,” she shares. “That’s why we’re launching Paw Certified, a rating system for pet-friendly hotels – like Michelin stars for hotels with pets.”

She introduces the accompanying app, Gobigobi, designed to help pet owners find suitable accommodations and services. “It’s about making travel and leisure easier, more convenient and more compassionate,” she explains.

Her leadership philosophy emphasises purpose: “It’s not just about profit but about creating meaningful change. I believe leadership is about inspiring others to work together toward a common goal.”

Compassion and Action

Her proudest achievement remains her ongoing conservation efforts, especially as founder of the Pink Dolphin Fund. “It began in 1998 in Paris, it aims to ensure the survival of Hong Kong’s pink dolphins,” she states. “Heavy fishing, pollution and habitat loss are threats, but I believe we can make a difference.”

She fervently describes the plight of pink dolphins, whose local population has shrunk from an estimated 158 in 2003. “There are fewer than 38 left. They’re sensitive mammals, and heavy noise from construction and boats confuses them, trapping them in fishing nets or leading them astray. They have called Hong Kong waters home for hundred of years, and they deserve our protection.

“The pink dolphin is more than a marine mammal – it’s a symbol of resilience, endurance and passion. Their survival reflects our own need for harmony and balance. When we protect them, we’re protecting our own future.”

Chiu envisions a time when pink dolphins will thrive again in Hong Kong waters, living undisturbed and in harmony with their environment, their habitat restored and their numbers increasing. “We need science-based solutions, effective marine protected areas and greater awareness,” she urges. “Their decline is a wake-up call. We must act now – coordinating efforts across sectors; the government, communities and organisations working together – to preserve their home and ours.”

She believes we should all embody the ways of the dolphins. “We should ‘Think Pink.’ Their way of living inspires us to be better, more caring, more connected and more adapting. That’s leadership – living with purpose and making a difference.”

Her commitment to inspiring perseverance and compassion is evident. “Living with purpose influences every decision I make, whether in business, community work, or personal life. It gives hope and dreams.”

Madam Nature

As our interview concludes, Chiu shares her philosophy on happiness and balance. “Happiness is being with family and nature, feeling valued and loved. It’s about harmony – what you eat, what you do, how you care for others.”

At this juncture, her unfailingly cheerful assistant – whom Chiu jokes is “extra giddy today” – chimes in: “Of course, Madam! We should always be happy and thankful for each day. That’s the only way to live.” She nods in agreement, a gentle smile spreading across her face in a reaffirmation of her lifelong ethos.

Like the longan she offered us earlier, Margaret Chiu’s life exemplifies simplicity infused with meaning – a reflection of her belief that we are all part of this interconnected ecosystem, learning and growing from one another.

Interview, Text & Art Direction: Joseff Musa Photographer: Jack Law Videographer: Iris Ventura

Precious few: A vivid force of nature, Anna Wong turns stormy days into bright opportunities

On the day of our shoot, the sky is a thunderstorm’s canvas. Rain pouring down non-stop in a scene of relentless grey provides a stark contrast to the vibrant personality of Anna Wong, the CEO and co-founder of Female Entrepreneurs Worldwide (FEW), Asia’s largest business platform for women entrepreneurs and executives, connecting them to mentors, capital and the resources to grow.

As we step into FEW’s studio where they feature their fashion incubatee, it’s as if the storm outside fades into insignificance. The space is alive with colour – racks and piles of branded clothes, eclectic shoes, vivid paintings that seem to dance on the walls, and an interior design that exudes conviviality and creativity. A lemon tree sits proudly in the corner, its bright yellow petals a symbol of freshness and optimism. Wong herself radiates an infectious warmth that renders the rainy day almost unnoticeable.

Wong’s Hong Kong upbringing was a colourful mosaic of geniality and generosity, principles that informed her future as a canny connector and creator. “Growing up with parents who loved hosting dinners and gatherings taught me the importance of community,” she shares, her smile lighting up her face. “My dad’s passion for business and my mom’s love for cooking created an environment where hospitality was a language of love. Their warmth and hospitality shaped how I approach building communities – creating spaces where people feel valued and inspired.”

Flashes of Inspiration

A decade ago, following stints in marketing communications at Ogilvy and Edelman, Wong felt a compelling call to aid women business-founders. Realised with the help of her friend Ines Gafsi, the idea was born from her own journey of mentorship and support. Her initial vision was simple yet profound: empower women with resources, networks and opportunities. “I started FEW because I believed women needed a space to exchange ideas and collaborate,” she explains. “Having received mentorship from senior leaders, I wanted to give back and pave the way for the next generation.”

Her innate qualities ¬– being a dreamer and a master thinker – and a background in art and design influence her organisational initiatives and leadership style. “Designing energises me –¬ it’s my way to relax and express,” shares the University of California, Berkeley alumnus. “I handle FEW’s branding and design, because I believe a company’s soul is reflected in its visual identity. By overseeing our storytelling, I ensure our vision is expressed authentically and vibrantly.”

As a leader, Wong believes “in freedom to foster creativity. I don’t micromanage because I want my team to grow into their own strengths. I see myself as water – adaptable, calm, yet powerful.” Her leadership style is a fluid dance of inspiration and autonomy, encouraging her team to flow around obstacles and discover their unique talents.

Colours of Change

After launching in Hong Kong in 2015, FEW soon expanded to encompass Shanghai and Shenzhen, then Singapore and Malaysia. Transitioning the venture from offline to online was akin to painting a new canvas – challenging yet full of potential. “The rapid evolution of blockchain, AI and automation meant I had to stay constantly informed,” admits the CEO. “I don’t have a technical background, so I had to learn on the fly.” Her curiosity and openness became her palette, blending learning and adaptation into a vibrant tapestry of growth.

Despite the hurdles, the digital shift unlocked opportunities to reach women across borders – Southeast Asia, Europe and beyond – broadening the organisation’s spectrum of impact. “It allowed us to connect more deeply and support women entrepreneurs on a larger scale,” she notes. Her dream is to build a truly global community that reflects the diversity and vibrancy of women leaders worldwide.

Global Hues

“Women entrepreneurs are becoming more visible and influential,” observes Wong. “In Southeast Asia and Europe, their roles are expanding – not just for profit but to create meaningful societal impact.” She envisions a future where collaboration among women across regions becomes a powerful force, sharing ideas, resources and support like a glittering mosaic of strength.

