Experience Classic New York Dining with A Curated Selection of Premium Beef from Eight Nations at New York Cut – Central’s Premier American Steakhouse

A brand-new American steakhouse called New York Cut has debuted in H Queen’s on Central. With an excellent selection of premium beef from eight different nations in Europe, America, and Asia, the restaurant specializes in serving up premium steak dishes. New York Cut is committed to upholding the best standards in beef quality, cuts, rearing practices, and aging processes. It imports beef from the United States, Italy, Spain, Argentina, Australia, the United Kingdom, Japan, and South Korea.

New York Cut takes a contemporary and light-hearted approach to redefining the classic upscale steakhouse concept. The main dining space and bar have an excellent collection of art pieces with a New York theme that guests can admire. Each piece captures the rich cultural diversity and artistic legacy of the city. The restaurant’s unique steaks, which are expertly sourced from all over the world and have rich marbling, soft textures, and juicy delights, are the centrepiece of the menu. Every steak has a distinct flavour character, and the chef offers nine different secret sauce options in addition to making sure each steak is cooked to perfection.

In addition to its signature steaks, the steak house also offers a range of other main course dishes, including grilled whole live cod, roasted lamb chops, pan-seared pork tomahawk, and a classic grilled whole spring chicken. These specialty dishes showcase the culinary expertise of the chefs, ensuring that both steak enthusiasts and those with other preferences can enjoy an exceptional dining experience.

A variety of traditional American desserts are also available at the restaurant, including the velvety and rich “Black Hand” Tiramisu, the moist and fudgy Marilyn Brownie served with the famed Japanese CREMIA Ice Cream, the delicious New York Cheesecake served with homemade raspberry sorbet, and the fluffy Souffle with homemade mango sorbet that is the restaurant’s signature dish.

New York Cut is dedicated to giving its customers an outstanding eating experience. The beef used in the restaurant comes from a number of nations, including Argentina, South Korea, Australia, California, Italy, Spain, and the United Kingdom. The restaurant stands out from other steakhouses because of its dedication to quality and creativity.

New York Cut, 2/F, H Queen’s, 80 Queen’s Road Central, Hong Kong. Tel: +852 2555 0666

Spice It Up: Serving the season’s fiercest looks

SPICE IT UP! Our fashion pages this month are serving the season’s fiercest looks. From the runway to our everyday life, fashion choices allow us to express our individuality and create a visual identity that captures attention. Unlock the key to an extraordinary wardrobe that exudes style, versatility and trendiness with our most loved runway looks.

Look 1

On Her (Left)
Earrings and ring by APM Monaco

Maimee off-the-shoulder crystal-embellished stretch-crepe gown by Safiyaa, courtesy of NET-A-PORTER

Heels by Roger Vivier

On Her (Right)
Hand jewellery by APM Monaco

Olive cape-effect twist-front stretch-jersey gown by Et Ochs., courtesy of NET-A-PORTER

Clutch by Christian Louboutin Heels by Roger Vivier

Look 2

On Her (Left)
Shirt, tie, skirt, handbag and heels by Valentino

On Her (Right)
Shirt, tie, skirt, handbag and heels by Valentino

Look 3

On Her (Left)
Jacket, shirt, handbag and heels by Givenchy

On Her (Right)
Long coat, top, pants and heels by Givenchy

Look 4

iPhone 15 Plus in Pink by Apple

Voilette headband (Jennifer Behr) available at Lane Crawford

Earrings by APM Monaco

Dara one-shoulder cutout plissé-lamé maxi dress by Retrofête, courtesy of NET-A-PORTER

Handbag by Roger Vivier

Heels by Christian Louboutin

Look 5

On Her (Left)
Earrings and rings by Swarovski Shirt

skirt, clutch and heels by Dolce & Gabbana

On Her (Right)
Earrings and rings by Swarovski

Bailey oversized bow barrette (Jennifer Behr) available at Lane Crawford

Trench coat and heels by Dolce & Gabbana

Look 6

On Her (Left)
Earrings and bracelet by Swarovski
Dress and handbag by Hermés

On Her (Right)
Earring and bracelet by Swarovski
Dress and handbag by Versace

Look 7

On Her (Left)
Earrings and necklace by Swarovski
Dress, leggings, handbag and heels by Prada

On Her (Right)
Earrings by APM Monaco Trench coat, dress, handbag and heels by Prada

Look 8

On Her (Left)

Jacket, undergarments, handbag, skirt and heels by Miu Miu

On Her (Right)

Jacket, handbag, undergarments and leggings by Miu Miu

Look 9

iPhone 15 Pro in Natural Titanium by Apple Necklace, ring and bracelet by Swarovski

Celeste cropped sequined mesh top by AJE, courtesy of NET-A-PORTER
Cherie sequined mesh mini skirt by AJE, courtesy of NET-A-PORTER

Clutch and heels by Roger Vivier

Photographer: Jack Law Art Direction & Styling: Jhoshwa Ledesma Videographer: Jack Fontanilla
Models: Shauri (Synergy Model Management Ltd.) & Sofia (Synergy Model Management Ltd.)
Hair and Make-up: Heti Tsang & Owen Ko Venue: ZUMA Hong Kong

Dream Reality: The TV show may have ended, but Deborah Valdez-Hung’s glitzy world is only getting bigger

Standing in the airy foyer of her Residence Bel-Air home, Deborah Valdez-Hung looks exactly like she does in the Netflix reality show Bling Empire: New York – better, actually. With her signature configuration of bronzer, highlighter, contouring, full red lips and skin-tight designer garb, the media star is a natural standout from the handful of staff in the room, or in any room, in fact. Surprisingly, she is softer and daintier in three dimensions than she is in two. If anything is true of Valdez-Hung, it is her endless talent for optical illusions and posing for the camera.

