Roe Resurgence: From beluga royalty to sustainable hybrids, caviar pearls are popping on palates more than ever

Caviar, often regarded as the glistening pearls of the sea, has long been synonymous with luxury, indulgence and culinary sophistication. From the opulent courts of Russian tsars to the chic tasting rooms of haute cuisine, salt-cured sturgeon roe from the Caspian Sea carries immense cultural cachet. Although overfishing and the threat of extinction have rendered wild sturgeon from the deep waters of the Caspian or Black Sea a luxury of the past, caviar continues to be one of the most highly coveted delicacies globally. Sturgeon are now primarily raised in the controlled environment of farms and come in an increasing variety of caviar options – traditional roe, hybrids and innovative sustainable alternatives.

Understanding the nuances of caviar is essential for any discerning gourmand. True caviar is derived exclusively from sturgeon, a prehistoric fish whose roe has been valued for centuries. The elite species of sturgeon represent the gold standard of caviar, often commanding astronomical prices and reverence among connoisseurs.

Caviar’s Crown Jewel

Beluga caviar, harvested from the beluga or great sturgeon (Huso huso), is recognised as the rarest and most expensive option available. Native to the Caspian Sea, its production is heavily regulated due to conservation concerns. The female beluga sturgeon can take up to 20 years to reach maturity, making its roe a true investment in time. The eggs are the largest among all sturgeon caviar, featuring a soft, delicate texture and a buttery, nutty flavour that encompasses a melting quality on the palate. Their colour ranges from light silver to dark grey, and lighter hues from the older fish are considered more desirable.

The Connoisseur’s Choice

Oscietra caviar comes from the Russian sturgeon (Acipenser gueldenstaedtii) and is cherished for its complex flavour and medium-sized eggs. Its taste is often described as nutty, briny and slightly fruity, and its texture is firmer than beluga. Oscietra roe presents in a range of colours from dark brown to golden, with golden oscietra being particularly sought-after. Originating from the Caspian and Black Seas, and the rivers that run into them, the Russian sturgeon has proved adaptable to aquaculture practices, leading to a wider availability of oscietra caviar while simultaneously retaining its elite status.

Bold and Briny

Sevruga caviar is derived from the smallest of the major sturgeon species (Acipenser stellatus), whose daintier, darker eggs deliver a more intense and saltier flavour profile. It caters to those who favour a punchier, oceanic taste enveloped in a crisp texture. Sevruga sturgeon mature more rapidly than both the beluga and oscietra varieties, rendering it slightly more affordable and abundant in the market.

Ethical Indulgence

Kaluga caviar rivals beluga in size and richness, offering a creamy, buttery flavour complemented by a hint of earthiness. It is harvested from the kaluga sturgeon (Huso dauricus), commonly found in the Amur river basin bordering Russia and northeast China, and is often crossbred with the smaller Amur sturgeon (Sinosturio schrenckii) to create sustainable hybrid options. Sometimes dubbed ‘river beluga’, kaluga roe is increasingly favoured among chefs and consumers for embodying ethical luxury while maintaining exceptional quality.

Beyond the Classics

While beluga, oscietra and sevruga dominate the conversation around luxury caviar, other lesser-known sturgeon species present unique and accessible options for caviar enthusiasts. The caviar of the Siberian sturgeon (Acipenser baerii) is notable for its earthy, robust flavour and smaller eggs. It is a favoured product among sustainable farms in France, Italy and China, where controlled environments ensure consistent quality. The roe typically ranges from dark grey to black and presents a clean finish.

Indigenous to the North American Pacific coast, the white sturgeon (Acipenser transmontanus) yields medium-sized, dark grey roe with a creamy and nutty flavour profile. It serves as the backbone of the American caviar industry, particularly flourishing in California’s aquaculture sector. Once reserved for Russian royalty, sterlet caviar offers a delicate and rare product. Its eggs are notably small and pale, accompanied by a subtle flavour appealing to culinary purists. While not widely available, sterlet caviar represents a historical gem worthy of pursuit.

Roe by Any Other Name

Although true caviar must derive from sturgeon, the term has broadened to encompass the salt-cured eggs of other fish species. These varieties offer vibrant colours, bold flavours and culinary versatility. Predominantly featured in Japanese cuisine, salmon roe (ikura) is large, bright orange and bursting with briny flavour. Frequently served atop sushi or blinis, ikura adds a festive flair to any dish.

Trout roe is smaller and milder than its salmon counterpart, displaying a golden hue and gentle pop. It has gained popularity as a preferred choice for canapés and garnishes, providing a more accessible entry point into the world of roe. Characterised by its tiny composition and crunchy texture, the greenish-brown lumpfish roe is commonly dyed black or red and utilised as a garnish. While it may not be considered luxurious, it remains a popular option for enhancing the texture and appearance of hors d’oeuvres.

Flying fish (tobiko) and capelin roe (masago) – a type of smelt – frequently feature in sushi dishes. Smaller than ikura, they present subtle flavour profiles alongside crunchy textures. Tobiko is a golden colour, while the naturally paler-yellow masago is often creatively flavoured or coloured to serve as a playful addition to fusion dishes.

The Greening of Caviar

With sustainability and ethical sourcing at the forefront of luxury dining, the caviar industry is evolving with innovative techniques and hybrids. Traditional caviar harvesting necessitates sacrificing the fish; however, no-kill methods such as massage or cesarean extraction allow for the collection of roe without harming the fish. Although controversial among purists, such techniques are gaining traction among eco-conscious consumers.

