Head Over Heels: From horse riding to pole dancing, Anora actor Mikey Madison is assured and authentic in everything she does

Once a shy girl who devoted much of her time to her beloved horse, Mikey Madison is now riding the wave of Hollywood success. While labelling herself an introvert, the Anora star enjoys occupying the headspace of extroverts. “If I play these [extreme] characters, then I’m going to get to experience so much life and living through them. And it doesn’t have to be me, you know? I get to have a safety net.” When collecting her Best Actress Academy Award statuette in March this year, Madison stepped up, aged 25, as the first Gen Z Oscar winner for acting.

Mikaela Madison Rosberg was born in Los Angeles on 25 March 1999, alongside her twin brother, into a family with a past claim to fame – one of her relatives was Clarence Hailey Long Jr, a rugged Texas cowboy who appeared on the cover of the August 1949 issue of Life magazine and was the inspiration for the iconic cigarette-advertising ‘Marlboro Man’.

Although growing up in a vibrant city known for its performance arts, young Mikey initially inherited Long’s passion for riding. Her parents, both psychologists and supportive of her ambitions, allowed her to be homeschooled so could dedicate herself to equestrianism. It wasn’t until she was 14 that her head was turned toward acting. “I loved the ritual of getting to the barn and taking care of my horse, but it’s kind of an isolating sport,” she says of horse riding. “I felt called in another direction.”

LA Spirit

Having enrolled in acting classes, she made the pivotal decision to focus on acting full-time, forgoing college to immerse herself in auditions. It was then that her upbringing in Los Angeles, amid a backdrop of aspiring artists and established stars, provided her with a unique perspective on the entertainment world.

She first caught the eye at 17 as the eldest, and often angry, daughter in the television family assembled by Pamela Adlon for the comedy-drama series Better Things (2016-2020). “That show was my film school, my college, and I learned a lot about acting too, certainly,” she says.

Her film breakthrough came in Quentin Tarantino’s Once Upon a Time in Hollywood (2019), which examines the changing dynamics of Tinseltown in the late 1960s. She shone among a large ensemble cast which included big names like Leonardo DiCaprio, Brad Pitt and Margot Robbie, playing the small but pivotal role of Susan ‘Sadie’ Atkins, one of Charles Manson’s notorious ‘family’ who murdered actress Sharon Tate and four others on 9 August 1969. Praised by critics for her authenticity and emotional depth, the young actor demonstrated her versatility and positioned herself as a new talent to watch.

The main takeaway for Madison herself, though, was the opportunity to be directed by one of her heroes. “It was a dream come true,” she exclaims of working with Tarantino. “It was completely unbelievable and the greatest entry into film for me. But it was also, ‘OK, well, f***, I just worked with my hero at 19. What am I going to do now?’”

Brooklyn Bound

Nabbing the titular role in the Palme d’Or and Oscar triumph Anora (2024) was her answer. In fact, she didn’t even have to audition for the part since writer-director-producer-editor Sean Baker had spotted her in Scream (2022), the fifth instalment of the iconic slasher series, and recalled her work in Once Upon a Time in Hollywood. He wrote this hard-edged, modern American romance centring on a bold, brassy stripper-cum-occasional sex worker with Madison in mind.

In turn, the actor threw herself into the role, casting off her inner California girl. Displaying her strong work ethic and thirst for perfection, she visited strip clubs, learnt pole dancing and basic Russian, and even lived in Brighton Beach for a month to acquire a thick Brooklyn accent.

As she collected a cache of trophies for Anora, Madison dedicated them to the women who earn their living as sex workers. “I’ve made friends who are dancers,” she relates. “I wanted every aspect of Ani’s career and what she does to be realistic – but also [to show] that’s not her entire life; that’s just her job. I didn’t want [her line of work] to be sensationalised or dramatised in a negative way. I just wanted it to be what it was.”

Slow & Shy

She says of the character: “[Ani’s] very boisterous and scrappy and has so much attitude. And she has this incredible fighting spirit that I really admire, and I don’t think that’s me at all. In terms of energy, I’m a lower-energy person. I just move through the world in a slower manner.” A rare celebrity who eschews social media and doesn’t like to talk about herself, the actor prefers to live “in her own little world”.

Madison has been open about her struggles with shyness and social difficulties as a child, when she found solace spending time with animals. She encourages others to prioritise their mental wellbeing, reinforcing her commitment to authenticity.

As a relatively inexperienced actor, she has been inspired by the women who have paved the way in Hollywood. She acknowledges the importance of representation in film and television, advocating for diverse stories and complex characters. Her passion for storytelling aligns with her desire to contribute meaningfully to the industry.

“I would like to see more men in power being outspoken about women’s issues in Hollywood… the kind of world we live in, men are in a position of power – actors, producers, directors. They should be uplifting women. I think that should be a man’s role,” she says.

Emotional Ride

Looking ahead to surely an even more glittering future, she is eager to explore new opportunities that challenge her as an actress. She is keen on taking on diverse roles that push her boundaries and projects that resonate with her values, whether in film or television. “[Acting] is an emotional job, and so for me, I approach it in an emotional way,” she stresses. “I’m taking my time [committing to a new project, and] I’m grateful that I have the luxury of being able to do right now.”

She acknowledges that making Anora was a “crazy, life-changing” experience. The low-key star views acting as “creating something together” and takes pleasure in the fact “that whatever I make, for at least one person it will be their favourite thing”. With her first headlining role, Mikey Madison has touched the hearts of millions.

Rage Against the Machine:The humans whose creative output feeds AI bots are striking back on the legal battleground

As generative artificial-intelligence tools from Grammarly to ChatGPT grab the popular imagination, the world’s creatives feel increasingly marginalised, fearful of their ability to eke out a living in the all too near future. Generative AI sifts through human-generated content – texts, sounds, images and videos – to train its models to compose music, or create a painting, or generate a TV advert. Scraping through such data, known as text and data mining (TDM), is often without the consent of the content owners.

Protests against the use of AI to create new forms of artistic output without recompense or the consent of the original creators rage on around the globe. A protest album called Is This What We Want? was released earlier this year in response to proposed changes in UK copyright law that would mean AI developers could train their models using material available on the internet unless those holding the rights to this content specifically elected to opt out of providing permission.

Available on Spotify, the album consists of silent recordings from empty studios and performance spaces, and involved more than 1,000 musicians. The 12 tracks listed spell out a powerful message: “The British Government must not legalise music theft to benefit AI companies.”

In the art world, an Augmented Intelligence auction held in New York this spring also caused a furore. Prior to the sale, an open letter signed by thousands of artists called for its cancellation, decrying the “mass theft” of human artists’ work by AI companies.

The vexatious issue is underscored by the fact that many governments are keen to promote a thriving ecosystem for both tech firms and artistic creators, even though myriad legal and ethical considerations swirl around the promotion of this nascent technology.

Composer protection

Due to AI’s increasing influence in various sectors, the Hong Kong government launched a public consultation last year on the enhancement of the Copyright Ordinance to reflect AI technology development. In its submission to the consultation paper, the Composers and Authors Society of Hong Kong (Cash) – which manages the copyright of musical works for more than three million members locally and from affiliated societies overseas – said copyright protection should not only be provided to the “arranger” of the works but also extend to the author or owner of the underlying work. Like the protesters in the UK, it believes an opt-out model proposed by the government unfairly shifts the burden to the copyright owner who has to take an active step to safeguard their rights.