“Let’s get straight right into it?” she asks jokingly. “Welcome. Come right in. Feel free to roam around the house and see which location we should work on for the photos. Everything here is inspired by surrealism and avant-garde.”

She leads the way to a living room containing all things maximalist, from the blue dangling light fixtures to the red velvet walls and unconventionally heart-shaped couches. All these reflect the passionate nature the jetsetter has carried from her humble beginnings in the Mexican desert to the international cities and countries she now calls home from time to time.

Model mission

A former model herself, Valdez-Hung is the owner and chairperson of Dreamodels, one of the city’s and Asia’s premium full-service modelling agencies. She is also somewhat of an influencer, given her high position and glamorous, fast-paced lifestyle that whisks her to fashion shows and other events across the globe. It appears from her Instagram, which has 772,000 followers to date, that she is still modelling and rarely short of a prominent party or exotic location to pose at.

“I have been interested in fashion since I was young,” she shares while adding another row of bling around her neck. “I did not go to a fashion or design school, but my friends have a fondness for fashion, and from there, I learned about the construction of clothing. However, my interests were beyond that, to be completely honest. That’s why I decided to become a model. It is a very competitive industry and everything changes very fast. You have to be creative and daring.”

Food for thought

An employee offers a bottle of Coca-Cola in addition to the already massive spread of branded cookies and fresh fruits prepared for the day. One cannot help but wonder, is this a way to counter the famous scene in the pilot episode of Bling Empire: New York where she was accused of not serving any food? Maybe. Or maybe not. She confesses that she just enjoys food and snacking in general, contrary to what the majority of people might think of models’ dietary habits.

Laughing while munching on lychees, she says, nonchalance personified: “I knew this would be brought up. But yes, oh my gosh! I love snacking, especially at midnight.”

She’s svelte and looks fresher and more vulnerable than she does. From the word go, Deborah is unflinchingly honest and not afraid to tackle the heavy stuff. On the other hand, her beauty is both striking and earthy.

“Modelling was also an opportunity for me to travel the world. As a kid, and up to now, I am always amazed on how rich culture can be of a certain country. The modeling stint was offered to me, and looking back, I think it would be silly of me to pass on such great opportunity.”

Denting momentarily her ultra-glam image, she admits to preferring flats and sneakers to high heels especially since she is always on the go. Despite this assertion, her landscape is one populated by diamonds, private jets and rose bouquets larger than many studio apartments here. It’s a cross-platform, finely tuned optics juggernaut that requires constant maintenance and, she insists justifiably, a lot of work.

Legal aim

Before the Hong Kong socialite lifestyle and the reality TV fame, Valdez was a practising civil lawyer in Mexico and Europe.

“I decided to be a lawyer as I wanted to help people and to have a bigger purpose in life,” she shares. “But I was also heavily influenced by my father who also has a background in law. Growing up, I was always fascinated listening to his stories and work experiences.”

And in all business situations, her legal training and background is helpful. She launched Dreamodels in 2012, the same year of her marriage to wealthy and flamboyant Hong Kong businessman Stephen Hung, whom she also teasingly dubs as her number-one fan and social media manager.

“Is this pose okay? Try taking it from a top view,” she instructs of her husband who is snapping behind-the-scenes photos of our shoot to post on her Instagram account. “Humour and laughter are parts of our culture in Mexico. I think that’s what makes us unique.”

Animal magnetism

Other cherished members of the household are not to be left out.

“Chiquita! Tan Hermosa!” she coos in her most loving Mexican-Spanish lilt as her dogs scamper over to join her for a photo.

There’s no question that her grueling upkeep routine is working. On the topic of animals, whose rights she strongly advocates, she becomes emphatic. She is a fur mum to two Chihuahuas who own a bedroom and a closet of their own, and she enjoys playing dress up and matching Chanel outfits with them.

“If I have all the means and energy, something I would be ecstatic about doing every day for the rest of my life is to free animals from cages, zoos and labs. I would like to volunteer and dedicate my time in helping a few animal protection associations. Or maybe I’m being too ambitious? I don’t know. But I think as humans, we should value and respect animals’ lives. At the end of the day, we are all God’s creations cohabitating on this planet,” she says fervently.

Back in her early days in Mexico, the millennial reality TV star was raised in a Christian family’s household.

Passion project

As to the legacy she wants to leave, she is starting a company specialising in accessories and faux-fur coats. “I am giving all my love to my family, friends and pets with this project. They are more than my inspirations in doing all of these things. They are my motivators too,” she says. “Passion and fashion will always be part of my DNA.”

In addition to being a person of influence, Valdez-Hung is without a doubt an “it”: a vector of debate, a media property, a mover of markets, an engine of consumer behaviour, a symbol, a brand, a cipher. As she sits at her home office table discussing work, food, dogs and life, she embodies the glamorous woman her fans aspire to.

Her husband suggests she does one more pose with her dazzling pink Rolls-Royce and is denied: “Pass. That’s been done to death.” Job done, she gets up without a murmur and, like the 6 pm sun slipping below the horizon, quietly exits the frame.

