The Best of Art Central 2023 – The Most Iconic Artwork on Display

The eighth edition of Art Central is certainly an artistic experience that art aficionados can hold close to their heart. From touching on ancient styles to pushing contemporary artwork that focus on topics such as modernisation, consumerism, globalisation, nature, and more, Art Central 2023 had more than 300 artists displaying their work.

Among all the works on display, below are a few of the iconic ones that you should see when you are at Art Central. Do be reminded that all the artwork are aesthetically appealing and unique in its own way, so you will probably end up spending hours exploring every single one of them.

An Aggregation-Space by Seon-Ghi BHAK

Art Central 2023

Korean artist Seo-Ghi Bhak made his interactive 3D art installation titled An Aggregation-Space, particularly for Art Central 2023. Leaning back to his acclaimed artistic tendencies to use charcoal in his work, the entire installation is made of a metal frame that has pieces of charcoals hanging on nylon strings.

Bhak’s choice of material reflects his love for charcoal and his intentions to spark a connection between humans and nature. As a result, he created the piece to mimic a maze that people can walk through experiencing each chunk of charcoal slowly moving as they pass, thus also provoking the ideology that art is a journey of transformations.

Prelude in A minor Trauma by Clara Wong

Art Central 2023

Clara Wong is best known for having a satirical tone in her artwork, and this one which she calls the Prelude in A minor Trauma also perfectly knocks on dark humour as she replicates a typical artist studio in Hong Kong through this work.

The young Hong Kong artist has voluntarily cramped the space with so many objects scattered all over the place to create a sense of claustrophobic emotion, and also reflect on the reality of living an oppressed life in Hong Kong. Some notable elements of Wong’s installation include a laptop with water dripping on it from a broken pipe, a birthday cake that has been cut, and a mannequin leg on a piano.

Also Read: Vibrant City: Hong Kong’s growing art scene

Blue Throat: Start the Churning (group exhibition)

Art Central 2023

Blue Throat: Start the Churning is a group exhibition bringing together the works of nearly 20 local artists whose artistic themes focus on the Hindu mythology Samudra Manthana. In this ancient legend, people churned the ocean with the belief that it will produce an elixir which will grant them the gift of immortality.

This group exhibition is a juxtaposition of the way even people living today are continuing to mess with nature through globalisation and modernisation. To further connect to the ancient story, the curators – Chris Wan and Jeremy Ip – have used a turquoise blue flooring that makes it look like the visitors are viewing the art pieces with the ocean surrounding them.

Glows in the Night by Yang Yongliang

Art Central 2023

Glow in the Night shows the intoxicatingly beautiful nights of Guangdong-Hong Kong-Macau. At the first glance, it looks like large-scale photography capturing a city’s landscape during the night. However, a closer look shows that it is a video with minute details that can be only noticed when you concentrate on each section of the canvas separately.

More like an art that comes to life under the magnifying lens, Yang Yongliang wants to divert people’s attention to the light pollution that is caused because of urbanisation and other modern developments.

reflective connections by Bev Butkow

Art Central 2023

Bev Butkow’s reflective connections is a touch-and-feel-the-art kind of installation that is made of materials that were collected locally. This includes “thread, wool, dressmaking scraps” and more that are connected together to form a floating sculptor that is hanging down from the ceiling. The soft sculptor supposedly mimics a fishing net that was just pulled out from the sea.

Moreover, the South African artist uses mirrors to elevate her art by playing with lights and reflections. Butkow encourages the viewers to have a tactile connection with her piece in order to experience the work as she intends it to be.

Places to visit to see vibrant street art in Hong Kong

Hong Kong — home to inspiring architecture, major international art fairs, Asia’s first Digital Art Fair and more… this city has time and again reinforced itself as the region’s international art hub. And the burgeoning sub-culture of street art over the years, is no exception — firmly marking its place in the city and garnering the support and appreciation of business owners, fellow art enthusiasts, and neophiliac Instagrammers alike.

From chromatic graffiti art tucked into alleyways and across shop entrances to murals that stretch as high as the buildings they are painted on, take a pause from the bustle of the city and stroll the streets of SoHo, Kowloon and Sai Kung to appreciate the dynamic sub-culture of street art. We spotlight the best spots to take your camera and for a shot of some of the city’s most beautifil graffiti and mural paintings.