FEW’s upcoming Growth Venture Fund aims to catalyse this movement. “FEW Investing will focus on ventures led by women and targeting female consumers,” she explains. “Our goal is to provide capital, mentorship and connections so these startups can scale sustainably and create real impact.” With 30-plus high-growth companies already supported, her dream is to see more women-led startups flourish, their colours shining brightly in the global marketplace.

Many female entrepreneurs face a raft of challenges, including limited resources, lack of co-founders, and gaps in skills. Wong recognises these hurdles, emphasising that “many women start solo, handling all aspects of their business without enough support”. She advocates for a platform that bridges these gaps by offering strategic connections, mentorship and resources.

“Women tend to hesitate in seeking help, which can slow their progress,” she says. “We want to empower women to be more proactive and confident – like a brushstroke of boldness in their entrepreneurial journey.”

Empowerment in Every Shade

Wong perceives feminism and women’s empowerment as bright colours in the global palette. “They create more opportunities and boost economic growth,” she asserts. As a mentor and speaker for the United Nations, Harvard, TEDx and others, she aims to spark confidence and resilience among young women. “Life is full of ups and downs; embrace the journey, take risks, and learn from mistakes,” she encourages. Her messages are vibrant strokes of empowerment, reminding women they can paint their own futures.

Her personal empowerment moment came during the pandemic when her family and mentors believed in her during tough times. “Their trust gave me the strength to keep going,” she recalls. Thus, empowerment to her is about discovering and trusting your own voice. “Love yourself first,” she advises. “Only then can you genuinely support others.”

Balancing Vision and Reality

Wong’s outlook on success and dreams is as vibrant as her surroundings. “Entrepreneurship is a marathon,” she says. “I plan strategically, visualise challenges and enjoy the journey – happiness comes from the experiences, not just the destination.” Her philosophy of “be like water” underpins her resilient yet flexible approach to setbacks, transforming storms into opportunities for growth.

She finds happiness in harmony, growth and peace. “I don’t let worries control me,” she affirms. “Like water, I flow around obstacles with calm strength.” Her positive outlook is contagious, inspiring her team and community alike. She believes that true success lies in fulfilling personal dreams while making a positive societal impact.

Challenging the Canvas

A common misconception Wong challenges is that women must be tough and aggressive to succeed. “True strength is embracing our feminine qualities – care, support, resilience,” she states. “Like water, we nourish and adapt without contention.”

Future plans include expanding FEW globally, building a network of women leaders and investors who share her vision of growth, collaboration and impact. Her ultimate goal is to leave a legacy of women’s empowerment. “I want to foster a network where leaders create more leaders,” she says. “At FEW, we believe in working together, trusting ourselves and supporting each other – like a vibrant mural painted by many hands.”

Interview, Text & Art Direction: Joseff Musa Photographer: Jack Law Videographer: Iris Ventura

Television special: The life lessons of Robert Chua – a journey through food, fame and forever young

Robert Chua, the illustrious broadcasting pioneer, muses on a life well lived as we sit down for a humble yet meaningful lunch. “Food is not just sustenance; it’s a celebration of life, a way to nourish the body and the soul,” he reflects. “And as I get older, I realise it’s also about moderation and sharing memories with loved ones.” Instead of hunting for a trendy new eatery, on the day of our interview, Robert and Peggy, his wife and business partner of more than 50 years, order from one of Hong Kong’s oldest establishments, a symbolic act that encapsulates their philosophy: support tradition, savour the moment, and cherish the company.

“When I left Singapore in 1963, television was just coming to the island. No one had ever seen it – no education, no experience, just a blank slate and a dream,” recalls Chua, eyes twinkling with nostalgia. Born in 1946, his childhood in the then British colony was one of curiosity and boundless imagination. With no television in sight, the idea of visual entertainment was as distant as the stars, yet that made it all the more alluring.

His stepfather’s teasing words, “Maybe if you do television, it might be interesting,” planted a seed. The notion of a career in broadcasting seemed as impossible as catching the wind, but the teenager’s spirit of innovation and adventure was ignited. Little did he know that this spark would ignite a lifelong journey, taking him from the black-and-white screens of Adelaide to the vibrant, colour-rich stages of Hong Kong and beyond.

Hard Craft

“Starting at 17 in Australia, I worked from the studio floor up – sweeping, setting up sets, learning how to operate a camera. I was willing to do anything to learn,” he says. His job at ADS Channel 7, the first commercial television station in South Australia, was nothing glamorous – black-and-white TV with flickering images and endless hours of hands-on work. Yet, each moment was a lesson, each mistake a stepping stone.

He vividly remembers the thrill of pressing the ‘end of broadcast’ button late at night, feeling the power of controlling a live show. That sense of responsibility, of shaping a moment in real-time, became his foundation. By age 19, he had returned to Singapore, eager to make his mark in a nascent television landscape.

Despite facing scepticism – “At 20, I was producing shows for Radio Television Singapore while others still doubted my abilities” – Chua’s relentless drive and hunger for knowledge set him apart. He dabbled in audio recordings, pop concerts and variety shows, often working unpaid or underpaid, driven by passion rather than pay cheque. Within a year, he was in Hong Kong, hired as a Senior Production Executive at the start of Television Broadcasts Limited (TVB) in 1967.

Set for Success

Enjoy Yourself Tonight, the show that would become a Hong Kong institution, was born out of Chua’s daring psyche. “When the station’s general manager from Australia suggested a live variety show, I thought, why not? Let’s do something different,” he shares, smiling. At just 21, he took on the challenge of launching a programme that would redefine Asian television.

“Live broadcasts are unforgiving. There’s no room for mistakes,” he says, recalling the nerve-racking moments of his early live shows. Yet, his Australian experience – pressing the button for the closing sequence in the dead of night – prepared him for the high-wire act of live TV. His secret weapon? A meticulous production system that emphasised timing, precision and spontaneity.

Enjoy Yourself Tonight quickly gained popularity, becoming the longest-running live variety show in Hong Kong – 28 years of laughter, music and celebrity interviews. It was a revolutionary concept in Asia, using multiple presenters, live performances and audience interaction. Critics doubted its success, but Chua’s vision proved resilient.

“The show was about connecting with people, making them laugh, inspiring them, giving them a break from daily life,” he explains. His talent for nurturing new talent and adapting to audience tastes cemented its legacy.

Empire of Ideas

In 1974, he founded Robert Chua Production House (RCP), a pioneering move that turned his creative dreams into reality. “There were no freelance production houses in Hong Kong at the time,” he says. “We had to build everything from scratch – studio facilities, equipment, a team,” he says. RCP flourished, producing commercials, variety shows, documentaries, and even private events.

