All About Pugh: From Lady Macbeth to the Black Widow, Florence Pugh brings charisma to a marvellously varied cast of characters

Florence Pugh is one of the most compelling and dynamic actors of her generation. Her performances are powerful, nuanced and filled with a depth that keeps audiences captivated. Since her breakout role in Lady Macbeth almost a decade ago, the 29-year-old from Oxford, England, has established herself as one of Hollywood’s most exciting and versatile talents, appearing in acclaimed dramas, horror films, indie projects and blockbuster franchises. From her emotionally intense roles to her charismatic presence on- and off-screen, she is impossible to overlook.

Born on 3 January 1996, Florence Rose Pugh was raised in a creative household alongside her artistic sisters and brother, the actor and musician Toby Sebastian. Her father, Clinton Pugh, was a successful restaurateur; her mother, Deborah Mackin, had trained as a ballerina and taught aerobics and dance. Her upbringing encouraged self-expression, which later became an essential part of her identity as an actress.

A sickly child, Florence was diagnosed with tracheomalacia, a condition causing respiratory difficulties. Hoping the warmer climate would improve her health, the family temporarily relocated to Spain. Though they soon returned to Oxford, this experience shaped her early years and her resilience.

She began exploring acting in school plays and developed a fascination with emotional storytelling. Yet when posting cover versions of popular songs on YouTube under the name Flossie Rose, she first imagined her breakthrough would come as a singer. It’s an ambition that she still harbours. “I intend to release music. It’s something I’ve been so conscious of ever since my acting career [took off] … I do miss it,” she says.

Rise from Falling

Pugh was encouraged by her mother to audition for a key role in British filmmaker Carol Morley’s 2014 The Falling, apsychological dramaset in an English boarding school. She got the part, and as an unknown shared co-star billing with Maisie Williams of Game of Thrones fame. Her performance was widely praised for its subtle complexity.

Her remarkable natural talent compensated for a lack of acting training. She recalls: “Every single job at the beginning of my career, [I was] working with unbelievable actors and directors. I was constantly learning.”

After a failed pilot show for US television, it was Lady Macbeth (2016) that really got Pugh noticed, showcasing her ability to embody complicated, morally ambiguous characters. Playing a young woman forced into an oppressive marriage in bleak northeast England circa 1865, she commanded the screen with her fierce presence. The film received critical acclaim, and her performance earned her several nominations and awards.

The role involved nudity, which the teenager handled with maturity beyond her years. “I wasn’t nervous about taking my clothes off, but I thought, ‘If this is done well, it will be a really powerful and horrible way to set up the rest of the story’,” she has said. “I remember thinking, ‘If I do this right, if the shot is right, this film should be amazing.’”

After Lady Macbeth, Pugh continued to take on diverse roles. In 2018, she starred in The Little Drummer Girl, a BBC miniseries based on John le Carré’s novel. That same year, she appeared in King Lear alongside Anthony Hopkins and Emma Thompson, further cementing her place in British cinema.

Year of Acting Famously

However, 2019 was the year that catapulted her into global stardom. She appeared in three vastly different films, each highlighting her extraordinary range. In the biographical sports comedy. Fighting with My Family, she demonstrated comedic timing, emotional depth and commitment to physical training, as she had to embody the complexities of a young professional wrestler’s life.

Ari Aster’s folk horror film Midsommar saw her take on the role of a grieving woman caught in a terrifying Swedish cult. Her performance was hauntingly raw, with many critics praising her ability to express grief, vulnerability and psychological distress with chilling realism.

Greta Gerwig’s adaptation of Little Women introduced a new side of Pugh as she portrayed the ambitious and complicated Amy March. Her performance earned her an Academy Award nomination for Best Supporting Actress, a testament to her ability to transform classic characters into fresh and compelling figures.

Speaking of the era in which both Lady Macbeth and Little Women are set, she comments: “Something I love about the 1800s … is that there were obviously always powerful women and strong-minded, opinionated women, but they were dealing with a completely different set of cards. A set of cards that were against them.”

Marvels Never Cease

With her growing success, Pugh was cast as Yelena Belova opposite Scarlett Johansson in Black Widow (2021), the film that introduced her to the Marvel Cinematic Universe (MCU). Her portrayal of the witty, resilient assassin was widely praised, leading to her return in Hawkeye, a Disney+ series, that same year.

Pugh’s involvement in the MCU continued this spring with Thunderbolts*, where her character becomes part of a team of antiheroes. The film has been hailed as the best Marvel outing in years, with its lead earning plaudits for her charisma. The adventure continues next year with Avengers: Doomsday.

Beyond Marvel, Pugh has tackled a variety of ambitious projects. She appeared in Christopher Nolan’s Oppenheimer (2023), playing Jean Tatlock, a pivotal figure in the story of the atomic bomb, and joined the glitzy cast for Dune: Part Two (2024). Last year’s romantic drama We Live in Time, alongside Andrew Garfield, was also a success.

Personal Passions

Off-screen, Pugh has gained admiration for her authenticity and approachability. She has been outspoken about body positivity, rejecting Hollywood’s unrealistic beauty standards and embracing natural representation. Her candid discussions on social media about self-confidence and the challenges of fame have made her a role model for many young actors and fans.

Her relationship with actor-director Zach Braff, which ended in 2022, drew public interest, and she is now reported to be dating fellow 29-year-old British actor Finn Cole, but Pugh has consistently advocated for privacy in her personal life. Rather than allowing media scrutiny to dictate her narrative, she remains grounded, focusing on her career and passions.

Florence Pugh represents a generation of performers who prioritise raw emotion, authenticity and versatility. She has refused to be confined to any single genre, and with each project, her presence in the film industry continues to expand. Whether delivering heart-wrenching performances in psychological dramas or bringing fierce energy to action-packed blockbusters, she is a force to be reckoned with.