Instead, Cash proposes the implementation of an opt-in system, arguing that “the default position should be … it is illegal to use any music without permission, unless the author or the composer has expressed an intention to sell their rights to the tech company.” In their view, when there is commercial use of copyrighted material for TDM purposes, the owners of the work should be remunerated, and this remuneration should be based on licensing arrangements between the owners and the AI companies.

Legal conundrum

Hong Kong-based lawyer Ellie Patel, the founder and CEO of Re-think Legal, believes the generative AI issue is exacerbated by the legal framework in most jurisdictions lagging behind modern technological developments. “Governments are now scrambling to put in place laws to govern the creation and use of AI, but this is just the start of the process,” she says. “Ultimately, it’s only when these laws are interpreted and tested by the courts, and harmonised on an international level that real certainty regarding rights and obligations will be established.”

Patel is torn on the subject of “fair use” exemptions to train AI models. These allow for use of content without the threat of copyright infringement in certain circumstances, such as education and news reporting. As a trademark and intellectual property expert, she has clients who are creators and others who are in the tech industry.

She supports the development of AI, viewing it as an increasingly important public and corporate tool. “That said, creators also need protection and, in the main, should be rewarded for their contribution,” she notes. “It is all about striking a balance between the two – but striking that balance is no mean feat.”

Jonathan Chu, an Intellectual Property Partner at CMS in Hong Kong, warns that if there are too many restrictions on the use of copyright works for training AI, it will hamper innovation, and jurisdictions with the most stringent laws on AI development will be left behind. He urges greater clarity on the issue.

Remixing the past

Hong Kong University of Science and Technology Professor Andrew Horner, whose primary research interests are music synthesis and timbre, sees generative AI as the exciting new “kid on the creativity block” shaking up the artistic landscape. He has no qualms about generative AI learning from the “rich tapestry of existing content – music, literature, visual art and more”.

He states that throughout history, artists have drawn inspiration from each other’s creations. “A classic example in music is Miles Davis paying tribute to Stravinsky’s The Rite of Spring,” he says. “In this sense, generative AI is simply carrying forward this vibrant legacy. No creator operates in a vacuum; they are always influenced by the world around them and the inspirations that strike their fancy.”

Two disco songwriters recently lost a legal case alleging that Dua Lipa copied her single Levitating from their tracks, and Horner believes this highlights the beautiful – and sometimes tricky – dance of creativity. “It’s only natural for songwriters to mix and remix elements from others’ work, adding their own unique flair,” he insists. “After all, if you create something that inspires, it’s likely others will want to take that spark and run with it.”

For him, the crux of the matter is whether the output of generative AI models resonates with us and inspires meaningful experiences. “It’s an exhilarating time for creativity, making it easier than ever to play with sounds and forge new musical landscapes,” he says. “There are so many ways to pay tribute to a song: you can cover it, create a mashup that fuses it with another track, or compose something entirely fresh that reflects your personal take on it. It’s all part of the vibrant tapestry of music-making.”

Horner suggests the creative lineage of a piece should be honoured by giving a shout-out to the artist or artists who influenced it. Musician David Robinson, who is paid royalties for a book and tape he created, is strongly in favour of AI as a tool to enhance the creative process, but believes musicians should be compensated if AI uses their material.

Pushing art forward

Art-world pioneers including Refik Anadol, Sougwen Chung, Sander Coers, Anna Ridler and Victor Wong have used AI to expand artistic possibilities, blending human intuition with machine-generated aesthetics. Karen Sanig, who founded Art Law at Mishcon de Reya, says that for some artists, AI is less a threat than a transformative tool, deeply integrated into their creative processes in sophisticated ways. However, she is concerned that AI systems which scrape vast datasets of artworks en masse, and without consent, deny artists control over how their work is used or reproduced.

AI-generated imitations could also both damage the integrity of a work of art and dilute an artist’s reputation, hence conversations about moral rights (such as the right to attribution, or the protection of a work’s integrity), passing off are vital alongside copyright considerations.

“Legislators face a daunting challenge – not only must they crystallise a formula to regulate a technology that evolves daily, they must reconcile AI’s data-driven mechanics with intellectual property frameworks built largely for human authorship,” notes Sanig.

Hong Kong-based entrepreneur Matey Yordanov of Antei AI Development Hub says he has developed an imperceptible ‘mask’ technology that adds an invisible layer to any type of media, leading to the corruption of the AI training output if protected files are used. “This not only safeguards the media from being copied, but also prevents deepfakes and impersonation of artists, which is becoming increasingly more critical with the development of AI,” he affirms.

Avatar Hurrah: From sci-fi to Emilia Pérez to Lioness, Zoe Saldaña embraces each role with a roar of cultural pride

With a gripping personal narrative and a career that continually elevates her to unfathomable heights, Zoe Saldaña is a voice for those who dare to dream beyond limitations. Having swept the awards board with her Best Supporting Actress spin in Emilia Pérez, she is set for an Avatar return by year’s end, and her remarkable journey from loss to triumph is a testament to the power of the human spirit.

Born in New Jersey to a Dominican father and a Puerto Rican-Dominican mother, Saldaña quickly assimilated the notions of passion and tenacity. Her secure childhood in a community steeped in dual cultural identities was shattered at age nine by the loss of her father in a car accident. The family was thrust into tumultuous times, with Zoe and her two sisters, Cisely and Mariel, shifting to live with relatives in the Dominican Republic in a search of stability.

She would return to the US in her teens to finish her education in Queens, New York and find her calling in acting. “I learned in a very innocent, unconscious way when I was very young that I need to live in art because I find peace,” reflects the 46-year-old star.

Unbreakable Bonds

Throughout interviews, Saldaña expresses that this early adversity shaped her understanding of strength and love. “When my father passed away, we all went straight into survival mode,” she says, revealing how such formative experiences helped her cultivate bonds with her sisters. “You can’t expect them to have the same capacity and to understand what you’re going through.”

This connection ignited a passion for dance, which offered her solace. She trained in ballet, a discipline that requires not only skill but also a remarkable level of focus, something she struggled to maintain. She eventually quit due to doubts about her own capabilities: “I did not have the feet, but I had too much pride.” While she turned to the theatre, dance would remain a crucial element of her career; she broke into movies playing a dancer in Center Stage (2000) and ultimately found expression in roles that required her to merge her artistic talents with her powerful storytelling abilities.

Saldaña’s first on-screen role, at age 22, in the long-running TV show Law & Order (1999) laid the groundwork for a career characterised by remarkable versatility. While critics often deride the juvenile antics of films from the early 2000s, she regards these experiences as stepping stones to her illustrious career. “I have been pushed and pulled in a shocking number of directions, and I’m grateful for every single one,” she affirms, facing the challenges of Hollywood with grace.

Cosmic Force

As Saldaña’s popularity soared, she transitioned into blockbuster territory with key roles in the Star Trek reboot and Avatar, films that would solidify her place among the highest-grossing actresses of all time. Arguably, her industry inflection came from portraying powerful women in sci-fi films. As communications officer Uhura in Star Trek and warrior Neytiri in Avatar, she exemplified strength, intelligence and vulnerability.

“I like the fact that there’s more than one female in an action movie,” she shares, advocating for inclusivity within her roles. At a time when many women found themselves pigeonholed, she navigated through uncharted space, delivering memorable performances that would transcend the screen.