Interview & Art Direction: Joseff Musa Photographer: Jack Law Videographer: Jack Fontanilla Fashion Stylist: Jhoshwa Ledesma

Hong Kong International Optical Fair

Register now for free admission

For the best and most spectacular eyewear products available in the market, the Hong Kong International Optical Fair is the place to be, an event which is sure to attract the attention of huge numbers of sourcing professionals. The Fairwill be held from 8-10 Nov 2023 at the Hong Kong Convention and Exhibition Centre. Organised by the Hong Kong Trade Development Council (HKTDC), the 31st edition will return in EXHIBITION+ hybrid model, complemented by the “Click2Match”, an online smart business matching platform that will operate on 1-17 November, providing a convenient and efficient platform for traders to connect.

International pavilions

This year, the fair includes group pavilions representing Italy, Japan, Korea, Taiwan, Visionaries of Style (VOS) as well as the Hong Kong Optical Manufacturers Association (HKOMA). The Mainland China pavilion will gather exhibitors from Yingtan of Jiangxi Province, Danyang of Jiangsu Province, Wenzhou of Zhejiang Province and Shenzhen of Guangdong Province.

The highlighted Brand Name Gallery will house around 100 well-known brands from around the world. New exhibiting brands include ANNA SUI (US), agnès b (France), Gold and Wood (France), Santa Monica (Japan), TED BAKER (US), LASH (Korea), as well as returning prestigious international brands such as MINIMA (France) and STEPPER (Germany), etc. Eyewear Parades by professional models will be held to show different stylish outlooks of eyewear.

Hong Kong brands including BIG HORN and bTd amongst others are also not to be missed. The Hong Kong Optical Manufacturers Association (HKOMA) will set up an eyewear design gallery with the theme of “Promoting Hong Kong’s Outstanding Innovative Eyewear” to promote Hong Kong’s creative eyewear designs and the 3D technology elements involved.

Demand growth

Demand for smart glasses continues to grow in the global market. The new “Smart Eyewear” zone this year aims to answer this rising demand. Hong Kong exhibitor Solos Technology Limited and US exhibitor Zulu Inc. will showcase their latest smart glasses products. The Fair also includes other themed zones, spotlighting a wide variety of products ranging from professional eyewear, accessories, frames, lenses, diagnostic instruments to optometric instruments.

The fairs will also introduce the “Scan2Match” which enables offline-to-online connections. By using the HKTDC Marketplace App, buyers can scan the dedicated QR codes of exhibitors to bookmark their favourite exhibitors, browse product information and e-floorplan, chat with exhibitors even after the fair to continue the sourcing journey.

A selection of exhibitors are shown below:

Exhibitor: Arts Optical Company Limited

Country/Region: Hong Kong

Brand: STEPPER

Zone: Brand Name Gallery

Booth: GH-J03

Exhibitor: Mech-Tronic Precision Manufacturing Limited

Country/Region: Hong Kong

Brand: bTd

Zone: Brand Name Gallery

Booth: GH-R10

Exhibitor: Mondottica Asia Trading Limited

Country/Region: Hong Kong

Brand: Anna Sui

Zone: Brand Name Gallery

Booth: GH-E12

Exhibitor: Wenzhou Conway Light Industry Co. Ltd

Country/Region: Mainland China

Brand: CONWAY

Zone: Smart Eyewear

Booth: 1CON-054

Exhibitor: RayMaterials Co., Ltd

Country/Region: Korea

Brand: RayFog

Zone: Korea Pavilion

Booth: 1C-F15

Exhibitor: Wing Fung Optical International Limited

Country/Region: Hong Kong

Brand: Big HORN

Zone: Frames, Lenses & Parts

Booth: 1D-G02

Exhibitor: Interojo Inc.

Country/Region: Korea

Brand: Clalen

Zone: Contact Lenses & Accessories

Booth: 1C-F01

Exhibitor: Astucci International Limited

Country/Region: Hong Kong

Brand: ASTUCCI

Zone: Eyewear Accessories

Booth: 1D-D23

Exhibitor: Neway Macao Commercial Ltd

Country/Region: Macau

Brand: Natura

Zone: Brand Name Gallery

Booth: GH-E30

Register now for free admission

Retro Revolution: Old and new harmonise in contemporary re-editions with a vintage vibe

For many avid collectors, there is a timeless charm about watches with the look and feel of classics. Couple that with a desire for the increased sophistication of modern technology and you have the underlying demand worldwide for vintage-inspired timepieces.

Some watchmakers tap into this combined love for the old and the new by reissuing cherished models with technical tweaks that add finesse and superior performance. Take Vacheron Constantin’s reissue of the famous 222, which itself was launched in 1977 to celebrate the 222nd anniversary of the manufacture. This contemporary reinterpretation nevertheless maintains the cultural heritage of the original model which heralded entry into the ‘sporty- chic’ watch category.

Vacheron Constantin 222

The Historiques 222 ‘Jumbo’ re-edition keeps the 1977’s monobloc tonneau-shaped countenance and 37mm diameter but comes with minor changes. Certain modifications have better readability and increased comfort in mind, such as offsetting the date window from the outer rim of the dial, or the Super-LumiNova coating of the hands and hour-markers, while the 18-carat yellow gold vertical satin-finished bracelet promises enhanced ergonomics. With a caseback designed to reveal its operation, Vacheron Constantin’s own Calibre 2455/2 movement was specially developed for this Historiques revival and delivers superior precision; the calibre’s oscillating weight has been etched with the original 222 logo.