His ventures extended into China, brokering deals that brought international brands like CITIZEN WATCH into the Chinese market for the first time. “We shot China’s first TV commercial, and I was proud to help open that door,” he notes with pride. His innovative spirit also led to the establishment of Conic TV Studio, Hong Kong’s first independent broadcast studio, equipped with state-of-the-art technology.

Yet, not all ventures were smooth sailing. Disputes over partnerships taught him valuable lessons about trust and caution. “You have to be careful who you work with. Not everyone has good intentions,” he warns.

Content King

Chua’s work in China marked a new chapter. “We became the sole agent for advertising on Guangdong TV in 1979,” he recalls. This audacious move helped bridge the cultural gap between Hong Kong and mainland China. His production of English learning programmes and export promotion videos aimed to foster understanding and business growth.

“Creating content that is positive, family-friendly and culturally respectful is crucial,” he emphasises. The Chinese satellite channel he founded in 1995, China Entertainment Television (CETV), aimed to be a wholesome alternative – “No sex, no violence, no sensational news,” he insisted at the time.

Despite struggles with satellite distribution and political hurdles, CETV’s reach – estimated at 33 million households in 1997 – demonstrates Chua’s unwavering belief in the power of media to connect and inform. He sold his shares in CETV to Time Warner in 2003.

Power of Balance

Back at our lunch table, the Chuas discuss ageing, health and the importance of moderation. “Getting old is inevitable, but how you age is a choice,” says the septuagenarian on the cusp of 80. The couple laughingly talk about avoiding gout, staying active, and savouring life’s simple pleasures.

“Food is a way to bring people together, to create memories,” notes Peggy, and it’s a philosophy that echoes in Chua’s recent endeavours beyond television, bringing the food culture of Hong Kong to Singapore, while focusing on living happier and healthier. “The key is moderation and enjoying every moment. Whether it’s food, work or relationships – balance is everything,” he says.

Never-ending Story

And so to the answer of what is a life well-lived. For Chua, it’s about making a difference – building bridges through media, nurturing talent, and leaving behind stories that inspire future generations. “Longevity is not just about extending life; it’s about enriching it,” he reaffirms. “Helping people live better, healthier and more fulfilled lives – that’s the true legacy.”

He offers a final piece of advice: “Don’t be afraid to make mistakes. Every failure is an experience. Keep trying, keep creating, and most importantly, enjoy the journey.”

Chua’s story reminds us that feeding the mind and soul requires more than just effort; it demands love, resilience, and the courage to embrace change. “All my life, I loved creating,” he concludes, smiling warmly. “Whether it’s TV, movies or new ventures, if you enjoy what you do, it’s not work. And if you’re brave enough to take risks, even failures become lessons. That’s how you grow.”

Interview, Text & Art Direction: Joseff Musa Photographer: Jack Law Videographer: Iris Ventura

Elegance Personified: Having turned us on to the high table, Wendy Siu is coaching refinement in all aspects of life

Wendy Siu’s admiration for French culture has helped spawn a successful lifestyle business and seen her recognised with that nation’s top honour. The Hong Kong champion of the refined art of living has long shared her expertise through master classes on etiquette and entertaining. Her latest enterprise unites her innate elegance and effortless propriety in an empowering programme to help a new generation of leaders achieve personal growth.

How has your background influenced your personality and outlook on life?

The heritage passed onto me by my mother has definitely shaped who I am. She was very proud of her noble Manchu ancestry and instilled in us the core values of respectfulness, subtlety, elegance, etiquette and protocol as well as the alertness of knowing where you stand, whether in the family, society or other social circles, and the kind sensitivity this engenders. Yet, at the same time she taught her daughters to be brave, dynamic and independent. I appreciate the quiet elegance of my mom who never bothered to compete for unnecessary limelight.

Another key message she imparted was that we are different. In the 25 years since her passing, I have gradually come to understand her meaning – it is not arrogance to think you are different; it’s about respecting and preserving one’s unique background. To be your true self, you must refrain from blindly following the crowd without considering your own values.

As for my father, he was a quiet scholar and a very disciplined man, practising Chinese calligraphy daily. I believe that my disciplined character, my desire to get things done precisely, and my aesthetic interests – appreciating beauty, the fine things in life, arts and culture – stem from my father’s influence.

I guess I was fortunate to be born into a family with interesting roots and heritage. Also, having dynamic interaction in my parents’ varied social circle explains my openness to embrace people from different walks of life.

What made you decide to establish a retail and lifestyle company and what’s your brand ethos?

I founded Heather & March in 1998 after my intense corporate life working for major US and UK multinationals [GE and the BT Group]. The goal was to bring beauty and joy to people’s homes – what the French refer to as art de vivre, the art of living, or joie de vivre, the joy of living.

Due to our quality in terms of brand positioning, image and value-added services with proven business results, French tableware and home-interior companies asked us to be their exclusive agent. We gradually built up a nice portfolio of refined homeware and tableware from the likes of Ercuis, Raynaud and J.L Coquet, which led us into the hospitality sector, since these are key suppliers to the world’s five- and six-star hotels and the Michelin chefs.

Besides being a distributor of high-end French homeware, we developed our own characteristics as a lifestyle brand. The ethos of Heather & March is elegance, beauty and sophistication. This is disseminated through the programme we offer our clients such as lifestyle workshops in gastronomy, entertaining and etiquette. We have partnered with top names such as Institut Paul Bocuse, Mandarin Oriental, Ritz-Carlton, Comité Colbert, Baccarat and Hongkong Land to deliver bespoke and creative experiences.

When and where did your love of French culture begin?

Although I was very fond of watching French movies as a teenager, and I went to a French convent school in Hong Kong, St Paul’s Convent School, I think my infatuation with French culture really began when I started sourcing for Heather & March. I used to travel to different countries to learn about their style of homeware and home decoration. When I spotted some special French tableware at General Trading Company in Sloane Street in London – then the favourite shopping destination of the British royals – I felt such overwhelming joy and internal peace appreciating these beautiful and whimsical pieces.

It was then that I began to explore the French table art culture and fell in love with its refined craftsmanship, beauty and creativity. In the beginning we sold a variety of European products at my boutique, but as my appreciation of French know-how grew deeper, we gradually focused on brands from France.

Is a full understanding of ‘Les arts de la table’ essential to create the perfect dining experience?

Since it is an important part of French culture, having this knowledge and understanding is precious in order to continue our sophisticated society and cultural fabric, especially as people are living more simply these days. Creating a harmonious and stylish dining experience with that extra touch beyond the norm is always exciting for guests. Somebody has to do it!