Portraying Gamora in the Guardians of the Galaxy franchise further established Saldaña as a leading female figure in Hollywood. The complex nature of her character – an assassin turned protector – mirrored her own journey toward empowerment, emphasising that feminism comes in myriad voices. “There is a certain freedom of the imagination in science fiction,” she asserts. “You have to project yourself into a world that you’re unfamiliar with.” Her ability to bring this voice to life ignited conversations about representation in media and inspired countless fans.

Claiming Her Identity

While the spotlight has been a constant companion, Saldaña has carefully curated a personal life filled with integrity. She married Italian artist Marco Perego in 2013 after a whirlwind romance and raises three boys in a trilingual household. The actress is intriguing not only for her roles but also for her candidness regarding her own struggles, including with the autoimmune disease Hashimoto’s thyroiditis. In an age where perfectionism reigns supreme, her humility is refreshing.

At the core of her narrative lies the desire to connect and inspire through her art. “My life has always been saved, over and over again, by people who have taken me in, by guiding me, raising me, and educating me,” muses the mother of three, attributing her success not just to hard work, but to the rich support network of family, friends and mentors. This gives depth to her actions and dignity to her voice, especially as she champions causes close to her heart, like diversity in media.

Vision for the Future

Her Academy Award-winning role in Emilia Pérez centres on camaraderie and the complexity of human connection. As the main thread propelling a story steeped in themes of empowerment and social commentary, Saldaña sheds layers as a performer, demonstrating her ability to redefine herself throughout her career. “For Emilia, every scene felt like reconnecting with parts of me throughout my life where I felt that kind of desperation,” she shares, emphasising the emotional weight of her work.

Her evolving roles signal a shift from merely occupying space in Hollywood to creating it. Avatar: Fire and Ash’s scheduled December release and her participation in prolific American TV creator Taylor Sheridan’s Lioness further display her commitment to exploring neglected narratives within the female experience. As she looks forward to new challenges, Saldaña appears more than ever equipped to navigate the highs and lows of showbiz without losing her essence. “What if I just f**king go all in?” she readily contemplates, a mantra of sorts that underlines her fearless approach to life.

Against the backdrop of a dazzling industry, Zoe Saldaña emerges as a multi-faceted force who wields her creativity to empower others. Embracing her Latino heritage, challenging the status quo, and redefining the notion of femininity in her work, she sets the stage for a brighter future – one where women no longer just break barriers, but dismantle them entirely.

Empire Of Opulence: Outshining European crown jewels, the Mughal court’s magnificence was set in extraordinary stones

When you think of extravagance and splendour, the Mughal Empire immediately springs to mind, its legacy twinkling in the gems that adorn its history. From luxuriously carved turban ornaments to richly coloured necklaces dripping with lush stones, Mughal jewellery paints a picture of opulent artistry and cultural richness that continues to resonate today.

The Mughals were not just rulers; they were connoisseurs of beauty. Shimmering across South Asia from the 16th to the 19th centuries, the Mughal court was marked by an unmatched passion for the opulence of jewels. Exquisite diamonds, vibrant emeralds, luscious rubies and exceptional pearls were their treasures. These royal gemstones were not merely decorative; they represented power, wealth and artistry – a glimmering narrative of the greatness of an empire that once spanned present-day Afghanistan, Pakistan and Bangladesh as well as India and beyond.

The Mughal treasury was legendary, rumoured to contain inestimable riches in gold, silver and jewels that would make even the wealthiest modern magnate gawk in admiration. The opulence was tangible; just consider the Peacock Throne, the 17th-century solid-gold and gem-encrusted seat of power of the fifth Mughal emperor, Shah Jahan. Deemed to be one of the wonders of the world, it symbolised absolute power and splendour.

The vastness of the Mughals’ wealth and the sheer artistry displayed in their treasures were the envy of all who came to pay their respects. In a practice as diplomatic as dazzling, intricate gem-studded jewels would be gifted to foreign dignitaries or presented as tokens of love in strategic alliances. Wealthy princesses were arrayed in priceless dowries to secure political ties, with exquisite pieces carefully chosen not just for beauty but also as measures of worth and influence.

Royal Bling

Mughal jewellery is a story woven in gold and gemstones. Each piece tells a tale of luxury, craftsmanship and the complexity of status. The jewels were powerful symbols, often displayed by emperors to signify their authority. Turban ornaments, for instance, nodded to royal lineage. The sarpech or jigha, crafted in gold and studded with brilliant stones, displayed elegance and functionality. The design often included a majestic feather and was reminiscent of the emperor’s sceptre.

Among the crowning glories of the era was the famous Great Mogul Diamond. Discovered amid the rich Golconda mines of southern India in 1650, this magnificent stone weighed a staggering 280 carats. Resembling half a chicken’s egg in size and shape, it was gifted by a wealthy general, Emir Jemla, to Shah Jahan. Tales swirl around this famous diamond, especially that of French traveller Jean-Baptiste Tavernier, who marvelled at its brilliance and sketched its image in 1665.

However, the diamond’s tale took a dramatic turn when it was looted by Persian ruler Nader Shah in 1739, along with the Peacock Throne, and disappeared into the pages of history. Some say it was later recut into the Orlov Diamond, a shard of Mughal majesty residing in the Russian imperial sceptre now displayed at the Kremlin.

Ornate Armoury

Not just about ornamentation, Mughal jewellery also served practical purposes. The bazuband, worn around the upper arm and adorned with gemstones, offered protection in battle while serving as an ornate declaration of wealth and prowess. Inherently functional yet intricately beautiful, items like dagger handles were crafted from precious metals, integrating luxury into everyday life. The Mughal armoury reflected not only martial readiness but also an appreciation for artistry that time has not forgotten.

Mughal jewellery often featured intricate designs inspired by nature, with symbols like the lotus – representing beauty and eternity – woven into their aesthetics. The appeal of gemstones also ran deep; with diamonds symbolising strength and emeralds embodying renewal, they were chosen as much for their physical beauty as for their spiritual significance.

Embedded Artistry

With unparalleled advancements in jewellery craftsmanship, the Mughal era is also synonymous with innovation. Techniques such as kundan, meenakari and jadau created masterpieces of unrivalled elegance. Kundan involved meticulous craftsmanship wherein gold foil secured stones in place, achieving a seamless finish and enhancing the brilliance of each gem.

Meenakari, or the enchanting art of enamelling, splashed vibrant colours across metal surfaces, depicting flower and fauna motifs that have become synonymous with Mughal aesthetics. Jadau, a technique of embedding stones within softened gold, ensured beauty and security in each piece, elevating the craftsmanship to new heights.

Visitors to London this month can revel in such marvels, as the V&A presents, until 5 May, an exhibition of The Great Mughals: Art, Architecture and Opulence, showcasing the extraordinary creativity and culture that characterised the reigns of emperors Akbar, Jahangir and Shah Jahan.

Resurgent Heritage

Fast forward to present day, Indian jewellery has been experiencing a renaissance. Over the past few years, a myriad of global celebrities, from Nicole Kidman and Madonna to Indian stars like Kareena Kapoor and Isha Ambani, have flaunted Indian designs, spotlighting the intricate craftsmanship and cultural wealth of the subcontinent. Modern jewellers, like the talented Hanut Singh, are skilfully combining traditional artistry with contemporary flair, creating dazzling pieces that appeal to a cornucopia of tastes.

This resurgence goes beyond mere aesthetics; it celebrates cultural representation and community pride while expanding markets and promoting unique narratives. The sustainable practices adopted by many current artisans resonate beautifully with today’s conscientious consumers, ensuring that Indian jewellery evolves without losing its deep-rooted essence.