Sai Kung

Explore Hong Kong's many street art sai kung gafencu
(Whale #4 by Bo Law; Photo courtesy of HKWalls)

After the cancellation of the 2020 HK Walls street art festival, due to the Covid-19 pandemic, the collaborative project by the non-profit organisation returned last spring with its 2021 edition, choosing the famous fishing seaside town of Sai Kung as its wide-scale canvas.

The festival, which aims to create opportunities for local and international artists to showcase their talents in Hong Kong through street art, graffiti and muralism, invited 22 local male and female artists to decorate the town with murals, giving this hip town and even fresher look.

A cluster of art works can be found around the Sai Kung Market and Sai Kung Garden blocks.

Wong Chuk Hang

Explore Hong Kong's many street art wong chuk hang gafencu
(Mural SeeNaeMe and Messy Desk, aka Jane Lee; Photo courtesy of Ovolo Hotel)

Over on the far south, the hip and trending town of Wong Chuk Hang makes for a fun weekend trip with friends and family. With a slew of new dining hotspots and a vibrant new coat of murals and street are to appreciate, the area serves up long stretches of art works located along Heung Yip Road, where One Island South is situated, and Wong Chuk Hang Road, the stretch of road on which Ovolo Southside sits. Make sure to also make a stop next to the Wong Chuk Hang Playground and Yip Fat Street. These Instagrammable spots are sure to be a hit with the kids and liven up your social media feed.

Wan Chai

Explore Hong Kong's many street art oi kwan street wan chai gafencu
(Outside of Morrison Hill Swimming Pool by Kwan Clan; Photo courtesy of HKWalls)

While you’re down south, stop over at Wan Chai for some wide-scale and psychedelic murals. Starting from Morrison Hill Swimming Pool on Oi Kwan Road, you’ll find a long stretch of oriental-style graffiti work by group Kwan Clan, a collaborative effort among five Chinese artists.

Then, continue down the road and you will find several more creative pieces marking various buildings along the way, including the famous animal mural outside of the SPCA Building. And if you’re willing to stretch your legs farther, check out the realist art piece titled The Huskey by Yopey on Kennedy Street as well.

Central

Explore Hong Kong's many street art graham street hollywood road central soho gafencu
(Old Townhouses by Alex Croft; Photo courtesy of discoverhongkong.com)

Making your way in and out of the streets of the city’s shopping and dining hotspot SoHo is almost an adventure, especially when you’re on the hunt for the most iconic  murals plastered across shop entrances and tucked between shops and alleways. This area colourfully reflects Hong Kong as the cultural melting pot that it is.

Boasting some of the most Instagramed parts of Hong Kong and featuring some of the most recognisable murals around town, the street art here is hard to miss, but if you’ve never taken a second to stop and appreciate it, some of the trendiest ones to look out for are the vibrant Old Townhouses by Alex Croft outside of the GOD store on Graham street; Uma Nota’s iconic Flamingo lady by Elsa Jean de Dieu on Peel Street; the imposing Hollywood-inspired piece above Madera Hollywood Hotel; the beautiful twin coy by Christian Storm on Shing Wong Street; and the urban impressionism-style of Hong Kong by Dan Kitchener (aka DANK) and Charles Williams on Elgin Street.

Sheung Wan

Explore Hong Kong's many street art sheung wan tank street gafencu
(Bruce Lee mural by Yoo Seung-Baik, aka XEVA; Photo courtesy of Longzijun via Flickr)

If you have the bandwidth to continue to Sheung Wan, proceed along Hollywood Road until you reach the stairway that leads up to square street to reach Tank Lane. Here, the journey takes you through a series of murals by local and international artists. This is also where iconic mosiac-style portrait of hometown hero Bruce Lee by XEVA (Yoo Seung-Baik) hangs overhead. And at the end of the trip, turn into Bridges Street to arrive at Tai Ping Shan where Instagram-famous teashop  Teakha serves refreshingly delicious chai and treats.

Sai Ying Pun

Explore Hong Kong's many street art art lane sai ying pun gafencu
(One Art Lane; Photo courtesy of yogawinetravel.com)

Farther down the western side of Hong Kong island, a quaint alleyway in Sai Ying Pun named One Art Lane transports you to a multi-verse of colours and quirky characters. Its alleyways and stairways are completely covered with a collection of 26 murals by 17 international and local artists. This spot is easily accessible by train as it is conveniently situated right outside Exit B3 of Sai Ying Pun MTR station.