Cartier Tank Cintree

Cartier’s famous Tank was launched over a century ago and the Maison has various collections that pay homage to a watch that dispensed with the traditional round-shaped dial. In 1921, the Tank Cintrée stunned the watch-buying public with slender, slightly curved rectangular lines that hug the wrist. Cartier has released several so-called Rééditions of past watches that mimic the original format as much as possible.

A centenary edition of the Tank Cintrée in yellow gold was released in 2021, and now Cartier is returning with another re-edition of the elegant original in platinum. Refinements are numerous; amongst others, a 6.03mm-thick case and brancards with finishes that are polished on the verticals and matte on the horizontals. The watch retains its faith in the Cartier heritage, sporting a movement with manual winding, rail tracks, Roman numerals, an eggshell dial and apple-shaped blued hands.

Breitling is another watchmaker that has released vintage-inspired models that hark back to earlier timepieces. This year sees new iterations of the 1953 Ref. 765 AVI, an aviator’s watch that famously came with a rotating 12-hour bezel for recording flight times. The original AVI incited a 46mm timepiece – the Super AVI – released in 2021, and now the beloved predecessor spawns another complicated imitation, the Classic AVI Chronograph 42.

Breitling Classic AVI Chronograph 42 P-51 Mustang

The new watches retain the distinctive colour schemes and design codes of the original that nod to classic aircraft in aviation history. The Classic AVI Chronograph 42 P-51 Mustang in 18-carat red gold is the standout.

The mysteries behind the wandering hours mechanism inspired Audemars Piguet to introduce the Starwheel watch in 1991. With interesting historical roots, the unusual timekeeping system stems from a request in the 17th century from the insomnia-suffering Pope Alexander VII for a silent, easy-to-read night clock. The solution presented to the pontiff involved a device lit from the inside where the quarter-hour marks appeared in a semi-circle in an aperture. Progressively, the silent wandering hours system developed in pocket watches with the minutes being graduated for greater precision. The mechanism remained hidden and its popularity waned. Upon being rediscovered by Audemars Piguet in 1989, intense development saw the wandering hours complication return from 1991 to 2003 in a watch that revealed its magnificent mechanism on the dial – named the ‘star wheels’.

Code 11.59 Audemars Piguet Starwheel

A revived Starwheel reference in splendid black ceramic and 18-carat white gold joined the bold Code 11.59 by Audemars Piguet collection late last year, utilising the next-generation self-winding Calibre 4310. An ultra-contemporary tribute to traditional watchmaking, and equipped just with a seconds hand, the Code 11.59 by Audemars Piguet Starwheel indicates the time using three discs that point to a 120-degree scale graduated with 60 minutes.

Patek Philippe Ref. 5261R- 001 Aquanaut Luce Annual Calendar

The recent release of the Ref. 5261R-001 Aquanaut Luce Annual Calendar by Patek Philippe adds another dimension to the Aquanaut Luce collection and hints at the past by featuring the manufacture’s patented Annual Calendar mechanism from 1996. Rooting back to the 1990s Aquanaut, this most recent addition to a line styled for women’s wrists is powered by the self-winding Calibre 26-330 S QA LU. The inversion of the annual calendar creates an unusual display: date at 6 o’clock, moon phases at 12 o’clock, both in apertures, while day is displayed at 3 o’clock and month at 9 o’clock in subdials. Among other Patek Philippe watches rocking a retro vibe, the Ref. 5172G Chronograph Salmon Dial oozes vintage charm with its opaline rose-gilded dial and gold hours/minutes hands.

Rolex Perpetual 1908

Taking inspiration from one of the first Rolex watches to be fitted with the Perpetual rotor, the newly released Perpetual 1908 is another timepiece paying homage to traditional watchmaking. Its 9.5mm-thick case, crafted from 18-carat yellow gold, houses a Calibre 7140 mechanical movement offering bidirectional self-winding via a perpetual rotor.

Omega Speedmaster Moonwatch 321 Stainless Steel

The release of the Omega Speedmaster Moonwatch 321 Stainless Steel brings with it a connection the watchmaker’s past and its moon- landing legacy. The recreation of the Calibre 321 movement has the specifications of the original.

Agent Of Good: Arts for Good’s Amanda Hong Sun is on a mission to inspire and connect the next generations

For the Founder and Director of Arts for Good Foundation, a value-driven social enterprise established in 2020 to foster inclusion through the power of the arts, appreciating treasured moments comes top of the list.

“Time has always been the most beautiful thing in my life, personally or professionally. I always see things first on time value, and how things change,” she says as we meet at the recently opened ESG Innovation Hub in Central and contemplate life against the backdrop of superb city and harbour views. Time transcends materialistic worth as it can never be replaced, and this intangible aspect undoubtedly appeals to her altruistic nature. “I value quality time, quality connection, quality relationships, which are all my priorities,” she shares.

Sun has spent her own time wisely as she embarked on a “self-discovery path” through life. Her family in China had a great passion for sports and wanted her to start her career by working for the Beijing Olympics in 2008. Perhaps with this seed implanted in her mind, she pursued recreation and leisure studies at a university in Canada.

A deeper love

Her time spent in Canada fostered another, deeper interest: art. Though her early years had spawned a love of a “making culture”, art had never been considered a career, not even as a hobby. “I developed my deeper love [for art] in Canada; there were many international arts festivals and great museums that connected me with nature and communities’ stories that I grew up with,” she explains. “I started knowing and building connections with artists, some from Hong Kong as well.”