What has been the defining moment in your life?

If I can only share one defining moment, it will be the bestowal of the Légion d’Honneur lifetime honour in 2023. Légion d’Honneur is the top-ranking national honour in France; it was established by Emperor Napoleon Bonaparte in 1802. Some Knights in the National Order of the Légion d’Honneur risked their lives in the battlefield, thus I received this honour with pride and yet also with total humility. Although I’m not in a continuous physical battle as these brave knights were, I’m fighting against continuous hurdles and challenges in life’s mental battles.

It was a defining moment as it restored for me a basic belief in life – one that many of us may think no longer exists – that you will be rewarded fairly if you do your best. I can now better encourage others to never stop trying, doing, growing and giving of your best with sincerity, kindness, dedication, truthfulness and enthusiasm.

You are described as a great friend of France – what aspects of French culture do you particularly admire?

The depth and intensity of their culture, no matter in literature, philosophy, arts, culture, craftmanship, gastronomy or wine, and their standard of precision and accuracy. I adore this refined spirit and particularly the beautiful French language – which explains why I’m pleased to have remained in my role as Vice-President of the Alliance Française de Hong Kong for 20 years now!

What are your future ambitions?

In March, I set up Elegance Institute with the mission to bring a paradigm shift in life and help others reach full success through the application of inner and outer elegance. We are a coaching-based institute, a ‘how’ institute, and we are here to empower the next generation of business leaders.

A full spectrum of skills and knowledge can be transferred in the four key aspects of life – personal, professional, social and family – through my coaching. The target audience of Elegance Institute is high-calibre business executives, entrepreneurs and women – with men welcomed, of course – who are driven and motivated to further their personal growth in order to achieve solid success.

What voluntary and charity projects are close to your heart?

I had the privilege to lead the Hong Kong Chapter of Les Lumières de Paris, a voluntary non-profit organisation promoting the heritage, crafts and savoir-faire of the French capital – I was President for five years and have served as Honorary President since 2024. It is also my wish, in the future, to contribute part of the profits of my newly founded Elegance Institute to charity.

Do you see your role as a bridge between East and West?

Definitely, and I enjoy it very much. I believe in contributing my talents to doing good. Bridging people internally brings peace and harmony, making our world a better place. This is also the mission of the Elegance Institute. I love to transmit ‘the how’ – the values and behaviours – that connect people.

Photographer: Jack Law Videographer: Iris Ventura Ventura

United in Peace: Hong Kong art consultant Sally Chu is on an all-nations mission to uplift humanity

A pioneer in Chinese art and antiquities, the family-owned Chu’s Gallery has been present on Hollywood Road, Central, for three decades. Its public face, the indefatigable Sally Chu, is a champion of the vibrant Hong Kong art scene and launched Oneness Art Platform to embrace the increasingly contemporary art world and to be the bridge for the global and the Chinese art market. She is also Vice-President of the Starfish Art Association, which runs projects to aid artists in the spirit of Oneness.

Extending her energies beyond art, Chu is the author of two books and a passionate supporter of women entrepreneurs and community enrichment. Internationally, she is active in the United Nations’ Fair Pay Foundation, which aims to achieve equity and justice in labour practices, and recently received a United Nations Peace Award. She is also enthusiastic about the wellness economy, blockchain projects and collaborating with visionary entrepreneurs in the global market.

How has your background in art influenced your outlook on life?

Through my experience in the art world I have realised the ways in which traditional art is valuable and full of meaning in this challenging world. That’s why I created a series of digital art with masters and young artists for the Oneness art platform.

What fascinates you about the Hong Kong art scene?

Hong Kong is an incredible place, so vibrant and dynamic. It offers us countless opportunities for cultural and spiritual growth and it’s a city that thrives on creativity and connection.

In Hong Kong, we have witnessed a remarkable influx of creative talent from across the world. This diversity enriches our cultural landscape. At the Fringe Club, for example, we have built a platform where local talents, alongside those from Asia, can showcase their work through exhibitions and performances. This initiative not only celebrates creativity but also fosters collaboration and understanding among different communities.

How did your long involvement with Chu’s Gallery shape who you are today? And why did you launch Oneness Art Platform?

For two generations Chu’s Gallery – and now Oneness Art Platform – has embodied my vision for spiritual and cultural harmony. Oneness was conceived as a platform to promote wellbeing, and it has enriched my career and the art community more generally. For instance, we have collaborated with Zhi Art Space at the Fringe Club.

Through Oneness I have a daily reminder that even a small wish, a single gesture of kindness, can spark a butterfly effect, rippling outward to create profound change. Never underestimate the power of these small acts; when combined, these good wishes contribute to a collective consciousness that uplifts humanity.

Furthermore, we have developed a series of mentorship programs focusing on spirituality, art and life coaching. These programs aim to elevate our collective vibrational frequency, helping individuals connect with their true selves and with one another. I believe that through art and spiritual exploration, we can pave the way for deeper connections and lasting peace.

Every step of this journey, and especially those moments outside my comfort zone, working with global builders and leaders, has fed my soul in ways I never imagined.

What’s your opinion about the use of AI in art?

It’s an exciting time, and we need to make sure AI is used positively and that it benefits the art world. I am also passionate about promoting spiritual art. I’m thankful that many art clubs are giving us a good opportunity to move forward from Oneness to the wider community, working with like-minded individuals with same passion and enthusiasm.

How do you see your role in helping build communities and creating a better world?

Local community work and global projects have inspired me to give back to the society that has nurtured me. I believe it’s our responsibility to contribute and inspire others, just as I have been inspired.

All these experiences show us how to transform not just our projects but our lives. As we move forward, let us remember that each of us has the power to impact our communities positively. Together, through the collective power of our loving kindness and good wishes, we can create an environment where creativity flourishes, where everyone feels valued, and where peace becomes our shared reality.

Meanwhile, I’m working with NGOs, and at wellbeing centres and meditation centres as an energy healer and also doing card/number reading, all of which have enriched my life and personal purposes. Let us continue to inspire one another and work together toward a better world.

How important is the United Nations’ Fair Pay Foundation project to you?

Working with the United Nations on initiatives like the Fair Pay Foundation has shown me how collaboration across cultures and borders can yield transformative results for humanity. These experiences are mind-opening, revealing the vast and intricate tapestry of the human story. They remind us that culture lives not only in grand gestures but in everyday life – business, spirituality, art, smiles and the shared dreams that feed our souls.

My own transformation through this journey has been so profound that I feel compelled to share it with everyone.