[Feature Story] Hang Lung Properties – Dedicated to Excellence

Fabulous properties are available in some of the most desirable locations in Hong Kong, as Will Lui, Head of Property Sales, Hang Lung Properties, reveals

Strong reputation for developing high-end residences

The guiding philosophy of Hang Lung Properties in luxury residential development is firmly rooted in the motto of We Do It Well. As the Company celebrates its landmark 65th anniversary, this longstanding ethos continues to emphasize the importance of selecting prestigious locations with significant potential for luxury living.

Designs are modern and timeless and offer practicality, with each development meticulously crafted, reflecting a deep respect for the site’s inherent advantages.

For instance, notable projects like Summit and The HarbourSide showcase their commitment to maximizing the visual and experiential benefits of the locations. Summit provides all duplex units with living rooms featuring six-metre ceilings and a butterfly-shaped floor plan that enhances the panoramic views of Victoria Harbour, the cityscape, and the surrounding greenery; while The HarbourSide comprises three towers strategically oriented towards Victoria Harbour, ensuring that all sea-facing residences enjoy breathtaking waterfront vistas.

“We are also committed to sustainability. So, in the choice of material, we use environmentally friendly and eco-friendly material,” says Will Lui, Head of Property Sales, Hang Lung Properties. “Ultimately, Hang Lung Properties presents a collection of luxury residential projects in some of Hong Kong’s most sought-after locations, appealing to luxury homebuyers through our unique design philosophy, craftmanship and integration of international perspectives.”

World-class designers behind prestigious projects

Hang Lung Properties partnered with the esteemed design firm Hirsch Bedner Associates (HBA) to enhance the residential experience at 23-39 Blue Pool Road project. Located in the high-class neighbourhood of Jardine’s Lookout, this project design features high ceilings, abundant natural light and generous allocation of space. HBA has curated a selection of iconic and high-quality furnishings that enrich the space and its resident’s lifestyle.

Speaking inside 23-39 Blue Pool Road, Lui commented: “We wish to maximise the potential of our building design. For example, this house has a living room with a higher head room and allows for a high chandelier hanging down.”

Balancing secluded living with connectivity to the city’s prime residential districts

One of the natural advantages of 23-39 Blue Pool Road is its location beyond Jardine’s Lookout. A thoughtful blend of privacy and accessibility makes this outstanding development an attractive choice for luxury homebuyers who desire both spacious living and a connection to the dynamic city life just minutes away.

Located at The Peak, Summit is home to prestigious international and local schools which are known for their excellence in holistic and bilingual education. Its proximity to the city’s core offers unparalleled access to prestigious private clubs and leisure establishments, including those in the CBD of Central, seamlessly blending exclusivity and convenience.

Art gallery and green walls

Referring to Blue Pool Road, he added: “And also, in this house, we have a concept of an art gallery. The thoughtfully curated collection of more than 30 art pieces embodies elegance and sophistication that the future owners would be very pleased to show off in front of their friends.”

There are also various features which enhance the secluded living environment of the Blue Pool Road project and the sublime tranquillity of Jardine’s Lookout.

“We have a long driveway, just off Blue Pool Road, so when you drive your car and turn left into our private driveway, it is just like you are entering into another world which is very quiet, very tranquil,” said Lui. “And also, we have created our internal view by means of constructing a green wall, which is as long as 200 metres. And that green wall has water features with greenery and serves to integrate with the natural slope on the top, which is actually part of the Jardine’s Lookout.”

HBA also brings a creative and sophisticated approach to another of Hang Lung’s projects – Summit. Their deep understanding of market trends ensures that the development maximizes the location’s advantages, resulting in a high-quality living environment. The expansive interior, highlighted by a grand staircase and a sculptural design, enhances the sense of grandeur, while generous six-metre headroom throughout adds to the elegance.

Recent ultra-luxury project transactions

A duplex unit at Summit has recently sold for $162.28 million, or a price of $69,439 per square foot. This luxury residential skyscraper located at the Peak has been held by the Company for investment for a long time. Hang Lung’s recently fully refurbished Summit is expected to be completed in mid-2025. The project will be retained as investment property for long-term rental.

“I would like to emphasize that for Hang Lung, we do not have an urgency to sell. We just sell properties at the right price to the right buyers,” said Lui. “We have also sold two houses in 2024 in 23 – 39 Blue Pool Road at a transacted price of $230 million and $250 million, respectively,” he added.

Market sentiment resilient

Despite the short-term improvement in the residential property sector, the future direction of Hong Kong’s property market is expected to hinge on several factors, including the pace of interest rate cuts, economic revival of Hong Kong and mainland China, and the scale of housing supply glut and the impact of geopolitical risks.

On the other hand, demand and pricing levels in Hong Kong’s luxury residential property market are expected to remain resilient, due to limited new supply of luxury residential properties and pent-up demand from mainland and overseas buyers arriving through various government initiatives. “We believe the luxury market would be better or outperform in the short to medium term, because of the limited supply,” said Lui.

Hang Lung’s future residential projects

A much-anticipated development at 37 Shouson Hill in Hong Kong Island’s picturesque Southside is set to cement Hang Lung’s reputation as a curator of ultra-luxurious living experiences that combine superior design with prized locations and breathtaking views. In January 2025, the Company completed its acquisition of a land site at 8-12A Wilson Road nestled in the heart of the quiet ultra-high net-worth neighbourhood in Jardine’s Lookout. “The development will consist of several luxury detached houses with extensive gardens overlooking Mid-level East and Central Skyline,” said Lui.

Mountain Metropolis: Set in a tranquil wonderland, the city of Chongqing rises with ceaseless energy

History, modernity, breathtaking landscapes and even water colours converge in Chongqing, one of China’s most dynamic megacities. Replete with rivers, mountains and endless charm, it is nestled along the confluence of the Yangtze and the Jialing, where the yellowy sediment-heavy water of the former and the green hues of the latter meet in a clash dubbed – in a nod to the city’s dinnertime speciality – ‘two-flavour’ hot pot.

Despite being the country’s largest municipality in terms of population – 32 million people compared to 25 million in Shanghai and Beijing’s 22 million souls – Chongqing’s urban landscape is defined by steep hills, winding roads and towering skyscrapers that rise amid lush greenery. Often referred to as China’s ‘mountain city’, this mesmerising blend of nature and modernity creates a striking contrast, making it one of the nation’s most photogenic destinations.