The Mills

Explore Hong Kong's many street art the mills gafencu
(The Past and Future of The Mills by Uncle; Photo courtesy of The Mills)

Although Tsuen Wan doesn’t score high on the list of must-see places to appreciate street art, the latest revitalised heritage building, The Mills, formerly a textiles factory, does feature over a handful of murals along the wide entrance of its building if ever you are on this side of town or visiting the landmark.  

Explore Hong Kong's many street art hkwalls sham shui po gafencu
(Rainbow Thief by Okuda San Miguel; Photo courtesy of HKWalls)

Although Kowloon side doesn’t spring to mind when on the hunt for art, its old buildings and old-style Hong Kong aesthetic provides a stark contrast to the city’s earlier commissions of murals. Decades old buildings, shop shutters and high rises along Sham Shui Po, Prince Edward, Mong Kok and Yau Ma Tei were given new life thanks to HK Wall’s 2016 project.

If you find yourself around the Yau Tsim Mong district, check out the iconic large scale multi-coloured geometric dog by Okuda San Miguel, named Rainbow Thief, that is plastered along the length of the Man Fung Residential Building in Sham Shui Po or the street art that decorate the infamous Yau Ma Tei fruit market and bustling stalls along Waterloo Road. In Mong Kok, the Public Square Street is a relatively new addition. You’ll surprised to see that these vibrant gems stand out and highlight the areas with an vibrant interpretation of Hong Kong’s multicultural city.  

All Fired Up: The art of modern ceramics

What is it about ceramics that attracts and intrigues? For the many who seek out fine china or artisanal pieces for their home, they encapsulate a sense of mystery while offering a comforting quality that relaxes the mind. Their very nature is a paradox, fragile yet durable at the same time.

A new generation of Hong Kong ceramic artists are merging cultures through earthware gafencu touch ceramics
(Photo courtesy of Touch Ceramics)

Ceramic works have seen a boom in interest among the younger generation – a growing trend, whether they are looking to create or collect. Although the craft is rooted deep in Chinese history – in their humble beginnings they were everyday receptacles such as cookware, tableware, flasks and vases – the focus now lies in contemporary artistic designs. But what exactly makes ceramics worth buying and collecting?

A new generation of Hong Kong ceramic artists are merging cultures through earthware gafencu touch ceramics kintugi enders wong
(Enders Wong of Touch Ceramics; Photo courtesy of Touch Ceramics)

For starters, every handmade piece is a one-of-a-kind creation. “Ceramic artists are extraordinarily hardworking,” says Enders Wong, the ceramic and kintsugi artist behind local gallery Touch Ceramics. “The medium can be hard to control and predict until you’ve actually finished firing the pieces and opened the kiln. In that way, with every piece that is created – every thought, experiment, discovery and care that is put into the work – the artist is actually giving more than they take,” he opines.

A new generation of Hong Kong ceramic artists are merging cultures through earthware gafencu touch ceramics kintsugi (2)
(Photo courtesy of Touch Ceramics)

Wong works with high-temperature ceramics and glass predominately. His sculptural pieces and kintsugi works typically take three months to perfect, from planning to finish, with the majority of time dedicated to conceptualising rather than the actual production. Wong’s process is very different to those working in conventional ceramics, though. “I reverse the sequence of traditional ceramic works to create new artworks,” he explains. “For example, I will do a glaze firing first, then pour slip on for another round of firing. This creates a peeling effect that is unlike the usual smooth surface of traditional wares. Using traditional techniques [melded with] my own approach allows me to chaSpotllenge myself and find my own unique style.”

“With every ceramic piece that is created – every thought, experiment, discovery and care that is put into the work – the artist is actually giving more than they take”

Also Read: The Arts of Survival: Hong Kong’s disappearing crafts

Made by Hand
There is a misconception that there is very little artistry in creating modern ceramics; given today’s advanced technology, people might assume that the pieces are mass-produced. This notion is refuted by Julie Progin and Jesse McLin, founders of Hong Kong-based design studio Latitude 22N, who stress that handcrafting is still the most constructive way to make ceramics, not to mention the most liberating for the creative mind. “Technology is something we try to disengage with whenever possible,” says Progin, “We like to work with our hands. With clay we can create forms almost as we conceive them. It’s very spontaneous and it allows us to quickly get a feel of what we want to make.”