Marriage of Extravagance

While the echoes of the Mughal era resonate through history, its artistic legacy remains on display at Indian weddings. Traditional wedding jewellery often embraces the Mughal essence. Today’s brides and grooms don majestic turban ornaments and treasured heirloom pieces that harken back t

A Bridgerton Hurrah: There’s no falling down for Jonathan Bailey, whose charisma has carried him from stage prodigy to Hollywood sensation

Few performers mirror the complexity of human experience with as much raw talent and charm as Jonathan Bailey. Celebrating his 37th birthday this month, the Bridgerton and Fellow Travelers star can credit an abundance of perseverance and passion for his successful move from child actor to major stage and screen presence. With accolades lining the walls of his career ¬– including a Laurence Olivier Award and a Critics’ Choice Television Award, Bailey’s trajectory signifies more than just talent; it represents the evolution of an artist willing to transcend boundaries.

His childhood in the countryside of Oxfordshire, England, amid the nurturing gazes of four remarkable women – his mother and three elder sisters – and a father with unwavering resolve shaped Bailey’s outlook on life. His passion for acting ignited at the tender age of five when a family outing to London to see a production of Oliver! planted the seed of ambition in his young mind. “That was my awakening moment,” he recalls. “I was transfixed by the magic of storytelling and the ability to transport people into different worlds.”

His early years were marked by performances that honed his craft, starting with primary-school plays and continuing onto stage roles with the Royal Shakespeare Company. He starred as Gavroche in a West End production of Les Misérables at the age of eight. Enveloped in a cocoon of creativity and ambition, he headed to the bright lights of greater stages – a path he decided to embrace fully, forgoing drama school in favour of real-world experience.

“I’ve never gone in as the overdog, and that’s liberating,” he reflects. “I want my experiences to drive my performances. I think that’s what keeps me grounded.”

Diverse Roles and Dramatic Range

Bailey’s ascent in the acting world gained momentum through a host of versatile portrayals. He broke into British television playing a university freshman in the comedy Off the Hook (2009) and a teenage Leonardo da Vinci in Leonardo (2012-12), but it was his role as the earnest journalist Olly Stevens in the critically acclaimed series Broadchurch (2013-15) that saw him capture hearts. While that show bolstered his reputation as a dynamic actor, it was the theatre that truly showcased the depth of his artistry.

Appearances in classic plays like Othello (2013) and contemporary works such as The York Realist (2018) served to solidify his status as a leading man of modern theatre. “The theatre is where I feel most secure,” he explains. “There’s a tangible energy from the audience that compels me. I thrive off their reactions.”

It was also in 2018 that Bailey took a significant leap, stepping into the gender-swapped role of Jamie in a new production of the 1970 Stephen Sondheim musical, Company. His award-winning performance dazzled critics, marking him as a swift and nimble presence on stage. “Performing Getting Married Today every night felt exhilarating – it was my playground,” he recalls.

Finding Freedom in Fame

Yet, it was portraying Lord Anthony Bridgerton in the ongoing Netflix series Bridgerton that catapulted Bailey to global fame, serving as both a blessing and a complicating chapter of his life. The first season (2020) took social media by storm, garnering massive viewership and shadows of adoration mixed with scrutiny.

“Initially, I was overwhelmed by the fame,” he admits candidly. “It felt hard-hitting, like being thrust into this whirlwind. But the support system around me has been vital.”

With newfound celebrity status, he tackled the challenges of public adoration, learning to adapt and maintain a sense of normalcy amid chaos. “I’m really good now at saying no to photos, for my sanity’s sake,” he adds with a chuckle.

Safe Haven on Stage

As he navigates the glamorous yet complicated world of stardom, Bailey remains firmly rooted in his passion for storytelling and finds safety once again in a return to the theatre. He plays the titular role in Richard II, which runs at London’s Bridge Theatre until 10 May. “The stage has this protective aura – it’s immersive and liberating,” he reflects. “You get to explore life through characters, almost like dress-rehearsing your own existence.”

His collaboration with director Nicholas Hytner marks a significant homecoming for the actor, and one that has been a foundational part of his career. “Nicholas gave me my biggest break as Cassio in Othello. His mentorship has shaped me significantly. I feel like I’m coming back to a safe space where I can grow and shine,” he enthuses.

Bailey possesses a deep understanding of Shakespeare, bringing the flawed and complex character of King Richard to life with an acute sense of vulnerability. “How do you portray someone utterly inadequate ruling in such powerful circumstances? That’s the journey I’m eager to embrace,” he shares. Reminding the world why he has cemented his place in the hearts of theatre enthusiasts and television viewers alike, Bailey’s performance has been hailed by critics as luminous and charismatic.

Offstage Dreams

With his career at an all-time high, conversations naturally drift towards the future – specifically, the possibility of starting a family. The generally private Bailey, who came out publicly as gay in 2018, reveals: “Yes, I desire children – it’s such a privilege for a man. But I’m conscious of my current [busy] lifestyle. I want to ensure that if and when the time comes, I can be present.”

In a world that often prioritises ambition, he yearns for a balance that could offer a reimagined sense of home. “I’ve been reading about adoption and the prospects of co-parenting. I want a family, but I want to do it thoughtfully,” he emphasises.

Man Behind the Actor

Amid the glamour of fame, Bailey emphasises the importance of giving back to the community. Through his charitable efforts with Just Like Us and The Shameless Fund, which he launched last summer, he strives to raise awareness and support for LGBTQ+ issues globally. “If I can fill the spaces that I didn’t have while growing up, I feel that’s a brilliant thing,” he states.

When Bailey isn’t acting, he finds solace in nature – cycling, paddleboarding and mountaineering are among his favourite pursuits. He embodies a grounded spirit, finding time to enjoy life outside the glitz and glamour of Hollywood.

And clearly, this is just beginning. With a commitment to authentic storytelling, an admirable camaraderie with his fellow creatives, and a heart steadfastly directed towards making the world a better place, Jonathan Bailey’s legacy will undoubtedly inspire many generations of actors yet to come.

Grande Melody: How four-octave powerhouse Ariana Grande transformed heartbreak into chart-topping anthems while championing kindness along the way

While her Wicked success is certainly a key juncture in Ariana Grande’s phenomenal career, she is quick to cast her mind back to a Florida Panthers hockey game when she was eight years old and her rendition of The Star-Spangled Banner charmed the crowd. “It was that moment on stage that truly ignited my passion for performing,” recalls the American pop star and actress, reflecting on the early signs of her impending greatness.

Ariana Grande-Butera entered the world in Boca Raton, Florida, on 26 June 1993 amid a rich cultural tapestry deeply woven with her Italian roots. “My grandmother was a huge inspiration for me as a child,” she reminisces. “She always pushed me to pursue my passions, and that childlike dream of singing became a fierce reality.”

Early Crescendo

Before her songs conquered the realm of music, she showcased her talents on the small screen, capturing the hearts of millions as the teenage Cat Valentine on the Nickelodeon sitcom Victorious. “Acting was my first love, but music was always my priority,” she explains.

Her dual career blossomed during her time on Sam & Cat, another Nickelodeon hit, which emphasised her knack for comedy and her timing. Channelling the playful spirit of her character, Grande’s skits were filled with her signature wit. “I wanted to create something positive for young people instead of just being a cliché,” she declares, showcasing her deep understanding of the impact of representation.