Holiday Highlights

There are fantastic views to snap wherever you go. Hop on the Yangtze River Cableway for stunning aerial glimpses of the city and the water as you glide from bank to bank. For panoramic city views, Eling Park in Yuzhong district and Nanshan mountain provide breathtaking vantage points to witness an endless sea of high-rises punctuated by bridges and winding roads.

The top-floor viewing platform at Hongya Cave, an 11-storey complex of retail spaces and hotels built into a cliffside in the main commercial district of Jiefangbei, is a must at night. It is then that the spectacle comes alive, as the traditional-style buildings glow with golden lights and reflect onto the river below. Chongqing’s nightscape, illuminated by dazzling neon lights and the glimmering rivers, is truly a sight to behold.

Future Vision

While Chongqing is rich in natural beauty, it is also an exciting hive of contemporary pleasures. The bustling areas of Jiefangbei and Guanyinqiao are perfect for those looking to shop, dine or experience the city’s nightlife. Raffles City Chongqing, a sleek eight-tower development designed by renowned architect Moshe Safdie, is an engineering masterpiece that showcases the city’s forward-thinking verve.

For an immersive cultural experience, Chongqing Grand Theatre hosts world-class performances, blending traditional Chinese arts with modern stage productions. At the other end of the creative spectrum, futuristic attractions such as virtual-reality gaming zones and cutting-edge entertainment hubs lure a new generation of visitors.

Rural Splendours

Beyond its urban attractions, Chongqing is surrounded by stunning natural wonders. To the east is the Unesco World Heritage Site of Wulong Karst, a dreamlike landscape of towering limestone formations, deep gorges and natural stone bridges. The area has famously featured in films like Transformers: Age of Extinction, drawing travellers eager to witness its surreal beauty.

Also in Wulong County, Fairy Mountain provides a peaceful retreat with rolling green hills and crisp mountain air, perfect for leisurely strolls or horseback riding. North of the city, Jindao Canyon offers adventure seekers the chance to hike along narrow rock pathways, cross suspension bridges, and admire cascading waterfalls.

River of Adventure

Chongqing serves as the starting point for the famed Yangtze River cruises, a journey that takes travellers east through the breathtaking Three Gorges – the Qutang, Wu and Xiling – culminating in Yichang, Hubei province. These cruises offer a glimpse into China’s stunning landscapes, ancient villages and legendary historical sites. The modern metropolis itself embraces the river culture, with picturesque waterfronts and bustling docks that highlight its vibrant energy.

Glimpses of the Past

The city has played a significant role throughout China’s history. It was the temporary capital of China during the Second Sino-Japanese War (1937-1945) and a refuge for millions fleeing the conflict. Today, remnants of this history can be found at the Chongqing Anti-Japanese War Site Museum in the scenic Nanshan neighbourhood, where the offices and residences of key figures like Chiang Kai-shek and his wife Soong Mei-ling are preserved. The former home of US General Joseph Stilwell, the Allied Chief of Staff in China during the Second World War, in Yuzhong is now the Stilwell Museum.

Meanwhile, the ancient town of Ciqikou on the west bank of the Jialing river offers insights into Chongqing’s Ming and Qing Dynasty past, where traditional wooden houses, tea shops and narrow alleyways transport visitors to another era.

Spice of Life

You cannot visit Chongqing without indulging in its world-famous cuisine, particularly the fiery hot pot that embodies its bold, energetic spirit. Locals gather around bubbling cauldrons of spicy broth, joyfully dipping in thinly sliced meat, vegetables and tofu to consume when piping hot. Typically packed with mouth-numbing Sichuan peppercorns, Chongqing hot pot is beloved by foodies for its extreme spice levels.

Beyond hot pot, there’s a plethora of street food delights to savour. Xiaomian, a humble bowl of noodles with plenty of chilli oil to blast the taste buds, is a local staple and has gained national fame for its simple yet addictive flavours. Spicy skewers, grilled fish and kou shui ji – mouth-watering chicken – are among other must-try dishes that showcase the city’s culinary prowess.

Feeling China’s Pulse

Chongqing is a place where every corner offers something unique, whether it’s a bustling hot-pot restaurant, a tranquil riverside park, or a historic alleyway teeming with local stories. It’s a city where tradition meets modernity, where natural landscapes blend seamlessly with skyscrapers, and where visitors can truly feel the pulse of China’s rapid evolution.

From the rich flavours of its cuisine to the stunning riverside scenery, Chongqing is a destination that leaves a lasting impression. Whether you’re an adventurer, a food lover, a history enthusiast, or simply a curious traveller, this mountain metropolis promises an unforgettable journey – one that is as exhilarating as it is culturally profound.

HARBOUR OF HARMONY: Settle back at Minato’s teppan tables for a serene seasonal voyage through bountiful Japan

Minato has been quietly redefining the Japanese dining experience since opening in Wan Chai last summer. It’s an oasis of the calm and contemplation where aficionados can immerse themselves in the seasonality, craftsmanship and quiet luxury of elevated teppanyaki, kaiseki, omakase and sushi.

The very name Minato, which means harbour in Japanese, sets the tone for an occasion that promotes refuge and cultural exchange. The urban hustle outside quickly fades into stillness as we are graciously steered through serene, spacious surroundings to our table. Shoji screens diffuse soft lighting, wooden elements add organic warmth, and a palette of calming green tones enhances the aura of elegant minimalism.

The Tsubaki Weekend Teppanyaki Dinner Set is also aptly named – the camellia (tsubaki) is a symbol of grace and beauty in Japanese culture, and the nine-course culinary journey we embark upon is as delicately balanced and elegantly structured as the flower. The set encapsulates the ethos of Minato – seasonal stories told through flavour, aroma, temperature and timing.

A meticulously plated appetiser prepares the stage for an artful presentation of toro, botan shrimp and striped jack flown in daily from Japan’s fish markets. The sashimi course is not just a tasting but a quiet meditation on freshness and balance.