A new generation of Hong Kong ceramic artists are merging cultures through earthware gafencu latitude 22N
(Julie Progin and Jesse McLin of Latitude 22N; Photo courtesy of Latitude 22N)

“We also benefit from skills that complement one another,” adds her artistic partner and husband McLin. “Julie may spend more time on the computer sketching and composing patterns, whilst I prefer to experiment directly with the clay to see what works and what doesn’t.”

The duo shies away from trends in ceramic design, preferring to draw from their different backgrounds and experiences to find a fresh perspective on preserving tradition and conceptualising meaningful, innovative ideas. “We love to investigate materials, push their boundaries and invent new processes which eventually lead to new works,” says Progin.

A new generation of Hong Kong ceramic artists are merging cultures through earthware gafencu latitude 22N (4)
(Photo courtesy of Latitude 22N)

This is clearly evident upon stepping into their studio. In a “library of experiments”, samples reveal the pair’s extensive investigations and document mistakes, tests and past works. It shows everything they’ve done – what works, what doesn’t, and what is yet to be discovered.

Clearly, mastering ceramics isn’t as simple as throwing clay on a turntable and shaping it to perfection. The research and development phase alone might take Progin and McLin two weeks or four, while their production time ranges upwards from a month to eight months and more. Small batches of their porcelain tableware, lighting and accessory collections, as well as uniquely shaped creations that require careful treatment, are all handmade in their studio. For large projects and collaborations that require specific skills such as hand-painting, carving or gliding, they will partner with various workshops. Having a team in a second studio in Jingdezhen, China’s porcelain capital, allows them to scale up production when required.

Connecting with Clay
The value of a ceramic work is not about its price, but the connection one has with it. For some, the pieces sit behind the glass of a display cabinet to be admired; for others collecting ceramics is a deeply personal and intimate way of interacting with everyday objects and appreciating art. Since each represents a piece of the artist, a bond between creator and owner is forged. At least this is what young local ceramic artist Allen Chiu, founder of Water Ceramics, believes.

A new generation of Hong Kong ceramic artists are merging cultures through earthware gafencu water ceramics
(Photo courtesy of Water Ceramics)

Just four years ago Chiu was fresh out of college with an art degree from the US, but not a single job offer lined up. Then, finally, she landed some work at a small ceramics studio and discovered her calling. As a one-woman team in her studio in Hong Kong, she not only handles production, sales, marketing and customer service, but also teaches pottery classes. But it is her background in fine arts, Western oil painting and collage that defines her distinctive aesthetic. Chiu’s works offer a soothing sense of Japanese-style minimalism with a vivid splash of colour that elicits joy.

A new generation of Hong Kong ceramic artists are merging cultures through earthware gafencu (2)
(Photo courtesy of Water Ceramics)

Unlike paintings and sculptures, ceramics are multifaceted in form, marrying traditional artisanal craft with aesthetic beauty, and communicating different cultural and historical narratives. Whilst being unique pieces that resonate with their collector, they are also more accessible to the ordinary person. As the famous English ceramic designer, Susie Copper, once said: “Pottery… is a practical and lasting form of art. Not everyone can afford original paintings, but most people can afford pottery.”

 

Also Read: Pottery, flower arrangement and more. New skills to pick up to expand your horizons

Matters of Art: Seoul Auction exhibits over 20 artists from Hong Kong and South Korea

Seoul Auction, the premium art gallery within H Queens, recently hosted an art exhibition simply titled Matter, a unique showcase of the works of over 20 of the finest contemporary artists from Hong Kong and South Korea.

Curated by renowned architect and art collector William Lim, the opening night itself saw all the true culture vultures in town circling in on this particular exhibition. Among the local artists whose works were exhibited, the most noteworthy were Cheng Ting Ting, Chu Hing Wah, Carmen Ng and Tsang Kin Wah. From the South Korean side in the meanwhile, such eminent names as actor and artist Ha JungWoo as well as Choi SoYoung have also taken part in the exhibition. Here are some exclusive moments from the opening night:

Matter
Seoul Auction
Till 18 September
11F, H Queen’s, 80 Queen’s Road Central
+852 93601313

Art Bypass: Is hard-nosed Hong Kong becoming Asia’s true art hub?