Doing it Her Way

After stepping off the stage and into the studio at age 20, she dropped her debut album, Yours Truly (2013), which catapulted her into the limelight. Its success came with the hit single The Way. “When I first heard it on the radio, I felt like I was dreaming. It was a fast track to everything I had ever wanted,” she remarks. A blend of her R&B influences with a modern twist, the record set the tone for Grande’s career, proving she was more than just a former child star; she was a serious musician ready to break free from genre constraints.

She did just that in her sophomore effort, My Everything (2014), which included the hit Break Free and solidified her spot in the pop universe. The album’s lead song, Problem, featuring Australian rapper Iggy Azalea, became an international sensation. Grande beams as she recounts: “It was my anthem; it felt like everyone was singing along, and I couldn’t believe it!” With hooks that got stuck in your head and beats that made you dance, she was on top of the world, juggling a successful music career with her acting roots.

Rebounding from Atrocity

As she explored deeper into her artistry, the albums Sweetener (2018) and Thank U, Next (2019) charted her evolution from pop princess to musical powerhouse. “These albums were more personal,” she admits. “After the Manchester Arena attack [in 2017], I needed to reflect and heal, and music became my therapy.”

In Thank U, Next, she bravely acknowledges her past relationships with vulnerability and confidence – a powerful message that resonated with fans. “Every experience has shaped me into who I am today,” she continues. “I wanted women to know that it’s okay to embrace your journey.”

The accolades poured in, with Sweetener snagging a Grammy Award. Grande, who has rapidly amassed an array of awards, insists: “These honours are nice, but the real victory is seeing how my music helps people.” Her deeply rooted philosophies on kindness and empowerment thread through her discussions, further cementing her commitment to being a symbol of resilience and inspiration.

Voice for Women

Grande’s sixth studio album, Positions (2020), marked a distinct shift as she spotlighted her role as a woman embracing her sexuality, empowerment and responsibilities. “People often think that women should fit into boxes, but I believe I can be all-encompassing,” she declares. The album’s title track, along with collaborations like Stuck with U with Justin Bieber and Rain on Me with Lady Gaga, all achieved great commercial success, further placing her at the apex of the pop landscape.

As if her musical prowess wasn’t enough, Grande delved into business ventures including a cosmetics brand, R.E.M. Beauty and a stable of fragrances, the statement scent God is a Woman among them. “With every drop, I want to ensure that my fans see themselves in what I create,” she states emphatically. “It’s about building a community that keeps dreaming.”

Kindness in Every Cadence

Beyond her musical dominance, Grande has made significant strides in philanthropy and activism. From her initiatives supporting mental health and LGBTQ+ rights to her work after the Manchester bombing, she has proven to be a compassionate leader.

“I believe in using my platform for good,” she states resolutely. “It might just be a small spark, but together we can create major change.” Her efforts, including organising the One Love Manchester benefit concert, have raised millions and showed her profound commitment to her fans and community.

Glinda Glory

Last year proved a milestone in her career as she stepped into the magical world of musical theatre – her self-proclaimed first love – playing Glinda in the critically acclaimed film adaptation of Broadway blockbuster Wicked. “I had dreamed of this moment since I was just a little girl,” she shares, excitement dripping from her words. This transition from sitcom star and pop icon to Hollywood actress not only showcases her vocal abilities but also her range as a performer and a person.

“Finding roles that resonate with me, like Glinda, means I can inspire others to chase their dreams no matter their circumstances,” she adds, her empathy spilling over. Her performance was both universally hailed and Oscar-nominated, confirming that she has indeed paved her own path to stardom and credibility in the arts.

Legacy of Love

Ariana Grande stands poised as a cultural icon. Having sold more than 90 million records worldwide – a feat for which she might cry “I’m so xxxxin’ grateful” – she is one of the world’s most successful music artists. Yet, her relentless dedication suggests that we are far from witnessing the last of her magical touch.

“Every challenge I’ve faced only makes me stronger,” she remarks. “I want to continue to create art that speaks to people and reminds them that they are loved.” Through her journey, from a child star to an adult artist, Grande not only shares her gifts but also spreads a powerful message: find your voice and soar!

Arrivals Revival: The surge in Hong Kong visitors is welcome news to a tourism industry adapting to woo them

The 1.4 million tourists who flocked to Hong Kong over the Chinese New Year holiday hopefully went away impressed by their experience. Border crossings from the north peaked at 150,000 visitors per day, a record number since the pandemic. During the Golden Week period last October, the city welcomed 1.22 million people from the mainland, and hotels enjoyed a healthy 90% occupancy rate.

This revival in arrivals is good news for the Hong Kong economy. As revealed in the Development Blueprint for Hong Kong’s Tourism Industry published in December, the sector accounted for 2.6 per cent of the gross domestic product in 2023, provided 150,000 employment opportunities, and contributed significantly to retail sales and the restaurant trade.

Amrit Sethi, Director of local travel agency Excella Travel, views the recent surge in visitors as a positive sign for the post-pandemic recovery of the industry. “However, it’s important to consider the implications for infrastructure and service capacity to maintain high-quality visitor experiences. Proactive planning in these areas will be essential,” she stresses.

Sethi praises the tourism blueprint for presenting a comprehensive vision for Hong Kong’s future in tourism. “As a tour operator, I find it particularly relevant, as it addresses key industry challenges and opportunities. Overall, it reflects a thoughtful approach to enhancing our unique offerings while laying a foundation for future growth.”

Tourism turn-offs

The report also highlights the challenges limiting Hong Kong’s capacity to receive visitors, which include the size of the city area, and the tight supply of venues for events such as conventions and exhibitions, outdoor performances and sporting competitions. Given this shortfall, better management of existing venue resources will be needed to meet the demand for different scales and types of events.

Stretched manpower supply, which could impede service quality if not addressed, is another issue spotlighted in the tourism blueprint. Like all industries, local tourism also faces the effects of the global economic slowdown, and the peg to the US dollar could exacerbate this situation and increase the costs of travelling here. Hong Kong is also facing increasingly stiff competition from other tourist centres in the region which have stepped up their offerings and extended the visa period or introduced special visas.

The blueprint suggests the city cannot compete on price with neighbouring destinations and should focus on high-quality attractions. The post-pandemic shift from traditional shopping tours for mainland visitors to more varied experiences reflects Hong Kong’s need to diversify its offerings to attract high-value tourism.

Coming for quality

“I agree with the emphasis on quality over quantity,” says Sethi. “Higher-value tourism products contribute significantly to our economy, but it’s essential to ensure they cater to the diverse needs of our visitors. Striking the right balance will enhance overall satisfaction and drive repeat visits.”

Kevin Lau, Founding Convenor of the Hong Kong Youth Professional Global Advocacy – an organisation connecting local youngsters to the world – similarly supports prioritising quality. “High-value tourism products, such as luxury staycations or curated cultural experiences, enhance visitor satisfaction and revenue per capita,” he says. “However, ‘quality’ must be inclusive, ensuring mid-tier offerings – such as budget-friendly heritage trails – remain accessible. A balanced approach avoids alienating price-sensitive travellers while maintaining premium appeal.”

To boost cruise tourism, he believes Kai Tak Cruise Terminal “requires upgrading with eco-friendly amenities to attract luxury liners”. Higher-value tourism can also be buttressed by wooing the silver-haired, family, study tour and youth sectors of the industry to Hong Kong and identifying their travel needs, according to the blueprint.