The toro is rich and luxuriously marbled, melting on the tongue with a buttery smoothness that defines top-grade fatty belly of the bluefin tuna. Prized for its size and sweetness, the botan shrimp arrives with a translucent hue, its plump flesh offering a crisp snap and lingering ocean sweetness. The white trevally, with its clean, lightly oily profile, offers a refined contrast to the other two cuts.

We continue with two seafood treasures cooked on the teppan with care. Black tiger prawn is plump and meaty, its natural sweetness enhanced by minimal seasoning and masterful handling. The crustacean is grilled until just opaque, releasing a subtle, smoky aroma.

Accompanying it is South African abalone, thinly sliced to preserve its tenderness yet retain its characteristic chewy texture and deep, mineral-rich flavour. Lightly seasoned and seared, the prized mollusc is a study in restraint, underscoring how expert technique and quality ingredients can speak volumes without embellishment.

At the heart of the Tsubaki set is Minato’s crown jewel: A5 Miyazaki sliced wagyu beef. Boasting a BMS (beef marbling score) of 12 – the highest rating – this world-renowned wagyu is sourced from Miyazaki Prefecture, where cattle are raised under strict conditions to deliver beef of incomparable quality. The wagyu is lightly seared and wrapped with garlic and green onion, a simple but brilliant pairing that enhances its umami depth without distracting from its intrinsic richness. The beef glistens as it hits the plate, and each bite yields an exquisite juxtaposition of seared outer edge and melting interior.

Then comes another house signature, Japanese pepper with whitebait fried rice, a dish as comforting as it is refined. With sansho pepper adding a gentle numbing tingle, the crispy whitebait offers bright, comforting contrast to the indulgent wagyu we have just enjoyed. Here again, the balance between richness and freshness is maintained with elegant precision – a hallmark of Japanese cuisine.

Seasonal vegetables follow, grilled to accentuate their natural sweetness and earthiness; next, a warming bowl of miso soup and a serving of house pickles. These familiar elements return the elevated dining experience to its humble roots while cleansing the palate in preparation for the final course.

A beautifully crafted dessert of green tea roll cake paired with red bean mochi completes the journey, focusing on light textures and harmonious flavours rather than strong sweetness. Our meal is enhanced by attentive yet unobtrusive service and sake selections to augment each course.

Dining at Minato is an invitation to pause and immerse yourself fully in the moment. There is no excess, no flamboyance – only harmony, balance and deep respect for the culinary traditions of Japan.

Minato. G/F, Great Eagle Centre, 23 Harbour Road, Wan Chai, Hong Kong. Tel: 2345 0663. minato.com.hk

Text: Jill Trip

Cool & Confident: Poised Simplicity And Timeless Summer Fashion For Every Occasion

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[Feature Story] Journey to the Crown – Epic finals at Roland-Garros fought with supreme sportsmanship

Rolex Testimonees continue to push the boundaries of performance and endeavour on court

Marathon five set thriller

For the first time since 1984, this year’s Roland-Garros saw the World No. 1 and No. 2 ranked players meet in both the men’s and women’s singles finals.

Rolex Testimonees Coco Gauff and Carlos Alcaraz sensationally claimed the Roland-Garros 2025 singles titles. Alcaraz’s rivalry with Jannik Sinner reached record-breaking heights on Sunday 8 June, when they contested their eagerly anticipated first Grand Slam® final. They pushed each other to the limits physically and emotionally, taking the sport to another level over five sets, while maintaining an extraordinary sense of fair play throughout. After several shifts in momentum which will be reflected on for many years to come, Alcaraz ultimately came from two sets down and saved three championship points to prevail 4–6, 6–7 (4), 6–4, 7–6 (3), 7–6 (10–2) in 5 hours and 29 minutes. This was the longest Roland-Garros final in history and the second longest Grand Slam® final since the Open Era began.

Carlos Alcaraz (Spa) in action during his final round men’s singles match against Jannik Sinner (Ita) on day fifteen at Roland-Garros
© Rolex / Antoine Couvercelle

After clinching the championship tie-break, Alcaraz dropped to the ground, before warmly embracing his fellow Rolex Testimonee. During the prize-giving ceremony, Alcaraz addressed Sinner directly: ”Jannik, it is an amazing level you have. I know how hard you are chasing this tournament and every tournament. It is a privilege to share the court with you and make history together. You are an inspiration.” Turning to the crowd, he continued: “This tournament is so special to me, and I cannot wait to come back year after year.”

Prizegicing ceremony with Carlos Alcaraz (Spa) holding the trophy after his final round men’s singles match against Jannik Sinner (Ita) on day fifteen at Roland-Garros
© Rolex / Antoine Couvercelle

Gauf reigns supreme

On the Saturday, Gauff orchestrated a hard-fought journey to the women’s crown. The 21-year-old navigated the challenging conditions with resilience, composure and steadfast determination, coming back from a set down to seal a 6–7, 6–2, 6–4 victory on Court Philippe-Chatrier. It is here, on this storied stage, that champions are forged and where Rolex proudly upholds its enduring partnership with the sport for almost half a century. The weight of the moment was conveyed in the American’s reaction after the match. Gauff, who joined the Rolex family in 2019 and is now a two-time Grand Slam® champion, said: “I want to thank my team. You are always pushing me. You guys are the reason I do this and inspire me more than anything. I don’t know what I did to deserve so much love from the French crowd but… merci beaucoup.”

Prizegiving ceremony with Coco Gauff (USA) holding the trophy after her win in her final round women’s singles match against Aryna Sabalenka (Blr) on day fourteen at Roland-Garros
© Rolex / Antoine Couvercelle

Rolex Testimonees show determination

This was a Grand Slam® tournament marked by spectacular displays from the Rolex Testimonees, notably Alcaraz’s fourth round encounter with Ben Shelton, which earned the Spaniard his 100th clay-court win. Holger Rune also showcased his prowess on the surface by reaching the fourth round and rising star João Fonseca drew enormous crowds in his electrifying main draw debut. The depth of women’s talent shone through, with many of the game’s leading players making the latter stages. Building on her gold-medal winning run at Stade Roland-Garros last summer, Qinwen Zheng secured a quarter-final place, while 18-year-old Mirra Andreeva became the youngest player this century to reach back-to-back quarter-finals.