What was your reaction to the news that you would get a peace award from the United Nations?

I feel humble and incredibly honoured to have recently received a UN Peace Award. This is the 80th anniversary of the UN, so it’s especially meaningful to accept this award.

This moment is deeply personal for me. I want to extend my gratitude to all the mentors, friends and global leaders who have guided and supported me along this journey. Their wisdom and encouragement have shaped my life. Every path I walk, every experience I share with partners and colleagues from all walks of life has been a lesson in humility, empathy and awe.

As we move forward, let us remember that each of us has the power to impact our communities positively. Together, we can create an environment where creativity flourishes and where everyone feels valued. Let us continue to inspire one another and work towards a more peaceful world.

What are your goals for the future?

My main goal is to build and support something of lasting value. This could be through offering meditation classes to support the Hong Kong Cancer Fund or via mentorship and healing programmes, as well as working through NGOs, and supporting schools and universities with the Oneness team and Fun Fun Foundation.

My primary goal remains focused on working with global talents in art, creating art shows that promote a vision of positive living and wellbeing, and exploring the art of happiness and spiritual ambience.

I love Hong Kong and embrace the different cultural and religious backgrounds of people. I’m especially supportive of women, and a passionate advocate for the Wellbeing economy, ESG standards in business, and the UN’s International Fair Pay initiative.

Full Throttle: From motorbike dashing to restaurant dreams, Michael Larkin rides the crest of culinary adventure

As the sun beams down on a Monday afternoon in Lyndhurst Terrace, Central, the city is alive with movement. Among the thrumming heartbeat of the metropolis, Michael Larkin makes his entrance at Lala, the restaurant he co-founded this February, still sporting his motorcycle helmet like a badge of honour. Having hopped off his bike and shaken off the remnants of his morning errands, he is ready to dive into the world of culinary creation – and just for today, magazine modelling.

Larkin chuckles as he glances around the vibrant Parisian-style eatery adorned with lush greenery and the tantalising aroma of exquisitely crafted dishes. “This is a different kind of day for me,” he admits, positioning the helmet on the nearest table. “Most mornings, I wake up early in my home away from Central, get in my step count barefoot, and whip up breakfast for my girlfriend and our two dogs. It’s a soothing start before the restaurant chaos.”

The serial culinary co-founder reflects on the reality of restaurant ownership with a hint of a grin. “I have to do almost everything. Is it tiring? Yes. But is it efficient? Absolutely. I want specific results, so I opt to do things myself – from décor plants to spoons and forks, ingredients, and everything in between.”

Flavourful childhood

Larkin’s journey into the world of food and hospitality did not spring from the ordinary, but rather from a rich tapestry of experiences spun by his parents. Their establishment, The Dubliner ¬– the first Irish pub in Romania – created a vibrant backdrop to his childhood. For young Michael, the pub was a home, and the patrons, his extended family.

“My parents opened the pub [in 1994], and it was an instant hit,” he says with nostalgia. “I spent my days there, doing my homework, washing glasses, and learning from the regulars. We treated every guest like family. We ate together, played games, celebrated, and mourned losses – they were my friends.”

This profound understanding of community and hospitality has shaped his welcoming approach at Lala. “My dad was a fantastic cook,” he adds. “Hosting was his love language, which inspired my passion for cooking. It became less about the food and more about bringing people together.”

Lessons from London

Before landing in Hong Kong hospitality management almost a decade ago, Larkin honed his skills in the culinary hotbed of London. The experience was electric, mentoring under industry greats and realising his potential in the competitive market. “I was inspired by the energy around me,” he recalls. “One pivotal moment was looking at the managers above me and asking, ‘What is stopping me from doing what they’re doing?’ The answer was nothing.”

When he finally took that leap into entrepreneurship, he understood the challenge that awaited him. “I knew I couldn’t rely on working for others forever. You hit those glass ceilings, and it stifles your growth. I preferred to create my own opportunities,” he states earnestly. In 2021, he co-founded late-night venue Quality Goods Club in Hollywood Road, and the following year Artifact Bar in Jardine House.

Mentorship played a formidable role in his development, particularly having the chance to work under Jonathan Murray, a consultant renowned for his unwavering standards. “Jonathan taught me what it means to be ruthless with quality,” he affirms. In his three years at Yenn Wong’s Jia Group, he crossed paths with French chef Franckelie Laloum, formerly of Louise and now his partner at Lala. “Having mentors like Yenn Wong and Franckelie by my side throughout the founding of Lala instilled in me the power of perseverance and resilience,” he says.

Cue La La

Larkin and Laloum realised they needed to design a concept that stood out in Central’s competitive dining scene. “We were mindful that we were entering a post-Covid era and people would be more conscious of their dining experiences,” he explains. “So, we focused on going back to the basics – giving people what they want.”

Lala – named after the first two letters of the duo’s surnames – isn’t just another restaurant; it’s an approachable haven tailored for the community, which is significant in a city where trends fluctuate rapidly. Larkin emphasises that compromised quality is not an option. “Hongkongers are discerning. We focus on balance – quality ingredients and cooking that provide great value,” he stresses.

Consistency is critical, too. “It’s easy to be good for one day, but to do it for 365 days a year? That’s the challenge,” he muses, noting that he treats every dining experience like a maestro conducting an orchestra.

Spurs of success

For him, success transcends mere financial gain. “I’m super competitive and quickly get bored,” he confesses. “I love the challenge of creating memorable experiences for our guests. When our dining room buzzes with joy, it’s music to my ears – it’s beautiful to be part of that.”

Defining success extends beyond the walls of Lala. It introduces a deeper conversation about happiness: “Success isn’t synonymous with happiness. They’re distinct. Happiness comes from being on the path to success – working hard and enjoying the ride.”

He shares his personal benchmark for measuring success in an ever-evolving industry: “Cities and trends change; staying adaptable is crucial. If venues don’t pivot, they’ll find themselves struggling.” And as for his secret to maintaining a healthy work-life balance? A serious commitment to fitness and a peaceful escape.

“Lamma Island is my oasis,” he declares, his face lighting up. “Waking up to bird songs, a stroll to the beach with my dogs. It provides a respite from the intense restaurant life.” The support of his girlfriend, Alexia, is equally vital; slipstreaming into his professional journey, she helps select his outfits and ensures he brings balance into his life.

Here to serve

As Larkin reflects on the essence of happiness, he acknowledges the struggles many face in the hospitality sector. “It’s not easy,” he states bluntly. “The hours are brutal; managing relationships and mental health can be tough. I prioritise staying healthy and away from excessive drinking; that gives me the best chance to succeed.”