Here on business

Attracting overnight visitors is also a priority, especially by encouraging more meetings, incentives, conventions and exhibitions in Hong Kong – the MICE segment of the tourism industry. This correlates with a post-pandemic trend noted in the tourism blueprint: the rise of bleisure travel, whereby business visitors fold in leisure time with their work trips.

“Increasing overnight stays is vital for maximising economic impact,” says Lau. “MICE tourism thrives on Hong Kong’s business reputation, but we must invest in specialised facilities, such as larger convention centres and tailored services like multilingual guides.”

Lau outlines the three areas in which he believes Hong Kong’s tourism competitiveness can be bolstered: infrastructure modernisation, such as expanding airport capacity and improving public transport; distinctive cultural branding, including leveraging unique heritage sites like the historic Mong Kok district; and technology integration through AI-driven personalised itineraries and other innovations.

Build and they will come

Certainly, improved infrastructure facilities related to culture, sports and tourism are considered a cornerstone for Hong Kong’s competitiveness as a tourist destination. Following a series of trials involving thousands of people at Kai Tak Sports Park, the magnificent stadium at the heart of the complex opens this month; it is set to host British band Coldplay next month, followed by other top-notch performers.

Last month saw the prestigious London International Horse Show canter outside its home base for the first time, landing at AsiaWorld-Expo in Chek Lap Kok. Rosanna Law, Secretary for Culture, Sports and Tourism, said this high-octane equestrian extravaganza highlighted Hong Kong’s position as a world-class premier tourism destination.

Other venues have been newly completed or are under construction in a bid to attract international events or create synergy with existing happenings. These include SkyCity at the Hong Kong International Airport, the East Kowloon Cultural Centre; the Lyric Theatre Complex in the West Kowloon Cultural District; themed areas based on the Marvel films at Hong Kong Disneyland; Ma Wan Park Phase Two, and the new Adventure Zone at Ocean Park.

On the short haul

The fact that Ocean Park now boasts six giant pandas, the most living in one location outside mainland China, is another novel lure for tourists. Recent coming-out parties for twin cubs born last summer and plans for a panda museum are attractive initiatives to drive visitors to Hong Kong and into the theme park.

An increased desire for short-haul travel since the pandemic was noted in the tourism report.

Those popping across the border for the day or weekend may be motivated by baby bears, pop concerts and other mega events, or the latest city hotspots, walks and trends. “Additionally, promoting niche markets – such as medical tourism or eco-tours in the New Territories – could differentiate us from regional rivals like Singapore or Tokyo,” opines Lau.

He also advocates the protection of natural assets like the Hong Kong Unesco Global Geopark. “Globally, Hong Kong must align with UNWTO’s [United Nations World Tourism Organization] sustainability goals and leverage international partnerships [with Unesco, for example] to showcase its heritage.”

Cathay Pacific recently urged the government to roll out tailormade one-stop packages to attract transit tourism in Hong Kong, perhaps a timely initiative following the imminent opening of the three-runway system at the airport.

According to Lau, the tourist ecosystem in Hong Kong requires deeper public-private synergy. “For example, hotels, airlines and attractions should co-develop bundled packages, while the government streamlines visa policies for transit tourists,” he says. A centralised digital platform for real-time data-sharing among stakeholders could optimise resource allocation and crisis management during peak seasons.

Appropriately cultural

Further integration of the city’s culture, sports and creative industries as laid out in the blueprint is considered critical to sustaining tourism growth. “Cross-promotion – such as pairing the Hong Kong Film Festival with themed walking tours of filming locations – could attract diverse audiences,” says Lau.

Sports events like the Hong Kong Sevens could easily be paired with cultural festivals to extend visitor stays. “Moreover, creative industries can design immersive experiences [such as AR/VR exhibits] that showcase local art and history,” he notes.

Smartening up

The city is also being encouraged to improve smart tourism, something which will enhance the overall visitor experience and make Hong Kong more accessible, according to Sethi, though she admits challenges on this front remain.

The Born Intensity: Baby boom turns to gloom, as nations face prosperity dips from declining populations

It was not so many decades ago that alarming stories of a global population explosion were commonplace and books such as Paul Ehrlich’s The Population Bomb prophesised doom. The latest insights based on annual figures published by the United Nations paint a different story, however. Population implosion is now front and centre of many countries’ concerns.

World Population Prospects 2024 outlines a predicted peak in the population on Earth within the current century at about 10.3 billion people in the mid-2080s, up from 8.2 billion last year. Indeed, one in four people globally now lives in a country where numbers have already reached their highest point – a statistic embracing 63 countries and areas containing 28 per cent of the world’s population. Some analysts believe this could have damaging consequences for social and economic progress in the likes of China, Japan, South Korea and many European nations that are already experiencing severe demographic challenges.

Fertility fall

A major cause of population decline is the low birth rate across many countries, a trend that has existed for decades in some cases, especially in Europe. As early as 1970, demographers had noted total fertility rates in 19 countries had fallen below the replacement level of 2.1 births per women – the number required for a population to maintain a constant size without migration.

According to the latest UN estimates, women today bear one child fewer, on average, than they did three decades ago, and more than half of all countries and areas globally have fertility below the replacement level. Currently, the global fertility rate stands at 2.3 live births per woman, down from 3.3 births in 1990.

Reduced fertility generally occurs as countries become industrialised and experience a fall in mortality and a consequent population growth, a cycle that ends when the population implements fertility control. Leading demographers such as Tim Dyson note that fertility decline has liberated women from the domestic domain. As such, their lives have become increasingly similar to those lived by men, and marriage in the sense of a life-long commitment to have and rear children is seen as increasingly unattractive. In summary, demographic history suggests that as societies become richer, people tend to have fewer children.

Ageing expensively

Highlighting the pressing nature of declining population, the number of babies born in the European Union hit a record low in 2023. The 5.5 per cent drop from the previous year was the sharpest ever – a scenario expected to heap pressure on state finances due to the shrinking size of the working population, coupled with the rising cost of healthcare and pensions in an ageing population. According to demographic experts, the trend of lower birth rates in Europe since the mid-’60s has been exacerbated by fears over climate change, inflationary pressures, and political and job uncertainty.

Willem Adema, a Senior Economist at the OECD (Organisation for Economic Co-operation and Development), notes that some young people have difficulties establishing themselves in the labour market, the housing market and “perhaps also in the dating market”. This comment will have particular resonance in Japan, which is experiencing a similar, if not worse, demographic timebomb than Europe.

Dating decline

Despite increased numbers of foreign residents, Japan’s total population has declined for 15 years in a row. In 2022, when the number of newborns fell below 800,000 for the first time since records began, the figure was 122.42 million and it is expected to drop further over the coming decades. The government has gone to the extraordinary lengths of consulting young people in a bid to understand their reasons for not marrying. It recently set up a Children and Families Agency to help young people find the love of their life through dating, matchmaking and other services.

According to a 2023 survey, more than 40 per cent of marriages in Japan were sexless, and fears are mounting that this apparent lack of sexual desire has percolated down to the younger population, further endangering the deteriorating birth rate. Izumi Tsuji, a Professor of the Sociology of Culture at Tokyo’s Chuo University, cited the many other distractions and hobbies of the younger generation as one reason for the decreasing value placed in dating. This latest revelation could compound concerns about a seeming unwillingness by Japanese people to marry, despite a government raft of child support packages.