Her love of the arts blossomed over the years, but making it her career was never her first thought. She just kept searching for what made her feel fulfilled at each stage of her life, perhaps changing her perspectives and making new decisions. “I think life brings arts to me, or the other way round,” she says wistfully and rather philosophically.

Giving back

During her 12 years in Hong Kong, Sun has been involved in education. As a researcher at the Education University of Hong Kong and later the Hong Kong Academy for Gifted Education, she worked in programme evaluation and learned the theories that underpin it and how arts play a key role in education. She has also undertaken a multitude of voluntary and charity work. “Giving and serving others is important to me,” she says. “Someone once told me, ‘life has no meaning if we can’t serve others anymore’. I found it matters a lot to me.”

All of this work and life experience played an embryonic role in her Arts for Good social enterprise. From daily observations of people she met from diverse demographic backgrounds – including children and youths from subdivided housing, expat families and local school students – she would endeavour to understand the deep- rooted causes of social issues and imagine a different future.

Art in society

“Through Arts for Good, we bring new perspectives of looking at social issues and how we can sustainably and multidimensionally create differences through and with the arts,” she says, expressing her mission statement. The foundation aims to provide high-quality value-based and age- appropriate art viewing, art-integrated learning projects and community service experiences for students aged from 9 to 22 in Hong Kong. Children and youths – society’s future leaders – are the target and projects are organised throughout the year, all tailored to the students they serve, as well as meeting stakeholders’ needs.

More generally, she is a passionate advocate of the power of art in society. “The arts raise perspectives of how we perceive each other, and how we interact with each other. We look at art in a civic landscape; it builds communities and helps to find our commonalities and inspire connections,” she attests.

Agent of change

Sun believes the timing of her venture was spot on. “Compared to 13 years ago when I came to Hong Kong, I think young people are now seeking more than just a paid job. For example, they want career diversity, maturity of our cultural offerings, diversity of life choices; young people are more seeking meaning and purpose in life compared to a decade ago.”

She stresses that she does not feel there is a general deficiency in cultural learning and arts appreciation in Hong Kong; it is the relevancy and agency of this learning that are her prime considerations. Her enterprise has raised fresh viewpoints on the social power of art and brought with it a new definition of social inclusion.

“We are a change agent; we need to keep changing in order to meet the needs of the young people we serve together with our stakeholders. That is [one] reason why we wanted Arts for Good to be a social enterprise, not an NGO,” she says.

Common humanity

Her enterprise educates and advocates that young people be respectful of any differences in our communities and ethical in the treatment of others. Part of its mission is to foster common cultural identities for future generations, and engage children and youths to seek common humanity values and make positive changes together. She notes: “They are not told or taught by us or by any experts. They are the ones to tell their stories for their own future in Hong Kong. We are here to support and to facilitate.”

Arts for Good is possibly the first social enterprise to aim for sustainability goals through and with the arts in Hong Kong. “We have specific sustainable goals that we hope to achieve with our key stakeholders in a long timeframe,” she says.

Inspiring fellows

Having been accepted for the Singapore International Foundation Arts for Good fellowship last year, Sun gained deeper and broader insight into how art has helped people living in less developed countries and communities. “I heard many inspiring stories, like one of my fellows from Vietnam who is a young hip-hop dancer. His story of saving lives of street children through hip-hop dancing, and reducing the crime rate within his community is inspiring and touching,” she reveals.

Stories such as these have made her more aware of the privileges that come with living in Hong Kong. “There are many children and youths who have suffered from all sorts of challenges and even threats in this troubled world, which is just heartbreaking. We just need to do our bit to make it a better place,” she says with a natural warmth that radiates from deep inside her soul.

Having now found her own niche in the arts and social impact, would she recommend it as a career choice? Flashing a winning smile, she says: “I advocate career diversity and choices no matter what [a young person wants to do in life]. I advocate arts in a beautiful life and to see life as pieces of beautiful art.”

Line Managers: Our pick of skincare using new technology to target an age-old situation

Of the many remedies marketed for ageing skin, those that target fine lines and texture make the most difference over time. Creams for mature skin, according to experts, differ from other formulations in that they focus exclusively on preventing and treating fine lines and texture – the direct results of the natural ageing process – compared to formulae that tackle all visible indicators of advancing years (think dark spots and dullness).

Along with retinol, peptides, growth factors, vitamin C and hyaluronic acid are key components of what specialists call the greatest creams for aged skin. It will take time for products enriched with these ingredients to improve the skin. However, overall, you will see less texture, more radiance and more bounce – as long as you exfoliate and moisturise regularly – making skin look more youthful. Most importantly, it is still crucial to use sunscreen frequently to protect your skin from damaging UV radiation.

Clé de Peau Beauté La Crème

With over 60 carefully chosen ingredients and the Japanese brand’s youth-enhancing Skin-Empowering Illuminator, Clé de Peau Beauté’s La Crème goes above and beyond the average night cream. It works while you sleep to plump, regenerate and reveal luminous, supple skin by sunrise. It was created using more than 100 precise processes to refine its texture and is based on significant research into the behaviour of the complexion as you sleep. It reacts to variations in skin temperature and enhances blood flow throughout the night to improve density.