Four-time Roland-Garros champion, Iga Świątek demonstrated skill and fighting spirit under pressure to claim a 26th successive victory at Roland-Garros en route to the semi-finals. This milestone represents the second longest winning streak by a woman in the Open Era; only fellow Rolex Testimonee and Queen of Clay Chris Evert has achieved more, with 29. The Rolex family have long led the journey to glory at Roland- Garros, with icons such as Björn Borg, Roger Federer and Justine Henin, joining Evert and Świątek in leaving an indelible mark on the tournament’s history. Through their achievements, they embody the timeless ethos of Rolex and the essence of Roland- Garros.

Tribute to Rafael Nadal (Esp) with Roger Federer (Sui) on day one at Roland-Garros
© Rolex / Antoine Couvercelle

Rolex and Tennis

Evert, a Rolex Testimonee and 18-time Grand Slam® champion, says: “Tennis has always been a great sport, but Rolex helps to elevate it even more. I love the loyalty that Rolex has to the legends of the game and that the brand is such a great supporter of men’s and women’s tennis. They value women as much as men, and for me as a woman that’s very important. Rolex mirrors the Grand Slams with excellence and in everything they do.”

Rolex has become Official Timekeeper of all four Grand Slam® events: the Australian Open, Roland-Garros, The Championships, Wimbledon and the US Open. Champions are remembered not only for the victories earned but by the humility and determination with which they competed.

[Feature Story] Indult Paris – Sensational Scents of Precious Ingredients

Kim Charles, owner of Indult Paris, reveals his passion for the fragrance industry and why he is preserving a legacy

Why are you attracted to the fragrance industry and reinvigorating the Indult Paris brand?

First of all, I’m a collector, and I’m passionate about perfumes. I never intended to buy a perfume company.

Indult Paris chose me. I didn’t choose Indult Paris. Manakara chose me. I didn’t choose. And so, I managed to fall in love.

And then when I heard that these perfumes no longer existed and I had bought the last remaining bottle, I spoke to the master perfumer, who is Francis Kurkdjian, and he used the phrase – “yes, these were my four masterpieces.”

That had me thinking – what does he mean by masterpieces? Surely every perfume is a masterpiece? Then I suddenly realized that there was no accountant behind him; he had a white piece of paper, and he just went for it. And he came out with these things. No one was telling him what to do. You have freedom to do whatever.

And then it struck me that I had to preserve this legacy. And so, I’m just the caretaker. That’s all. And I bought it back into the market. They are cheaper today than they were several years ago because I wanted to enlarge the market.

What is the brand philosophy of Indult Paris and how do you position it amid the competitive landscape of the fragrance industry?

There are a lot of brands out there. And of course, Indult Paris had chosen me. And over the years I’ve learned that what I’m actually doing is quiet luxury. It’s not shouting out like a Dior or Chanel, it’s quiet luxury.

It is for people who want to wear a perfume and walk into a room and automatically know that no one else is wearing it and they are unique. They don’t have to shout. It’s very discreet and under the radar. But a beautiful perfume by a master perfumer that everybody should know who knows about perfume.

What are your thoughts on the potential for these fragrances to thrive commercially in Hong Kong and Asia?

L’Oreal did a market study and it showed basically worldwide sales and in Europe it is a strong market, but it’s stagnant. It’s not growing. Middle East is growing at around 12%. But in Asia Pacific, it is growing at 23%.

What does that actually mean? It actually means that people are looking for us, for niche perfumes, in the Asia market. It means the Asia market is actually changing and they are discovering perfumes from Italy and from France that they would not normally have access to. But it’s through independent shops and independent perfumeries and pop up stores, the smaller ones, like Scented Niche, that people are being educated. And it’s very, very important that people get to know that they can have a choice, an option other than designer brands.

Are French brands particularly appealing in the perfume sector?

They are very much, both historically and traditionally. We are very appealing and we are becoming more appealing to the Asian market as their tastes and individuality grows within them.

How did you pick the master perfumers to collaborate with?

Well, this time it was totally an accident that I discovered that the one Manakara bottle was done by Francis Kurkdjian. And then the others just followed, when I picked up the company. I never smelt the others when I bought the company because they didn’t exist anymore, they were all sold out, and I apparently had the last bottle of Manakara in my collection and it’s due to that.

But the biggest seller we have is Tihota, and a lot of people may not know Indult Paris, but they will know Tihota as a perfume. It’s a reference point for vanilla, for other companies.

Do you intend to expand the range and enter other markets?

I don’t like the word expand and potential markets. I like to reach out to people who are passionate, who want to start their perfume journeys. It’s not about money. Today they are cheaper now than they were when Francis Kurkdjian put the price on them when he had the company. So, in order to reach perfume enthusiasts and to bring the legacy, I’m just the caretaker of this brand.

Why did you decide to collaborate with Scented Niche?

Scented Niche is different from a lot of other shops. We collaborate with distributors who are passionate about perfumes, not about numbers. It’s this passion that sells.

And that’s all that we want to do. We want to be with people who are passionate or to educate people to become passionate, to start their perfume journey.

With Scented Niche, we’ve done something special on a limited edition – and it takes its inspiration from the Hong Kong skyline. It’s fantastic. And I’ve actually signed the boxes themselves with my signature, and there are only 100 pieces.

Elegance Personified: Having turned us on to the high table, Wendy Siu is coaching refinement in all aspects of life

Wendy Siu’s admiration for French culture has helped spawn a successful lifestyle business and seen her recognised with that nation’s top honour. The Hong Kong champion of the refined art of living has long shared her expertise through master classes on etiquette and entertaining. Her latest enterprise unites her innate elegance and effortless propriety in an empowering programme to help a new generation of leaders achieve personal growth.

How has your background influenced your personality and outlook on life?