While Hong Kong is known as an unsentimental global financial centre, recent years have seen a huge effort go into foisting a new image of the city – that of an international art hub – onto the sensibilities of the global public. At the forefront of this movement is Art Basel, the international art fair that has been an annual fixture in the city since 2013. As the only Asian iteration of this long-established Western art event, Art Basel Hong Kong attracts wide international attendance and participation from the world’s leading art galleries. This year, the event hit a new high, with 242 globally prestigious galleries taking part and a footfall in excess of 88,000.

Hong Kong art
Art Basel Hong Kong 2019

Looking to capitalise on this success, a slew of other prestigious annual art events are now also using Hong Kong as a platform from which to jostle for their own share of the Asian art dollar, including Art Central, the Asia Contemporary Art Show and the Affordable Art Fair.

Running in parallel with this has been the city’s booming art auction scene – led by such luminaries as Sotheby’s and Bonhams – as well as its burgeoning number of blue-chip art galleries, notably Opera Gallery, K11 Art Foundation, Hanart TZ Gallery, Gagosian and White Cube. Among the more recent additions are H Queen’s in Central, an entire 24-storey building, and the South Island Cultural District, a whole urban zone – both dedicated to art and lifestyle.

Hong Kong art
Art auction at Sotheby’s Hong Kong

Giving her own take on what is driving the local art boom, Adeline Ooi, the Asia Director of Art Basel Hong Kong, said: “What do you buy after your car and your Birkins and your LVs? The next thing was always going to be wine or art or – more likely – wine and art.”

But while Hong Kong has become a lucrative destination for those in the business of buying or selling art, those creating art don’t necessarily seem to be getting their share of the related profits. Their problems are, of course, only exacerbated by the burden of history. While the Post-Cultural Revolution period of the ’80s and ’90s triggered a renaissance of the mainland’s art scene – with the works of such artists as Zhang Xiaogang, Zeng Fanzhi and Yue Minjun becoming globally in demand – this also acted as a catalyst to eclipse the artistic endeavours of several generations of Hong Kong creatives.

Hong Kong art
Summer Mountain by Kan Chi Hung

Although some local artists (notably Lui Shou-kwan and Wucius Wong, founders of the New Ink Movement) did achieve international recognition from the ’70s onwards, most of their contemporaries have remained all but unknown. It’s a problem that continues to this day, with only one or two notable exceptions. So, while some high-profile figures – such as Lee Kit, who represented Hong Kong at the 55th Venice Biennale in 2013 – do get their due recognition, those who fail to secure the backing of the more affluent galleries still struggle to get by, with many of them obliged to move abroad.

One such struggling artist is Mona Choo, an artist who migrated to Singapore to boost her career. She says: “I was in a great exhibition in Hong Kong in 2016 – the One Belt, One Road Visual Arts Exhibition at Sotheby’s – and I made some great contacts. Despite that, I couldn’t find any Hong Kong gallery willing to work with me on a long-term basis.”

Hong Kong art
Artists Jackie Chung and Ray Chow in their subdivided flat which they use as their studios

Many artists also complain that they have been driven out of the city by its exorbitant rents. One to fall victim to such a problem was Deniau, a French painter who tried to make a go of it in Hong Kong between 2014 and 2017. Ultimately despairing of finding an affordable place to work, she too quit the SAR in favour of Singapore. Comparing her current situation with her difficult Hong Kong years, she says: “Having a viable studio has made a huge difference to me. I am now far more productive than I ever was in Hong Kong.”

But there are others like French visual artist Ophelia Jacarini who, despite the many challenges, feel that Hong Kong’s burgeoning art scene may still have much to offer to budding artists. Says she: “Living here means being flexible. Though my studio is really small compared to the price I am paying, I feel like it’s still worth it as the art scene is growing here and I want to be part of it. Yes, If I compare it to Paris, I cannot spend time in a different museum every day to learn about various artists. Then there are such disappointments like shows or commission projects getting cancelled. But even then, I feel like I get more opportunity to share my work here than I did in Paris.”

Hong Kong art
Artist Ophelia Jacarini with her artworks

This scope of “opportunity” is seemingly set to increase with Hong Kong’s 2018-2019 budget seeing a whopping HK$20 billion earmarked for artistic and cultural endeavours. Despite this apparent good news, though, some cynics have pointed out that only a small percentage of this figure will go towards supporting artists, with the lion’s share going towards building new cultural facilities and expanding existing ones.