Dr Sebagh Supreme Neck Lift

Supreme Neck Lift’s amazing recipe contains a wide variety of preventive and skin- boosting moisturisers and active substances that protect, firm and lift the skin. It was created by Jean-Louis Sebagh, the French cosmetic doctor, to help restore firmness and elasticity at the neck and décolleté. With regular application of Supreme Neck Lift in the morning and at night, skin will look and feel tighter overall, and the neck and décolleté will be smoother and cleaner with greater suppleness.

Evidens de Beauté The Day Moisturizer

This luxurious cream imparts instant softness and relaxation to the skin, with its effectiveness the outcome of a balance between internal stimulation and external protection. The Day Moisturizer revitalises skin while minimising both fine and more severe wrinkles. Infused with the French- Japanese brand’s proprietary Qai Complex, Triple Collagen and moisturising and revitalising ingredients, it gives the face more youth, radiance and firmness.

Helena Rubinstein Powercell Night Repair Cream

This night-time boost from Helena Rubinstein’s Powercell line is a rich yet lightweight defence against daily damage. It is formulated with a core of native plant cells, aqua keep and glycerine, a combination that works to restore vitality and the skin’s natural hydrolipidic film. A plump, well-hydrated complexion with fewer symptoms of ageing greets you in the morning.

La Prairie Platinum Rare Cellular Night Elixir

Platinum Rare Cellular Night Elixir is a potent skin-rejuvenating product from the storied Swiss brand that promotes the four processes essential for the skin to fully regenerate – detoxification, nutrition, breathing and immunity boosting. For the first time, a single, remarkable recipe embraces a special combination of rare, active substances to address these four crucial roles.

Murad Retinol Youth Renewal Night Cream

This nourishing retinol night cream from one of the first clinical skincare brands significantly enhances firmness and brightness. It also minimises lines and deep wrinkles, evens skin tone and moisturises. Founder Dr. Howard Murad uses Retinol Tri-Active Technology, which has niacinamide and picolinamide to reinforce the skin barrier and smooth texture, in a product that quickly renews your face while being gentle enough for nightly use.

Natura Bissé C+C Vitamin Cream

This outstanding cream, which is made with a remarkable quantity of vitamin C, gives superficially or thoroughly dry skin back its elasticity, tone and firmness. As an added bonus, Barcelona-based Natura Bissé blends three types of vitamin C antioxidants and collagen with revitalising components that serve to strengthen the effect against free radicals.

Paula’s Choice Clinical Retinol + Bakuchiol Treatment

The choice of US personality Paula Begoun, this product from the Clinical treatment line is ideal for intermediate retinol users. Triple-action retinol, plant-derived bakuchiol and peptides support collagen-depleted skin to target fine lines, deep wrinkles, enlarged pores and loss of firmness. A moderate retinol strength of 0.3% and 2% bakuchiol works to achieve multi-level repair and rejuvenation.

Sensai Cellular Performance Extra Intensive Cream

Endowed with high-end oils that meld with the skin to revitalise its appearance and feel, Sensai’s new Extra Intensive Series is billed to help regain lost suppleness, hydration and translucency after just one day. Then, month after month, it encourages the skin to maintain its natural beauty, becoming silkier and more luminous. A high concentration of Hyaluronate/ Collagen Booster – part of the Japanese brand’s Advanced CPX Vital Extract – provides additional hydration for firmness.

Out Of Money: We stand on the cusp of a cashless society but will it be welcomed by all?

Cash was once king, but talk of a cashless society has been doing the rounds for decades. Recent global developments have brought that state of play even closer, casting a heavier pall on the usefulness of cash – banknotes and coins – in daily commercial activities.

Among its lesser known consequences, the Covid-19 pandemic affected consumers’ payment habits– for some it instilled a fear of handling cash. Research into the impact of Covid on European payment habits by Cranfield University suggests the virus had a dual effect: not only did it push people to use cashless payments in shops, but it also increased online cashless transactions.

Covid cash crash

Andrea Moro, Professor of Entrepreneurial Finance at the Cranfield School of Management, who was part of the research team, believes the global pandemic accelerated pre-existing trends. “Concerns about Covid transmission via touching banknotes or coins that can be infected and the desire to reduce physical contact with others to the bare minimum reinforced and amplified a previous trend towards cashless transactions by increasing the use of cashless payment methods,” he says.

Moro, who previously worked as a senior financial advisor at a consulting firm owned by a group of Italian banks, adds their research suggests the change away from cash payment is longterm or permanent. For many, there came a realisation that concerns about personal information being misappropriated or that “money can be stolen from their bank” were not grounded in fact. “In some way people discovered an alternative way for paying for their shopping and they liked it,” he says.

Intriguingly, it was mainly members of the older generation whose payment habits shifted. Prior to Covid, this age group had demonstrated an affinity for traditional cash-based transactions; they were less prone to credit card usage and quite resistant to innovative payment services such as Apple Pay and Google Pay. As Moro points out, younger people were already using cashless payments before the outbreak.

In essence, reveals Moro, the pandemic consolidated the growing trend of cashless payments, which had begun in the ’80s and ’90s with the increased use of debit and credit cards and exploded with the introduction of mobile payment services. Recent data suggests 21 per cent of global retail purchases this year will take place online.

Cashless drivers

The arrival of technology allowing for the implementation of transactions that are perceived to be secure is a key driver towards a cashless future, notes Moro. “The fact that even if someone steals my phone, they will not be able to use the payment system set up on the phone because of the password/finger protection, has reassured users who nowadays find this approach even more secure than cash,” he says.