The heritage passed onto me by my mother has definitely shaped who I am. She was very proud of her noble Manchu ancestry and instilled in us the core values of respectfulness, subtlety, elegance, etiquette and protocol as well as the alertness of knowing where you stand, whether in the family, society or other social circles, and the kind sensitivity this engenders. Yet, at the same time she taught her daughters to be brave, dynamic and independent. I appreciate the quiet elegance of my mom who never bothered to compete for unnecessary limelight.

Another key message she imparted was that we are different. In the 25 years since her passing, I have gradually come to understand her meaning – it is not arrogance to think you are different; it’s about respecting and preserving one’s unique background. To be your true self, you must refrain from blindly following the crowd without considering your own values.

As for my father, he was a quiet scholar and a very disciplined man, practising Chinese calligraphy daily. I believe that my disciplined character, my desire to get things done precisely, and my aesthetic interests – appreciating beauty, the fine things in life, arts and culture – stem from my father’s influence.

I guess I was fortunate to be born into a family with interesting roots and heritage. Also, having dynamic interaction in my parents’ varied social circle explains my openness to embrace people from different walks of life.

What made you decide to establish a retail and lifestyle company and what’s your brand ethos?

I founded Heather & March in 1998 after my intense corporate life working for major US and UK multinationals [GE and the BT Group]. The goal was to bring beauty and joy to people’s homes – what the French refer to as art de vivre, the art of living, or joie de vivre, the joy of living.

Due to our quality in terms of brand positioning, image and value-added services with proven business results, French tableware and home-interior companies asked us to be their exclusive agent. We gradually built up a nice portfolio of refined homeware and tableware from the likes of Ercuis, Raynaud and J.L Coquet, which led us into the hospitality sector, since these are key suppliers to the world’s five- and six-star hotels and the Michelin chefs.

Besides being a distributor of high-end French homeware, we developed our own characteristics as a lifestyle brand. The ethos of Heather & March is elegance, beauty and sophistication. This is disseminated through the programme we offer our clients such as lifestyle workshops in gastronomy, entertaining and etiquette. We have partnered with top names such as Institut Paul Bocuse, Mandarin Oriental, Ritz-Carlton, Comité Colbert, Baccarat and Hongkong Land to deliver bespoke and creative experiences.

When and where did your love of French culture begin?

Although I was very fond of watching French movies as a teenager, and I went to a French convent school in Hong Kong, St Paul’s Convent School, I think my infatuation with French culture really began when I started sourcing for Heather & March. I used to travel to different countries to learn about their style of homeware and home decoration. When I spotted some special French tableware at General Trading Company in Sloane Street in London – then the favourite shopping destination of the British royals – I felt such overwhelming joy and internal peace appreciating these beautiful and whimsical pieces.

It was then that I began to explore the French table art culture and fell in love with its refined craftsmanship, beauty and creativity. In the beginning we sold a variety of European products at my boutique, but as my appreciation of French know-how grew deeper, we gradually focused on brands from France.

Is a full understanding of ‘Les arts de la table’ essential to create the perfect dining experience?

Since it is an important part of French culture, having this knowledge and understanding is precious in order to continue our sophisticated society and cultural fabric, especially as people are living more simply these days. Creating a harmonious and stylish dining experience with that extra touch beyond the norm is always exciting for guests. Somebody has to do it!

What has been the defining moment in your life?

If I can only share one defining moment, it will be the bestowal of the Légion d’Honneur lifetime honour in 2023. Légion d’Honneur is the top-ranking national honour in France; it was established by Emperor Napoleon Bonaparte in 1802. Some Knights in the National Order of the Légion d’Honneur risked their lives in the battlefield, thus I received this honour with pride and yet also with total humility. Although I’m not in a continuous physical battle as these brave knights were, I’m fighting against continuous hurdles and challenges in life’s mental battles.

It was a defining moment as it restored for me a basic belief in life – one that many of us may think no longer exists – that you will be rewarded fairly if you do your best. I can now better encourage others to never stop trying, doing, growing and giving of your best with sincerity, kindness, dedication, truthfulness and enthusiasm.

You are described as a great friend of France – what aspects of French culture do you particularly admire?

The depth and intensity of their culture, no matter in literature, philosophy, arts, culture, craftmanship, gastronomy or wine, and their standard of precision and accuracy. I adore this refined spirit and particularly the beautiful French language – which explains why I’m pleased to have remained in my role as Vice-President of the Alliance Française de Hong Kong for 20 years now!

What are your future ambitions?

In March, I set up Elegance Institute with the mission to bring a paradigm shift in life and help others reach full success through the application of inner and outer elegance. We are a coaching-based institute, a ‘how’ institute, and we are here to empower the next generation of business leaders.

A full spectrum of skills and knowledge can be transferred in the four key aspects of life – personal, professional, social and family – through my coaching. The target audience of Elegance Institute is high-calibre business executives, entrepreneurs and women – with men welcomed, of course – who are driven and motivated to further their personal growth in order to achieve solid success.

What voluntary and charity projects are close to your heart?

I had the privilege to lead the Hong Kong Chapter of Les Lumières de Paris, a voluntary non-profit organisation promoting the heritage, crafts and savoir-faire of the French capital – I was President for five years and have served as Honorary President since 2024. It is also my wish, in the future, to contribute part of the profits of my newly founded Elegance Institute to charity.

Do you see your role as a bridge between East and West?

Definitely, and I enjoy it very much. I believe in contributing my talents to doing good. Bridging people internally brings peace and harmony, making our world a better place. This is also the mission of the Elegance Institute. I love to transmit ‘the how’ – the values and behaviours – that connect people.

Photographer: Jack Law Videographer: Iris Ventura Ventura

Pocketbook Watches: Money is no object for serious collectors seeking a storied piece from the history of time

Collecting watches is a passion for many enthusiasts and a serious investment for others. Timepieces represent a blend of artistry, craftsmanship and history, celebrating the achievements of horology while providing a tangible connection to moments in time. As trends evolve and new models emerge, this fascination for watches continues to grow, and collectors never grow weary of wearing their hearts’ desire on their wrists.