For aspiring restaurateurs, he shares wise counsel. “Don’t expect it to be easy; it rarely is. Know that if it were uncomplicated, anyone could do it. Embrace the struggle because that’s what makes life rich,” he encourages, a knowing smile cracking his focus. As we wrap up the interview, Alexia makes a surprise appearance, bringing a burst of warm geniality into the room. Her presence serves to remind him of the support system that fuels his endeavour.

“I’ve been calling Hong Kong my home for quite some time now,” he concludes, gazing out into the cityscape. “Its diverse offerings reflect the duality I strive for: the hustle of a city and the calm of an island. Lala embodies that balance – offering authentic, exquisite food while embracing a relaxed and welcoming atmosphere.”

With a wave, he dismisses the notion of separation between the busy city glamour and the tranquillity of home, both personally and professionally. In the beautiful madness of Hong Kong, Michael Larkin has found ways to cultivate not just a restaurant but a lifestyle filled with joy, quality and community.

Captain Culture: Hing Chao steers the Wah Kwong family ships through heritage values into a modern world

“Welcome to my armoury,” says Hing Chao, as he gestures toward his office located in the heart of Wan Chai. The walls are adorned with century-old art pieces, a striking blend of literary art in the form of books and journals, formidable props reflecting his deep-seated passion for various forms of Chinese martial arts, and heavy rosewood chairs replacing the standard conference seating.

Each object tells a story, resonating with a shared history that Chao, Executive Chairman of Wah Kwong, the global shipping company founded by his grandfather, seems determined to protect. It is evident that in his world, tradition and culture are not simply relics of the past; they are living, breathing elements essential for navigating the future.

For Chao, the maritime industry is more than a career; it is a family legacy. “My father, who inherited the company from my grandfather, set the foundation, so it runs in the family,” he says. “This inheritance is a responsibility I take seriously.”

His childhood was steeped in the maritime ethos, yet his formative years also diverged from the family path. After completing his education at Durham University in the UK, he dedicated 15 years to the cultural and philanthropic sectors of society. It was in northeast China, working with ethnic minorities, that his passion for heritage and education sprouted. Reflecting on these early experiences, he says, “I learned about preservation before it became a buzzword. Back then, issues of sustainability were rarely discussed.”

When he assumed the chair of Wah Kwong Maritime Transport in 2019, he came armed with the unique perspective that cultural heritage and business operations can coexist harmoniously. The pivotal lessons from his early adulthood now underpin his strategies, allowing him to re-envision the maritime business landscape.

Scholar at the Helm

Chao’s admiration for his grandfather, T.Y. Chao, a “gentleman scholar” with a profound appreciation for Chinese culture, shapes his own leadership style. “I want our company to not only excel in business but also represent and celebrate our cultural values,” he states emphatically.

Elders in the industry recognise his commitment to marrying business efficacy with a consequential grasp of cultural stewardship. “My aim isn’t merely to lead in shipping but to also lead in preserving cultural heritage,” he reiterates. His involvement with the Hong Kong Maritime Museum, and the Institute of Seatransport, which promotes professionalism in the Hong Kong shipping industry, reflects this ethos – nodding to the past while embracing innovation.

Chao is dedicated to educational initiatives aimed at shaping future maritime leaders. He nurtures talent through a corporate-school partnership programme that extends to the northern seaboard provinces of Liaoning and Shandong as well as Shanghai and the Greater Bay Area. This commitment to education embodies his philosophy that preserving cultural identity requires investing in the minds of tomorrow. As he puts it, “Real change requires layers of understanding, and that starts with our youth.”

His fervour for learning and professional excellence further extends to his work with the Maritime Services Training Board of the Hong Kong Vocational Training Council. “Education is not just about textbooks; it’s about understanding our heritage while preparing for the future,” he adds.

Philosopher in Business

Incorporating philosophical thinking into his leadership, Chao asserts that “philosophy is about asking the right questions”. Modern business environments shift rapidly, akin to tides, and adapting requires reflective enquiry and agility. “Understanding the market as a system helps us read the signs and position ourselves wisely,” he elucidates.

It is this adept adaptation rooted in cultural understanding that sets Wah Kwong – founded as a bulk cargo transporter in the 1950s – apart three generations on. Chao advocates for utilising technology as a conduit for preserving traditions. “Look around Hong Kong; it is steeped in rich traditions, yet we are equally at the forefront of modernisation,” he says. By pioneering new media techniques, he melds tech with the arts, viewing this as a valuable intersection for cultural expression.

He relishes the opportunity to reshape how cultural narratives are portrayed and preserved. As a founder and convenor of the Greater Bay Maritime Forum and an instigator of the Hong Kong Chamber of Shipping, launched last year, he lays a framework for collective industry collaboration that spans both culture and business.

His efforts in working with universities to promote cultural documentation and expression further highlight this integration. He strongly believes that understanding culture within a broader ecosystem is vital, warning against isolating events and attempting to preserve them without connecting to the dynamic, living culture surrounding them.

Martial Arts Mentality

Chao’s dedication to cultural preservation is most apparent when it comes to martial arts. Recognised as a significant figure in promoting traditional martial arts in Hong Kong, he has spent the last decade creating pathways between martial arts styles and modern artistic expressions. “At first, many viewed martial arts through a lens of violence,” he recalls. “I sought to change that narrative and instead highlight its cultural significance.”

His initiatives, including the Hong Kong Culture Festival, have infused martial arts with contemporary relevance, bridging gaps between tradition and modern performance. “I dare say no one has done more to preserve martial arts in this city than I have,” he asserts with a discernible note of pride in his voice.

As described by his colleagues and assistant at his wide five-storey office, Chao is a quiet and serious person. And while that may be true – he barely smiles at the beginning of our encounter – he soon reveals a multi-faceted character. He is keenly aware how perceptions through expression and attire can alter narratives. “Yes, I wear suits for important meetings and whatnot, but beneath, I’m just a guy who prefers leather jackets and jeans. This is basically my everyday go-to look,” he chuckles, imbuing a sense of relatability.

His office is lined with family photographs, showcasing a softer side that illuminates his commitment to loved ones. “Seeing my kids happy brings me true fulfilment,” he shares. “My life is a woven tapestry – personal and professional threads intertwined.”

Steering Forward

Chao’s blueprint for success is a long-range vision. He believes achievements today will equate to stepping stones for a more expansive purpose. “We must ensure that the values we instil lead to something sustainable for future generations,” he emphasises. This viewpoint keeps him grounded as he navigates the complexities of maritime operations infused with cultural resonance.