Moro favours the move to a cashless society: “It reduces costs, simplifies our life, speeds up transactions and makes them more secure and can also have a positive environmental effect.” He cites the risks of losing cash or receiving fake banknotes, and warns that cash has historically been used for illegal transactions where buyer and seller do not want the exchange to be trackable.

He links the desire to cling onto cash to those who struggle with technology or work jobs that are traditionally paid in cash.

China e-payment push

In many places including China, which has been quicker than most to embrace electronic payment, digital platforms will undoubtedly continue to erode the percentage of cash-based transactions. According to Professor Jack Poon of the Hong Kong Polytechnic University (PolyU), a fintech expert who advises artificial intelligence and blockchain startups, the prerequisites of a cashless society are smartphone penetration, availability of wireless broadband networks (4G, 5G), and the inadequacy of existing payment infrastructure within the country.

The demographic of the population also plays an important role. Younger generations, higher income groups and well-educated segments are more receptive to technology adoption than older generations, lower income groups and less educated segments, respectively.

Developing economies like India are also showing a huge uptake in mobile cash payments to the benefit of many marginalised communities with platforms like the Unified Payments Interface (UPI) allowing for fast account-to-account transfer using fintech apps such as PhonePe or Google Pay. China’s Alipay and WeChat Pay models, where the consumer scans a QR Code and payment is debited directly from the balance or through an affiliated bank account or another form of payment (like a credit card), have proved extremely popular.

Digital wallets are pervasive in China. “From a business standpoint, digital wallet providers are incentivised to acquire more customers because a larger customer base enables other forms of business models for additional revenue streams,” says Poon. Though by law, cash must be accepted as a legal tender in mainland China, he points out e-payment lowers the cost and risk of cash management, increases transaction efficiency and scales a business across multiple geographies (within a country) faster.

Kent Matthews, professor of banking and finance at Cardiff University, says so much of officialdom in China leans on technology that is only natural that this would eventually extend down to transactions at street markets as well as shops.

Hong Kong digital delay

Here in Hong Kong, the recent adoption of different forms of cashless payments is widely perceived to have been driven by their widespread implementation across the border. Certainly, the consumption voucher scheme has accelerated the use of digital payments by WeChat Pay, Alipay and Octopus.

But according to one local banking professional, the territory still lags far behind other places in terms of becoming a cashless society. “There are a lot of limitations and regulations regarding the implementation and promotion of developing cashless transactions in Hong Kong,” he says.

From his perspective as a banker, he believes the financial regulators in Hong Kong are conservative in implementing cashless methods because there is a lot of risk inherited, especially fraud and data leakage. “For most people in Hong Kong, cashless transactions are just for minor transactions like transportation, buying daily supplies and paying bills,” he says.

There is an apparent unwillingness to change consumption behaviour, particularly among the older generation, fuelled in part by numerous recent fraud cases. Ada Chung Lai-ling, Hong Kong’s Privacy Commissioner for Personal Data, recently voiced fears about online shopping platforms, citing evidence of data security incidents and phishing attacks.

Despite the many challenges in Hong Kong, a fintech adoption survey conducted by PolyU revealed that 91% of the 2,000-plus respondents had adopted e-payment in Hong Kong.

Disruptive fintech

The credit card model of payment in the West is strongly built, according to Poon, and is unlikely to be dismantled. He does suggest there are multiple fintech companies trying to break into this ecosystem and fill the gaps “like payments among friends when you share a lunch meal, or the buy- now-pay-later (BNPL) disruption to the traditional card model”.

He believes crypto is only an alternative to cash or e-payment in countries where the sovereign currency is experiencing significant devaluation.

Heritage Pilgrimage: Restored and ordinarily repurposed, Hong Kong’s remaining old buildings prompt trips down memory lane

In Hong Kong, it is not uncommon to demolish buildings that are only 30 years old (or younger) in order to make room for dazzling new office towers or public housing blocks. However, a new trend has evolved – turning grand buildings constructed during the 150 years of British colonial rule into hip places to dine, stay, and oddly enough, take in some culture. Escaping the fate of countless others that were destroyed, some historic buildings have survived to the present day and are prospering with a new life and purpose. While Hong Kong is famous for its contemporary skyscrapers, the city has more to offer.

Privately owned old buildings, on the other hand, might be difficult to preserve since owners may be able to request their demolition or redevelopment regardless of their historical legacy. Unless the property is declared a monument, the owner has the right to demolish it even if it is a graded building or demonstrates exceptional value. The government typically stays out of legal disputes between conservationists who want to preserve Hong Kong’s heritage and owners who can make money by replacing old with new. As a result, protecting these structures requires the help of the public who must stand up to stop heritage buildings from coming down.

Successful preservation projects are those that match the neighbourhood, do not cause an undue disturbance, and help society learn more about the past. The onus is on the government, the courts and the community to act more responsibly, recognise historic structures as a form of publicly owned treasure and take steps to prevent them from being hijacked by developers. We stop by seven restored buildings whose legacies can still be appreciated today.

1881 Heritage

The former Marine Police Headquarters that stood atop a hillock in the centre of Tsim Sha Tsui from 1884 to 1996 has been revitalised and reincorporated into the modern urban fabric of the neighbourhood. After considerable restoration and conservation work, a cultural and shopping landmark called 1881 Heritage, was created. Opened in 2019, it is home to upscale stores and restaurants, trendy bars, a heritage hotel and an exhibition hall where visitors can learn about the site’s history.