Here, we spotlight some of the world’s most collectible watches, emphasising their importance in the realms of luxury, artistry and investment potential.

The Patek Philippe Nautilus was designed by the legendary Gérald Genta and introduced in 1976. As a luxury sports watch, it broke traditional design moulds with its distinctive octagonal bezel and integrated bracelet. Patek Philippe, a brand synonymous with excellence, ensures that the Nautilus line holds significant value. Certain models, especially the stainless-steel versions, have seen skyrocketing demand in secondary markets in recent years, making them highly collectible. The Nautilus embodies a combination of elegance and sporty appeal, appealing to a wide range of collectors.

Introduced in 1963 and initially designed for motor-racing drivers, the Rolex Oyster Perpetual Cosmograph Daytona is one of the most recognised and coveted chronographs in the world. Its association with motorsports and its classic design have heightened its allure. Notably, the Paul Newman Daytona, named after the famous actor and racer who wore it, has achieved mind-blowing auction prices – Newman’s own watch gifted to him by his wife Joanne Woodward fetched a record-breaking US$17.8 million when it was sold in 2017. The melding of Rolex’s precision engineering with its status as a luxury brand makes the Daytona a hot item among collectors.

Launched in 1950 and originally designed for the Italian navy, the Panerai Luminor combines a rugged aesthetic with professional functionality. Its large case and luminous dial ensure legibility in extreme conditions, making it a favourite for diving enthusiasts. Limited editions and unique models often make waves in the collector’s market, driven by Panerai’s intriguing backstory and distinctive style.

Known as the ‘Moonwatch’, the Omega Speedmaster Professional has a unique place in history as the first watch worn on the moon; it graced the arm of astronaut Neil Armstrong during the Apollo 11 mission in 1969. Its robust design and precise chronograph function, which was tested by Nasa, secure its status among collectors. Limited editions and vintage Moonwatch models often fetch high prices at auctions, reflecting the Speedmaster’s legacy and appreciation among horological enthusiasts.

Audemars Piguet revolutionised the watch industry in 1972 by introducing the Royal Oak, a luxury sports watch made from stainless steel. Its unique octagonal bezel with eight decorative screws and tapisserie dial set it apart from traditional watch designs. The Royal Oak has remained in demand, especially its Offshore models introduced in 1993 and limited editions. Audemars Piguet’s relentless commitment to craftsmanship enhances this iconic timepiece’s status, making it a favoured choice among collectors.

The Tag Heuer Monaco Chronograph was made famous by its association with Steve McQueen in the 1971 film Le Mans, and it remains a favourite among motorsport enthusiasts and collectors. Its square-case design with waterproof capability was a first for a chronograph, and it represents the pinnacle of 1970s style. Vintage Monaco models are highly sought after, particularly those associated with McQueen, making them a staple in many collectors’ portfolios.

Created in 1931, the Jaeger-LeCoultre Reverso is an iconic timepiece characterised by its unique reversible case, originally designed to protect the watch face during polo matches. With its Art Deco aesthetics and customisable dials, the Reverso appeals to collectors who appreciate both style and functionality. The ability to personalise the back of the watch adds to its charm, making certain limited editions incredibly desirable.

Established in 1755, Vacheron Constantin is hailed not only as the oldest watch manufacturer in continuous existence but also for crafting some of the most exquisite horological pieces. The Patrimony collection exemplifies elegance and simplicity, featuring classic round cases and refined dials. Limited editions and complicated models, such as perpetual calendars and minute repeaters, enhance their collectibility, appealing to serious watch enthusiasts.

Abraham-Louis Breguet is widely considered the father of modern watchmaking. The Breguet Classique series showcases the brand’s commitment to horological excellence with its intricate craftsmanship, guilloche dials and signature Breguet hands. Collectors admire Breguet for its historic significance and its place in the evolution of watch technology through its tourbillons and other complications.

The IWC Big Pilot’s Watch is renowned for its oversized case and clear readability, originally designed for aviators. Since its debut in 1940, its distinctive marriage of engineering and style has ensured its desirability – first among German navigators in the Luftwaffe, and then with collectors around the world. Vintage models, especially those with specific case numbers or historical significance, often attract high bids at auction.

The Tag Heuer Carrera has a rich motorsport heritage that resonates with car enthusiasts and collectors alike. Initially introduced in 1963, its clean design and chronograph functionality have made it an enduring favourite. Limited editions, particularly those tied to racing events or high-profile collaborations, add to the model’s collectibility.

Richard Mille has made a significant impact on the luxury watch market since its inception in 2001. Known for innovative materials and avant-garde designs, its cutting-edge RM timepieces fuse high-performance technology with high fashion. Each model is meticulously crafted, often resulting in striking visuals and comprehensive engineering. The exclusivity and originality of Richard Mille watches have made them highly collectible among affluent individuals and watch enthusiasts.

Collecting watches is not just about owning timepieces; it’s about appreciating the rich history, craftsmanship and stories behind each model. From the iconic Patek Philippe Nautilus to the innovative Richard Mille creations, the world of collectible watches is vast and varied. Generally speaking, collectors are drawn to these timepieces not only for their financial potential but for the deeper connections they forge with history, artistry and precise engineering. Whether you are a seasoned collector or a newcomer, the allure of collectible watches remains a captivating journey through time.

Bitcoin Collecting: The growing use of cryptocurrency in the art market attracts tech-savvy clients– just beware of scam artists…

Shopping for priceless art at auction with virtual money is fast becoming a reality. Earlier this year, Christie’s accepted payment by cryptocurrency on the vast majority of lots – about 93% – in an auction dedicated to art created by artificial intelligence. It’s a transactional breakthrough that will be welcomed by many, especially young, tech-savvy art investors, yet others are still to be convinced of digital currency’s durability, and highlight its potential risks.

Cryptocurrency was first used as payment for a physical artwork at a major auction house four years ago, according to Michael Bouhanna, Sotheby’s Head of Digital Art and NFTs in New York. The sale in question, in May 2021, involved the quintessential Banksy painting Love is in the Air, with Sotheby’s providing the option to pay in Bitcoin (BTC) or Ether (ETH) via the Coinbase exchange.