This may seem a strange dichotomy but, in reality, it sums up just how art truly is perceived in Hong Kong – as a consumer-oriented commodity in a hyper-transactional space. As a result, many fear that, unless the city can find a way to bridge the gap between its creative and commercial imperatives, Hong Kong’s art scene may ostensibly continue to flourish, while its indigenous creative talents may wither away unacknowledged.

Text: Suchetana Mukhopadhyay
Image courtesy: AFP, Sotheby’s, Artify Gallery, Rogel Vidallo, Ophelia Jacarini

Blooming art: Five upcoming Hong Kong artists we’re rooting for

It’s safe to say that Hong Kong’s art scene is flourishing. This seems to have encouraged a slew of young artists to give in to their creative sides and try to grab a foothold in the competitive art scene. We have for you a list of five upcoming Hong Kong artists, who we think are here for the long run. 

Chloe Ho in front of her creation Wellspring

Chloe Ho

Ink artist Chloe Ho has already carved a name for herself in the international art scene with her East-meets-West creations. Feted in Hong Kong and overseas alike, Chloe is also fascinated by the strange marriage of art and technology and is currently experimenting with virtual reality art forms. Talking about what draws her to ink art, she says, “Ink is naked and unalterable. It’s a lot like life – you don’t get a do-over.” (Read full interview here)

Victo Ngai with the Johnnie Walker bottles that showcase her art

Victo Ngai

The next artist on whom we can firmly place our bets is LA-based illustrator from Hong Kong, Victo Ngai. A Forbes Art & Style 30-under-30 honouree and a two-time gold medallist at New York Society of Illustrators, Victo’s list of achievements is already quite staggering. A regular illustrator for the New York Times and the New Yorker, her work has also been used by Hollywood powerhouses like DreamWorks. Her most recent tribute to Hong Kong was an illustration of a Cantonese opera performer that was featured on Johnnie Walker Blue Label limited-edition bottles.

Doodood and Haze, oil on canvas painting by Chris Huen

Chris Huen

Chris Huen, another millennial on our list, draws inspiration from things around him. He deliberately avoids larger schemes in life, like religion, politics, etc. and instead chooses to focus on the beauty that lies hidden in our mundane humdrum ways of existence.

Huen’s art is inspired by en plein air (French for painting outdoors) which he applies to his paintings of indoor scenarios. His artworks try to capture the relationship between space and object.

Starry Day, a 2016 creation by Jaffa Lam

Jaffa Lam

One of Hong Kong’s most renowned sculptors, Jaffa Lam has brought a new dimension to her artworks through her sustainable approach to art. Specialising is large-scale installations, Jaffa creates mixed-media sculptures using recycled materials like old furniture, crate wood, discarded fabrics, etc. One of her most notable work – that even made it to Sotheby’s Women in Art exhibition – is Starry Day, which was made using white umbrella scraps gathered during the iconic Umbrella Movement of 2014.

Jennifer Chow painting Sad Cherry

Jennifer Chow

Our final to-watch artist is Jennifer Chow, whose character Sad Cherry borrows from her own life experiences. Being born and raised in Hong Kong, her artwork is heavily steeped in the city’s visuals. According to Jennifer, her art is her process of self-discovery and it’s as much an inward journey as an outward journey for her.

 Text: Suchetana Mukhopadhyay
Photo credit: Victo Ngai, Sotheby’s, Chris Huen, Jennifer Chow Art Facebook page

Artist Playground: The Park Lane Hong Kong extends support to local artists

In keeping with Pullman Group’s global art initiative, the recently refurbished The Park Lane Hong Kong, a Pullman Hotel, held an art exhibition titled “Artist Playground”, in collaboration with Geneyclee Gallery, to extend support to local artists.

Art scene in Hong Kong is flourishing, but young artists are still struggling to find a footing in the space; so Pullman’s initiative to focus on local millennial artists is both thoughtful and strategic. Displayed in the hotel’s popular coffee shop, Ebb & Flow, which witnesses regular footfall from international visitors, the artists’ works immediately catch attention and create a buzz among guests.

The three artists, Liane Chu, Jennifer Chow and Ticko Liu, whose works are displayed, believe such initiatives go a long way in encouraging artists to pursue their dreams.

Text: Suchetana Mukhopadhyay
Video: Johnny Yau