Blue House

A historic group of structures distinguished by their vivid colour has withstood the test of time. One cannot miss the Blue House, a four-house, four-storey balcony-type tenement block with a blend of Chinese and Western architectural elements situated in Stone Nullah Lane in the city’s Wan Chai neighbourhood. Built in 1922, this grade-one historic structure is an eye-catching example of a tong lau, or tenement building, commonly constructed in southern China and Southeast Asia in the late 19th century. The stunning blue exterior inspiring its moniker, the Blue House has come to represent a relatively uncommon Hong Kong success story in urban conservation. It received a Unesco Asia-Pacific Award of Excellence for Cultural Heritage Conservation in 2017.

Court of Final Appeal

One of Central’s most recognisable structures provides a neo-classical visual contrast amid a sea of high-rises. Constructed in 1912, the Court of Final Appeal Building – also known as the Old Supreme Court Building – has been designated as a monument. The two-storey granite structure supported by ionic columns is also noted for the 2.7-metre-tall, blindfolded statue of Themis, the Greek goddess of justice and law, that surmounts its central pediment; below is a semi-circular window topped by a carving of the British Royal Coat of Arms. One may take a tour of the premises and watch court proceedings.

Lui Seng Chun

This magnificent corner tong lau shophouse, designed by architect W.H. Bourne, once housed a bone-setting business and the Lui family’s private dwelling. It is now a Declared Monument. Its architecture is characteristic of the period’s hybrid Chinese-Western design, with large verandahs that made it possible to live indoors and outside in the absence of air conditioning. Even though all of its neighboring structures were renovated, the home managed to endure. In 2012, it underwent restoration and was turned into a Chinese medical center. Don’t overlook the exhibition and herbal tea shop on the ground floor.

Tai Kwun

As one of the most expensive real-estate markets in the world, Hong Kong doesn’t waste any space – which is why finding a location like the Tai Kwun Centre for Heritage and Arts is so refreshing. This historic heritage regeneration project, which officially opened in 2018 along Hollywood Road in Central, boasts a sizable courtyard encircled by 16 buildings from the colonial era and lush trees set over six acres. The following year it won the Unesco Award of Excellence for Cultural Heritage Conservation. A unicorn in Hong Kong, it is a free, open and laid-back area that more than lives up to its promise of offering engaging artistic, cultural, culinary and shopping experiences. Arriving at Tai Kwun on any given day, one will find a calendar of events that includes changing exhibitions, art installations, performances, films, concerts and storytelling spaces as well as regular tours.

The Clock Tower

Standing 44 metres high, the Clock Tower was built as part of the Kowloon-Canton Railway terminus in Tsim Sha Tsui in 1915. The once-bustling station is now gone, but this red brick and granite tower is still standing as a graceful relic of the Steam Age. It was declared a monument in 1990, and certainly, the millions of Chinese immigrants who passed through the terminus on their way to start a new life in Hong Kong or another part of the globe would have found it a memorable landmark. The bronze bell that had chimed from 1921 to 1976 was restored to its rightful place in the tower in 2021 in honour of its centennial.

Western Market

The oldest market building still standing in Hong Kong, Western Market occupies a whole block between Connaught Road Central and Des Voeux Road Central in Sheung Wan. The red-brick Edwardian-style structure has a granite entrance and prominent corner towers; it was completed in 1906 and sold produce until 1988. Today, it is home to cafés, restaurants, curio shops and fabric merchants who were relocated from stalls in adjacent lanes after it was refurbished and reopened in 1991. Visitors to this historic site may want to travel here by another still thriving vestige of Hong Kong heritage – Western Market is one of Hong Kong Tramways’ seven terminuses.

Mono Modernity: Less is more for the quiet luxury trend

Look 1

On Her
Dress, tie, mini handbag and boots by Valentino

On Him
Trench coat, top, tie, cross- body bag, shorts and boots by Valentino

Look 2

On Her
Necklace and rings by Chopard
Dress and handbag by Miu Miu

On Him
Sweater, belt and pants by Zegna
Handbag by Ferragamo Scandals by Christian Louboutin

Look 3

On Her
Necklaces and ring by Messika
Turtle neck sweater, jacket and pants by Isabel Marant Handbag by Maison Margiela
Slingback pumps by Roger Vivier

On Him
Rings, bracelet, jacket, top and pants by Gucci

Look 4

On Her
Earrings and rings by FRED Jacket, handbag and pencil skirt by Prada

On Him
Bracelets by FRED Cardigan, jacket, handbag and pants by Prada

Look 5

On Her
Earrings, necklace and rings by Tiffany & Co. Dress by Loewe Handbag by Dior
High knee boots by Christian Louboutin

On Him
Bracelet by Tiffany & Co. Jacket and pants by Loewe

Look 6

On Her
Scarf, trench coat, pants and boots by Hermès

On Him
Top, vest, pants and boots by Hermès

Look 7

Earrings and ring by Chopard Torin strapless feather-trimmed sequined crepe
mini dress by RETROFÊTE, courtesy of Net-A-Porter Heels by Christina Louboutin

Look 8

On Her
Earrings, necklace and ring by Messika Dress by Chloé

On Him
Jacket and pants by Dolce & Gabbana

Look 9

Ring and bracelet by Chopard Jacket and pants by Diesel

Photographer: Jack Law Art Direction & Styling: Jhoshwa Ledesma Videographer: Jack Fontanilla Female Model: Iris F (Quest Artists & Models) Male Model: Kostya D (Quest Artists & Models) Hair and Make-up: Owen Ko & Joenny Lau

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