Baby boost

A reluctance to get married and falling birth rates in Hong Kong have also prompted much debate. Just 32,500 births were registered in 2022, the lowest number since records began more than 60 years ago; in 2019 that figure totalled 52,900. In one particularly inventive plan to address the problem, lawmaker Bill Tang Ka-piu suggested that the prominent display of baby pictures in government offices would spark procreation among the city’s civil servants.

Hong Kong’s declining birth rate has been attributed to factors including current restrictions on in vitro fertilisation (IVF), the prevalence of divorce and a lack of supportive measures for single parents. A HK$20,000 cash bonus introduced by Chief Executive John Lee Ka-chiu for parents of new-born children appears to be helping reverse the trend: the number of births increased by 9.8 per cent year on year following the October 2023 launch of the handout.

Such concerns are being played out across much of the developed world. In the United States, the fertility rate is 2.08 children per woman, which is creating issues in this vast country. As people internally migrate to more prosperous areas, some places are being catapulted into ghost towns. Caught in a so-called death spiral, fewer locals then remain to pay local taxes, which exacerbates a worsening situation for those left behind.

One no longer enough

China famously introduced a one-child policy in 1979 in a bid to control a burgeoning population. Overpopulation was then viewed as a threat to economic growth and a harbinger of social and environmental problems. Beijing’s population control measures were successful in the sense that demographers suggest that by the year 2000 there were 300 million fewer people in the country than otherwise would have been the case.

The one-child policy was abandoned in 2016, and like many parts of the West, China is faced by major demographic challenges as its population ages and shrinks. In 2023, only about nine million births were recorded, the lowest since 1949, and the total number of inhabitants fell for the second consecutive year. With a fertility rate of about 1.0, far short of the 2.1 replacement level, the national government has rolled out numerous incentives for families with multiple children.

Benefits of youth

According to Jeffrey Wu, Director of Hong Kong-based firm Mindworks Capital, how China navigates its demographic shift will define its economic future – it is that fundamental. To cope with the challenge, a huge boost in productivity will be needed, aided by technological innovation and capital and human capital investment. Automation and artificial intelligence, it is hoped, could potentially be a boon to productivity.

This is a noble aspiration because one potential effect of a nation having fewer young people is weaker innovation and growth. A 2021 study into patents by US research organisation NBER (National Bureau of Economic Research) highlighted that the youngest inventors were those most likely to produce novel, groundbreaking work that could raise productivity substantially.

Ultimately, many countries will use immigration to mitigate the demographic shortfall. As the UN suggests, those still with youthful populations but declining fertility have limited time to benefit economically from an increasing concentration of working-age citizens. In order to capitalise on this opportunity, investing in education, health and infrastructure, and implementing reforms to create jobs and improve government efficiency are essential.

Of course, population decline also has its benefits, particularly in reducing the pressure on global resources and the environment – something China’s President Xi Jinping, among others, has alluded to. This is a theme that will undoubtedly be taken up in the years to follow.

Witch Way Up: The multiple talents of Wicked star Cynthia Erivo have a growing legion of admirers spellbound

With her powerful vocals and dynamic performances, Cynthia Erivo has not only captivated audiences but also redefined what it means to be a leading light in the modern entertainment landscape. From the London stage to the Hollywood silver screen, her journey is nothing short of extraordinary.

Born on 8 January 1987, in Stockwell, South London, to Nigerian immigrants, Erivo faced challenges in childhood, particularly after her parents separated when she was still very young. Speaking about her upbringing, she reflects: “My mother has the strongest spirit I’ve ever encountered. She had to go through so much, and yet she still made sure that we had everything we needed, including love.” This early exposure to resilience undoubtedly shaped her identity as an artist.

She attended a Catholic girls’ school, where she began exploring her passion for performance. “The theatre was my escape,” she says. She then enrolled at the University of East London to study music psychology but transferred to the prestigious Royal Academy of Dramatic Art (Rada) to pursue her true calling. After graduating in 2010, she broke onto the scene with stage performances that showcased her vocal prowess and emotive range.

Setting the Stage

Erivo’s rise to fame was rapid and remarkable, particularly her portrayal of Celie Harris in the 2015 Broadway revival of The Color Purple, when she stepped comfortably into shoes originally filled by Whoopi Goldberg. This performance earned her a Tony Award for Best Actress in a Musical, as well as a Grammy for Best Musical Theatre Album. “Part of me feels like I’ve always been meant to do this,” she notes, illustrating her profound connection to her craft.

She expertly melded musicality with acting, performing pivotal roles in various productions. Following her Broadway success, she took her talents to film in 2018, making notable impressions in Widows and Bad Times at the El Royale. But it was her next role as American abolitionist Harriet Tubman in the biopic Harriet (2019) that solidified her status as a lead actor.

“To play Harriet Tubman is to connect with the essence of courage and determination,” she said at the time. “It’s about giving voice to those who fought so hard for their freedom.” The film brought her numerous accolades, including Academy Award nominations for Best Actress and Best Original Song, further showcasing her indisputable talent.

Musical Reality

That Erivo is a gifted singer-songwriter is also undeniable. Stand Up, which she co-wrote and performed for the film’s credits, resonated with audiences worldwide. “Music is an intrinsic part of who I am; it’s my means of expression,” she says, underscoring her artistic drive.

Her career has flourished further through her recent venture into the musical fantasy realm. Alongside Ariana Grande, she heads the celebrated cast of Wicked, a two-film adaptation of the iconic musical; the first instalment hit cinemas in November 2024, with Wicked Part Two scheduled for release late this year. She embodies the complex character of Elphaba, who is often seen as emblematic of the quest for self-discovery and empowerment. “Elphaba’s story is about embracing who you are, flaws and all,” she shares, echoing her own path in the industry.

Love in the Face of Hate

Beyond her professional accomplishments, Erivo’s personal life has become a topic of interest. A proud member of the queer community, she openly identifies as bisexual. “It’s essential for me to live my truth,” she asserts, taking to heart the multitude of identities she navigates.

She is currently in a relationship with US actress and producer Lena Waithe, and it is a partnership is built on mutual support and understanding. She underlines the importance of love and authenticity in one’s life: “No matter the challenges you face, love should always be unfiltered, raw and honest.”

Through her platform, she advocates representation and creates spaces for marginalised voices in the arts. “In a world that often silences marginalised stories, it’s crucial that we raise our voices and share our truths,” she says.

Embracing the Light

Erivo’s journey is a compelling tapestry woven from her identities as a queer individual and a Roman Catholic, both of which shape her understanding of love and faith. She eloquently expresses her belief that “God makes people as they’re meant to be”, challenging the narrow interpretations of faith that some individuals might impose.

“The rules for themselves that people put upon others have nothing to do with me and my faith,” she asserts. “Faith is so big – so much bigger than set rules.” For her, religion is not about stringent doctrines; it encompasses an expansive understanding of love and compassion.

Erivo firmly states the fundamental principle of her beliefs: “The main rule that we’re all supposed to follow is to love one another as you would love yourself.” This guiding tenet informs her actions and relationships, prompting her to cultivate kindness and empathy. She concludes: “If those are the things I’m following, then I think I’m following my faith.”

Legacy Beyond Performing

In embracing both her queerness and Catholicism, she not only navigates her own identity but also illuminates a path for others, inviting everyone to reflect on their own capacity for love and acceptance.

She emphasises the importance of growth and adaptation too, reflecting that “as time changes, we are also meant to change”. This perspective resonates deeply with her role in Wicked, where Elphaba’s journey symbolises a struggle against societal rejection and the quest for true belonging.