“We made a decision to accept cryptocurrency for selected physical works in 2021 in response to the evolving art market and to attract an additional pool of collectors,” says Bouhanna of this pioneering initiative. “We were noticing an increasing appetite among collectors – many of a younger generation – for seamless payment options when doing business with us, and for many, this provided another method to participate in our sales.”

Confidence in Compliance

As with any other payment at auction, compliance checks and due diligence for crypto transactions are rigorous and all-important, especially given that the sums involved can be astronomical, equivalent to millions of US dollars. “Crypto is no different from any of the other currencies we accept, and all transactions are subject to applicable laws and regulations in whichever currency they choose to pay in,” states Bouhanna.

He adds that Sotheby’s has been accepting crypto for some time now on individual lots and groups of works, and the auction house will continue to offer it as an option when it makes sense. “It’s important that everyone who transacts with us [in virtual currency] feels as welcome in our world as any other client,” he says.

Other auction houses are getting in on the act, too. Phillips Hong Kong accepts crypto on certain occasions when it is perceived to be a fit. During Hong Kong Art Week 2025, payment by crypto was offered for a Spaces digital art exhibition of eclectic works reflecting upon the intersection of art, technology and impermanence.

Not all auction houses have taken up the crypto baton, though. Bonham’s indicated that its policy at this juncture is not to accept cryptocurrency as a form of payment.

Tapping into New Wealth

Sean Hung, founder and CEO of fintech platform Acwires, can see the logic in auction houses beginning to accept crypto, aligning with how young collectors want to transact. “Over the past decade, there’s also been a lot of new wealth generated from cryptocurrency-related businesses such as service operation, trading, decentralised applications, et cetera. They are part of the new wave of collectors that auction houses would like to target,” he says.

The digital currency expert believes the future lies in convergence between crypto and traditional finance, between accessibility and compliance. Acwires allows users to buy and sell crypto with their credit card, regardless of jurisdiction and currency, and previously he helped to build Diginex, which became the first crypto exchange to list on Nasdaq.

Regulatory Clarity

He is convinced that as regulatory clarity improves and infrastructure evolves, crypto will become part of everyday commerce. “We are already seeing a shift as mainstream payment companies and banks have started working closely with crypto service providers,” he notes.

As Hung shares, blockchain transactions are inherently transparent – but pseudonymous. “The transaction is visible, but the identity behind a wallet isn’t public unless disclosed,” he says. “We still have to rely on traditional KYC [Know Your Customer] procedures to attach a wallet to the actual buyer’s identity.” He adds that there are forensics firms able to trace a wallet’s previous transactions to identify if it has been associated with suspicious activities.

Some financial commentators have suggested it is possible to evade a blockchain’s transparency through crypto mixers. Hung says leading platforms and regulated payment providers screen for such activity, and the focus now is on building infrastructure that is compliant with anti-money laundering standards through traditional KYC, and also KYT (Know Your Token) policies.

Risks and Rewards

Sam Kima, Senior Vice-President of First Gold, believes Sotheby’s and Christie’s adoption of cryptocurrency is a calculated bet to future-proof its business, attract crypto-rich collectors, and streamline transactions. By accepting crypto taps, the auction houses connect with a new class of wealthy buyers who prefer transacting in digital assets rather than liquidating them for fiat currency – which, notes Kima, can trigger tax events. He also suggests that some buyers prefer the pseudonymous nature of crypto for discreet transactions, especially in high-profile sales.

Regarding the potential risks and challenges of transactions made in virtual currency, Kima warns: “Crypto prices can swing dramatically, creating uncertainty for both buyers and sellers. Some cryptocurrencies, for example Bitcoin, have high energy consumption, clashing with sustainability goals.” In addition, he foresees that regulatory uncertainty could complicate compliance.

“Cryptocurrency in auctions is a natural evolution, aligning with digital finance trends; however, its long-term success depends on stablecoins [pegged to another asset to mitigate volatility] and clearer regulations,” he says. “If managed wisely, it could democratise art investing, but risks remain.”

Trust Issues

According to Wojtek Paczos, Senior Lecturer in Economics at Cardiff University, cryptocurrencies payment systems operate on the basis of a fundamental mistrust. He says: “Nobody trusts anyone, so the record of transactions must be decentralised: it is kept in millions of copies all over the internet in a so-called ‘ledger’. The fact that it’s decentralised makes it economically inefficient.”

In his view, for crypto to become a viable means of payment like a standard currency, it must be a unit of account, a store of value, and a medium of exchange. “Cryptocurrencies fail badly across all three [of these qualifying] tests: nobody quotes prices in bitcoins, the set of goods purchasable with bitcoin is severely limited, and the fluctuations in value against traditional currencies render bitcoin an unstable store of value.”

He believes crypto is highly volatile because it is built on this basis of mistrust and lacks a safety net to prop up its demand, such as by paying taxes via the currency. “In cryptocurrencies, the demand might simply disappear one day, and there is no formal backstop,” he says.

Scam Alert

The image of crypto has undoubtedly been tarnished by incidents of scamming and hacking. Coinbase, one of the world’s biggest cryptocurrency exchanges, was hit by a cyberattack last month that is likely to cost it as much as US$400 million. Reportedly, the company refused to pay a bribe demanded by the hackers and has promised to reimburse every client who got scammed.

Bill Lee, Chief Technology Officer of Web3 pioneer DualMint says the promise of crypto technology has been undermined by a flood of scams, rug pulls and exploitative projects. “To combat this, both the industry and regulators are stepping up,” he shares.

DualMint emerged as a response to fundamental issues within the current digital ecosystem like ownership, control and transparency. Offering some measure of reassurance, Lee says: “Within the space, there’s a growing emphasis on auditing, code transparency and self-regulatory standards, such as those promoted by organisations like the Blockchain Association and [blockchain analytics firm] Chainalysis.”

As digital-currency tech evolves and improves, collectors at auction can take heart in the virtual reality of securing a beloved work of art without paying through notes.