With a forthright perspective on his path, both past and forward, Chao shares the notion that success, particularly in cultural preservation, requires collective stewardship. “If I were to stop, what would happen to all I’ve initiated? Sustainability should be our priority – not individual legacy.”

In a moment of levity interwoven amid serious discussions about legacy, he admits with an infectious laugh that he is not a fan of Game of Thrones, despite displaying an impressive array of war tools reminiscent of characters from popular fantasy shows. “It’s just unrealistic,” he declares, revealing a light-hearted sensitivity that humanises him amid a world often constrained by expectations of seriousness.

Hing Chao stands as a stalwart guardian of the past, a champion of the present, and a visionary architect of an inclusive cultural future. As the interview concludes, we are reminded that beneath his stoic exterior lies an individual driven by profound values that fuse work with cultural preservation. His efforts ensure that while he steers the maritime industry into new waters, he simultaneously upholds the anchors of tradition and heritage that define who we are.

Interview, Text & Art Direction: Joseff Musa|Photographer: Jack Law|Videographer: Jack Fontanilla

Turbo Charged: Dynamism is a family trait for young entrepreneur Ethan Ung, builder of an innovative branded-merchandise empire

Ethan Ung, Managing Director of BrandCharger, is a dynamic and visionary leader who has helped propel his family business to new heights on the global stage. Born and raised in the Netherlands, his journey has been one of cultural duality, entrepreneurial spirit and relentless drive. Dressed in a smart, crisp blue suit and looking every inch like the fashion model he was once, the six-foot millennial entrepreneur reflects on the influences that shaped his career path, and the guiding principles that have led BrandCharger to become a renowned global player in high-end corporate gifting.

“I grew up in Maassluis, a city with 36,000 inhabitants close to the sea and Rotterdam,” he shares. “It was a stress-free time where kids can be kids, and we were in an East-meets-West environment. I spent most of my time in Catholic schools, but at home and with family, we would speak Cantonese and learn about Cantonese culture.”

Ung’s family background, with a mix of Western and Eastern cultures, instilled in him a deep appreciation for diversity and a global mindset – traits that would prove invaluable in his entrepreneurial journey. “Initially I thought I would be working for a corporation, but it grew on me seeing most of my family being entrepreneurs,” he explains.

His admiration of successful business leaders and his own import and distribution experiences further ignited his entrepreneurial spark. “As a Business Administration student, I read about Li Ka-shing, and how he started his career in the manufacturing of plastic flowers and built that into an international business conglomerate,” he says. “And when I was young, my mom would tell me and show newspaper articles about my uncle who built a big business by importing yachts and Lamborghinis into Hong Kong early on.”

Brotherly Bond

Embracing their entrepreneurial legacy, Ethan and his elder brother James ventured into the global branded merchandise industry, founding BrandCharger in the Netherlands in 2011. Taking the helm as Chief Commercial Officer and CEO respectively, they decided almost immediately to relocate the company headquarters to Hong Kong, the gateway to international trade. The duo’s remarkable success can be attributed to their unwavering commitment to building long-term relationships – often with other multi-generation family businesses – fostering a talented and motivated team, and crafting innovative, sustainable and unique products.

“It makes your life less hard on a personal and business level,” says Ung about the importance of family in his life. “Wherever we travel and have meetings at the family businesses we collaborate with, we are treated with a warm and welcoming feeling. On a personal level, my parents love me dearly, and they have always supported and encouraged me to venture and move back to Hong Kong. My brother is my business partner, mentor, sparring partner but also my best friend.”

Charge of the Light-up Brigade

The pivotal moment in the Ungs’ journey to the top was recognising an opportunity to create a unique product – a light-up logo USB car charger. “At that time my brother was working in his ad agency on merchandise for Valvoline [a car lubricant brand] and they were looking for 300,000 items. We came up with the idea of a light-up logo USB car charger and prepared 10 moulds to produce on time at our first factory in Jiangmen [in Guangdong].

“The campaign was a big success, and after it was over we still had the moulds, so we asked our client for permission to sell the charger to other customers. We quickly won the Promotional Product of the Year award at the 2011 Dutch PromZ exhibition and the rest is history.”

BrandCharger has remained committed to creating products that are not only innovative but also sustainable. “Today, 80% of our products are made in a sustainable way,” he says. “That means, for instance, that all our bags are from recycled rPET yarns [polyester made from plastic bottles] whereby our entire value chain is audited. The same goes for our drinkware – we have recently invested in a production line with bulk purchasing of recycled 304 stainless steel. We like to grow and expand but in a sustainable way.”

While the Covid-19 pandemic presented significant challenges, the Ungs weathered the storm thanks to their strong foundations. “I always tell my brother that when Covid happened, we were in a position of triple-digit growth annually from 2017-2019, and hence we had a buffer to deal with bad times. I think it would have been very different if we were just a startup at that time. The biggest lesson of Covid is that the world is resilient, and we always find ways to come back.”

Dutch Drive

Ung’s global mindset and cultural fluency have been instrumental in BrandCharger’s rise, and he believes these attributes are crucial for entrepreneurs looking to expand their reach. “The Netherlands has a rich history and was once a global power in trade through the Dutch East India Company,” he explains. “You could say trade is in the blood of Dutch people; they grow up with the mindset of ‘exploring’.”

“Growing up in the Netherlands, it was a melting pot of different cultures. I got exposed to a lot of different cultures. So it definitely gives you an open mind and helps in doing business.”

Toys for Boys

Beyond his professional accomplishments, Ung has a diverse range of interests and hobbies that keep him grounded and inspired. “I find motorbikes are a nice way to escape,” he notes. “Though I do not recommend this dangerous hobby, you need to pay so much attention to the speed, road and traffic when riding a motorbike that it clears your mind and you can recharge for your next opportunity at work.”

Having grown up by the water (The North Sea), he also favours motor boats: “We have a small motor boat to enjoy swimming and all the beautiful archipelagos, islands and beaches in Hong Kong.” And like many of the new-gen high achievers, he collects watches: “Watches were not always a hobby, but today they are. I love mechanical items and several watches represent milestones in my business career or life.”

Friends and Benefits

As BrandCharger continues to evolve and expand its global footprint, Ung remains focused on strengthening relationships with partners worldwide. “We have been doing business with a large number of our clients for 10 years and, in essence, have become close friends. We want to expand on that feeling of ‘let’s do this together and grow together’.”