The actor and singer’s influence extends beyond her performances; she is also passionate about providing opportunities for emerging artists. Recently appointed as Vice-president of Rada, she sees this role as a chance to shape the future of theatre. “I feel a responsibility to uplift others and share the wisdom I’ve gained throughout my journey,” she notes.

Through her production company – named Edith’s Daughter in homage to her mother – Erivo is committed to developing inclusive projects that empower underrepresented communities. “I often think about how my mother fought for her voice to be heard. It’s a legacy I intend to honour through my work,” she reveals.

Defying Gravity

In a field that values uniformity, she is tearing down barriers and defying expectations. She carries with her the dreams of many who came before her and will emerge after as she plays Elphaba in Wicked, a project that speaks to her own identity and struggle. “Above all else, I want my story to inspire others to embrace their uniqueness and defy gravity,” she says.

Cynthia Erivo turns every position, every endeavour and every personal obstacle into a chance for development and transformation because of her genuineness, inventiveness and unshakable dedication to her work. Truly, she is more than just an actor and singer. An Academy Award winner this year? That would be wicked – and well deserved.

Moving Targets: Upping the drive for quality migrants is right on cue to ensure our world-city status

Hong Kong undoubtedly potted a maximum break when snooker great Ronnie O’Sullivan was lured to these shores under the Quality Migrant Admission Scheme. Having the English professional declare himself a Hong Kong resident, heralding its many charms and advantages, was a major coup for a city which has undergone difficult times of late.

It appears the love affair is mutual, with Secretary for Labour and Welfare Chris Sun Yuk-han offering words of admiration for the seven-time world champion who was attracted by Hong Kong’s lifestyle, closeness to the mainland and low taxes. His arrival is part of a drive by the government to entice people with the skills and talents – and in some cases capital – urgently required by the city. A slew of new initiatives is aiming to bring in these exceptional human resources.

“Seeing a global sports star like O’Sullivan here not only delights fans but also highlights Hong Kong’s reputation as a world stage, capable of hosting and appreciating excellence in all forms,” says Juan Pierre Dorfling, Gough Recruitment’s Managing Director for Asia.

Hong Kong’s most wanted

Dorfling believes O’Sullivan’s residency sets a perfect example for talented individuals around the globe, no matter their field, to envisage Hong Kong as a place where they can shine. These kinds of subliminal messages are important for anyone involved in inducing holders of sought-after skills to settle in the city since the demand for such people seems only set to rise.

Deutsche Bank recently stressed the pressing need for an influx of talent as the financial market picks up and cross-border activity accelerates, and a CPA Australia survey last autumn indicated 63 per cent of executives, accountants and finance professionals expected growth in their companies over the coming year. “Broadly speaking, demand is surging for professionals with expertise in cutting-edge technology, sustainable finance, wealth management and advanced healthcare services,” says Dorfling.

Hong Kong’s aspirations to be Asia’s leading fintech hub will require not only top-notch software developers and data scientists but also professionals versed in compliance, cybersecurity and global regulatory frameworks, Dorfling indicates. “The burgeoning green finance sector is another [in need of talent]. Hong Kong’s position as a major capital market is driving demand for people who can structure green bonds, advise on ESG investing, and navigate complex carbon-trading mechanisms,” he adds.

The recruitment expert says there is an urgent need for talent that can connect local enterprise with international standards of excellence in these rapidly evolving fields. International lawyers, accountants and corporate strategists who understand both Asia-Pacific market dynamics and global best practices are also crucial.

Ultimately, steady inflows of world-class banking and finance professionals will be required to maintain Hong Kong’s position as a world-class finance centre. These include individuals who can navigate the complexities of mainland China’s markets, spearhead sophisticated investment strategies, and handle cross-border transactions with agility and compliance.

Thinning pipeline

Despite this undoubted demand, there remains a significant shortage of talent. According to the Hong Kong Institute of Human Resource Management, nearly 70 per cent of employers have reported difficulties filling specialised roles, particularly in emerging technology and professional services. Over the past few years, various international reports and corporate surveys have indicated a thinning pipeline of talent in Asia’s major financial hubs.

“Hong Kong, despite its many advantages, hasn’t been immune,” says Dorfling, indicating there is a mismatch between current skill sets in the city and the capabilities the market requires to remain globally competitive. “This shortage isn’t crippling, but it’s definitely a headwind – one that Hong Kong needs to address proactively to maintain its leadership status.”

He notes that better training of local professionals in areas such as programming languages used in algorithmic trading, or leveraging artificial intelligence to improve investment strategies, could help plug the gap. Another area of concern is locating digital marketing experts who can fuse analytics with creative strategies to target China’s evolving consumer base.

Perception problem

One talented finance professional who has taken the plunge to settle in Hong Kong is Harry Bethwaite, an Investment Associate at Capital Union Investments. The Australian, a frequent traveller to the SAR for a decade, made his stay permanent in 2023 when a career opportunity arose. “Hong Kong provides a great lifestyle, easy access to the rest of Asia, competitive tax rates and an incredible blend of East-meets-West culture,” he says. “Singapore offers this to a certain degree and is catching up in many senses, but still isn’t quite to the [same] level.”

Though Bethwaite elected Hong Kong over Singapore, he does concede that it has issues to overcome, in particular negative perception overseas. “I think Hong Kong currently has a marketing issue. I vividly remember reading an article before arriving in Hong Kong with the headline ‘The expat exodus,’” he recalls.

Reading about thousands of expatriates who had left Hong Kong due to their experiences during the pandemic and their uncertainty about the changing landscape did prompt some initial misgivings about his decision to move here. “You rarely see any positive news abroad about Hong Kong, and without it, it’s genuinely hard to envision how life is here on a day-to-day basis or the benefits of the city,” he says.

According to Bethwaite, a common error made when weighing up the merits of a potential home is to judge it on a standalone basis rather than in comparison with other locales. “From my perspective when I decided to move to Hong Kong, I thought the benefits Asia offers in terms of growth opportunities, culture, cost of living and safety outweigh the likes of London and New York,” he explains.

Improving liveability

Other professionals may be deterred by the high cost of housing or the intense work culture. Political commentator Alice Wu recently opined that the government should offer greater support to new arrivals in its attempts to plug the brain drain.

“Hong Kong’s government and business community are acutely aware of these issues and are actively working to address them ¬– through housing initiatives, improving the liveability quotient, and reinforcing Hong Kong’s position as a stable, globally connected city,” says Dorfling, who foresees a renewed interest in professionals relocating to Hong Kong.

Hong Kong’s leadership is actively implementing programmes and policies – such as the Top Talent Pass Scheme and enhanced visa policies – to simplify the relocation process.

Diversity necessity

For Dorfling, the stakes are high – and multi-faceted – for Hong Kong’s future as a thriving and diverse international city. “Hong Kong’s capacity to attract and retain top talent isn’t just an economic imperative – it’s also a cultural one,” he states. “By drawing in professionals from all corners of the globe, Hong Kong enriches its cultural tapestry, keeps its business environment fertile, and positions itself as a catalyst for cross-pollination of ideas.”

Overseas talent serves to maintain and strengthen Hong Kong’s unique position in the world economy and bolster its standing as a truly international city – “one that can meet the evolving demands of an increasingly knowledge-based economy while offering a cosmopolitan lifestyle that reflects its East-meets-West heritage,” he says.