His advice for aspiring entrepreneurs is simple yet profound: “Just start something, anything; you may fail but learn significant lessons during the process. Find a good mentor to guide you and hire people who are better than you and complement your skills.”

With his unwavering commitment to innovation, sustainability and global collaboration, Ethan Ung has helped to position BrandCharger as a trailblazer in the branded merchandise industry. As the brothers steer their company to new heights, their story serves as an inspiration for budding entrepreneurs around the world.

Interview, Text and Art Direction by: Joseff Musa Photographer: Jack Law Videographer: Jack Fontanilla

Healer at Heart: The remarkable transformation of Reverend Noreen Siu Richards from party-goer to passionate preacher

Noreen Siu Richards steps out of her airy apartment in Tai Tam Reservoir Road, a short drive from steep, sun-scorched trails filled with hikers, to offer thirst-quenchers to our production team. A 2 pm interview and shoot in the blazing Hong Kong heat is a difficult place to be glamorous, but she accepts the challenge. Back indoors, her powder is set, her cheekbones are lifted and her eyeliner is definitely not creasing as she power walks down the hall.

“Let me show you this red Valentino. Beautiful, isn’t it? This isn’t from the latest collection, but I’d still wear it,” she shares excitedly as she frolics among the rack of designer clothes. Her inexhaustible effervescence in full flow, she then turns to a very different line-up of personal treasures: “And right here is my library – a collection of my thesis and inspirational books. The bible if you may.”

This is a relatively new terrain for her. In a remarkable transformation, Siu Richards has traded in her former life of fashion and frivolity for a calling to help the sick and impoverished through her Hong Kong-based ministry, New Wine Ministries. The second daughter of the late philanthropist tycoon Siu Ming and Julie Siu, who still heads the Women’s Welfare Club (Western District), was once a fixture on the social circuit, spending her evenings at glitzy balls and her afternoons lunching with the city’s elite. But a profound spiritual awakening while she and her architect husband, David Richards, were living in Monaco in the 1990s set her on a disparate path.

After settling in London, she discovered Kensington Temple London City Church in 2002, which later in 2008 inspired her to pursue a master’s degree in Christian Ministry at the Ecclesia Theological Seminary in Tuen Mun. Though she describes it as the “hardest thing she has ever done”, the five-year degree course was completed in an impressive three years, igniting her passion to establish New Wine Ministries Hong Kong in 2011. ‘Reverend Noreen’, as she is now known, works with cancer patients and asylum seekers and refugees, promoting inner healing and community fellowship.

“It’s a complete 180 from my former life,” she admits. “This is the last profession I would expect myself to be in, but I’ve never been more fulfilled. Applying my ‘passion for compassion’ to helping those in physical and mental anguish is my true calling.”

From Fashion to Passion

Siu Richards is a woman of many talents and passions. After earning her MBA in Business Finance and Accounting from the University of British Columbia, she embarked on a career in banking. However, her teenage dream was to become a high-fashion boutique owner, which she went on to fulfil.

“As a teenager, I took a special interest in fashion, and in my career-goal essay at pre-university level, I wrote that I would like to become a high-fashion boutique owner in womenswear and travel to high-fashion centres in Italy and France,” she says with a smile.

True to her word, she would open two maternity-fashion boutiques in Hong Kong called Lady Madonna, then the Primadonna women’s high-fashion boutiques, as well as a franchised boutique, Alma, in the mid-1980s. Years later, witnessing the physical and emotional pain of her brother, who died of cancer, gave her pause to rethink her career and life choices. “My brother’s battle with cancer in itself was enough to motivate me to help others,” she stresses.

Forgiveness and Faith

Her name has now become synonymous with compassion, resilience and an unwavering commitment to helping those in need. She is a firm believer in the power of inner healing – the healing of damaged emotions or memories through unlocking the hurt in the innermost part of our lives and forgiving ourselves and those who have wounded us. She recounts the story of one man with diabetes who went from being in constant pain, requiring four insulin injections per day and losing his sight, to experiencing significantly less pain and needing far less medication after undergoing inner-healing sessions.

The process of forgiveness has been instrumental in her own life and the lives of those she serves. “The strategy is to try to repeat the forgiveness process as many times as needed in order to get rid of our negative emotions,” she explains. “The perpetrators could be those close to us, so the situation will recur, and we need to be able to aggregate our pain and escalate our emotions once again.”

She continues: “The Bible says, ‘Do not let the sun go down while you are still angry’. We are encouraged to forgive as many times and as soon as possible, even daily.” During challenging times, she encourages individuals to stay focused on positive emotions, seek God’s guidance and stay humble by reading God’s word and remaining obedient.

Forgiveness can be a truly transformative power. One woman with cancer whom she helped had long struggled with extreme anger and bitterness towards her husband and mother-in-law. “She would hold on to her grudges, and her emotions were inflamed with anger, hatred and bitterness. She didn’t want any way out, thinking she was avenging the person who had hurt her,” she recalls.

After several sessions, Reverend Noreen was able to guide the woman through the forgiveness process. “She came back the next week looking like a different person. Her face was clearer, and she had a bit of a glow. She had better relationships with her family, friends and colleauges. After a few more sessions, her life was transforming greatly. I worked with her until she was healed and restored. She was converted and came back often for fellowship gatherings. What a miracle in her life!”

Guidance and Freewill

Yet, Siu Richards is aware that her preachings and the Bible are not the sole answers to every problem, especially when addressing mental health issues. “Of course, one has to know that whatever comes from the Bible and from my mouth are mere guidance to a happy life. We all still have our free will. We should always make use of it to do what is right, and we still have to consult with medical experts.”

She remains optimistic about the future, with plans to reach out to more people through social media and expand the scope of her ministry’s work. Her dedication to her religious beliefs is matched only by her commitment to her family. As a wife and mother, she has learned to balance her responsibilities with grace and efficiency. “I value every God-given moment of time to be productive, even time to relax and rest,” she says. “I thank the Lord for giving me energy and strength.”

Ending with an utterance of “God Bless!” as we wrap up, her close and intense way of speaking takes our conversation beyond mere Q&A to the level of intimacy required for sharing relationship stories. Her ability to make a friend of you in a few hours – four hours in the case of our shoot – is legendary. It’s hard not to surrender to her gravitational pull, and her story is a shining example of how one person can make a profound difference in the world.

Ultimately, Reverend Noreen Siu Richards has wholeheartedly embraced her new role as a shepherd for the sick and downtrodden – and it’s as clear as this brilliant summer’s day that she wouldn’t have it any other way.