Vegan caviar comprising seaweed, vegetables or tapioca mimics the aesthetic and tactile qualities of traditional caviar. While it may fall short in depth of flavour, it offers a cruelty-free alternative for plant-based diners.

Pure Indulgence

It is recommended to serve caviar chilled and unadulterated ¬– on a mother-of-pearl spoon to preserve its delicate flavour or eaten straight from the back of the hand. Roe connoisseurs may roll their eyes at presenting it atop a blini with a dollop of crème fraiche, though these neutral accompaniments allow the caviar’s character to shine while providing creamy texture.

Caviar is best enjoyed with Champagne or vodka. The crisp acidity and effervescence of fine sparkling wine cleanse the palate while highlighting the richness of the roe. In the classic Russian pairing, vodka’s clean profile complements caviar’s briny notes. Contemporary chefs are increasingly plating caviar with oysters, scallops and even wagyu beef, pushing the boundaries of culinary experiences.

Redefining Roe

Caviar production has expanded in recent decades beyond its traditional sources of Russia and Iran. French caviar houses are known for producing high-quality Siberian and Oscietra caviar with an emphasis on sustainability. In Italy, the Calvisius brand offers refined white sturgeon caviar. China has emerged as a significant player with farms producing kaluga caviar and hybrid varieties.

As climate change, overfishing and ethical concerns reshape the landscape of luxury food, caviar is experiencing a renaissance. Innovations in aquaculture, genetic breeding and harvesting techniques are making this exquisite delicacy more sustainable and accessible without compromising its quality. For the modern epicurean, caviar has transcended its role as merely a symbol of wealth; it now represents a celebration of craftsmanship, ecology and refined taste.

A Bird in Hand: After her mesmerising turn in The Penguin, Cristin Milioti’s eclectic career will fly higher and wilder

Cristin Milioti doesn’t just play characters, she inhabits them. Whether she’s singing her heart out on Broadway, unravelling emotional trauma in a sci-fi dystopia, or stealing scenes in a dark crime drama – and winning an Emmy for it – Milioti brings a rare blend of vulnerability, wit and intensity to every role. Her career is a masterclass in versatility, and her story is one of quiet persistence, artistic risk-taking and a refusal to be typecast.

Born in Cherry Hill, New Jersey in 1985, young Cristin grew up in a close-knit Italian-American family. Her love for performance began early; she sang in bands, acted in school plays and spent summers at Long Lake Camp for the Arts in upstate New York, where she first realised that acting was more than a hobby – it was her calling. After high school, she briefly attended New York University’s Tisch School of the Arts, dropping out to devote herself full-time to her career.

She began with a patchwork of commercials, guest spots on The Sopranos (2006-7), and regional theatre gigs. It was the stage that truly shaped her. Off-Broadway productions like Stunning (2009) and That Face (2010) showcased her emotional range and magnetic presence. She wasn’t just another aspiring actress; she was a performer with a distinct voice and a fearless approach to character work.

Once Upon a Tune

Milioti’s breakthrough came in 2011 with the Broadway musical Once, where she played ‘Girl’, a Czech pianist, opposite Steve Kazee’s ‘Guy’. The show was a runaway hit, earning her a Tony Award nomination for Best Actress in a Musical and a Grammy Award for Best Musical Theatre Album. Her portrayal was luminous – equal parts quirky and heartbreaking – and it solidified her reputation as a singular talent with both vocal and dramatic chops.

Although she has now gravitated from musicals to dramas, she says: “I wish I were singing more. I really miss it a lot. It is the most open you can be.”

In 2013, she landed the role that would introduce her to millions: Tracy McConnell, a.k.a. ‘The Mother’, on CBS’s fan-favourite sitcom How I Met Your Mother. For years, viewers had speculated about the identity of Ted Mosby’s future wife, and Milioti’s arrival in the latter stages of the long-running saga was met with both excitement and scrutiny. She brought warmth, humour and emotional resonance to the role, and helped give the series a bittersweet, memorable conclusion.

From Street to Sci-fi

Milioti’s film career kicked into gear with a supporting role in Martin Scorsese’s The Wolf of Wall Street (2013). She held her own opposite Leonardo DiCaprio, delivering a performance that was both grounded and emotionally charged.

Continuing to choose eclectic projects, she starred opposite Andy Samberg in the critically acclaimed romantic comedy Palm Springs (2020) as a cynical wedding guest trapped in a time loop. Balancing existential dread with comedic timing, her performance was a revelation – funny, fierce and deeply human. “I do love something that has its tentacles in many genres,” she said of the movie.

In the HBO Max series Made for Love (2021–2022), she played a woman whose tech billionaire husband implanted a chip in her brain. Relaying grit and vulnerability, her performance anchored a show blending satire, sci-fi and emotional drama.

Milioti’s affinity for complex, genre-bending roles also found a perfect outlet in Black Mirror. In the 2017 episode USS Callister, her portrayal of a programmer reclaiming agency in a digital nightmare was widely praised, and she was excited to reprise it earlier this year in USS Callister: Into Infinity.

A Mad Part

Last year, she took on her most ambitious part yet: Sofia Falcone in HBO’s The Penguin, a spin-off from the 2022 film The Batman, with a prosthetics-disguised Colin Farrell in the titular role. She imbued Sofia – a cunning, ruthless player in Gotham’s criminal underworld – with layers of complexity. She wasn’t just a villain; she was a woman navigating power, legacy and survival.

“I’m such a huge Batman fan, so to just even be in this universe was a thrill, but to get to play this multi-layered villain, it was a dream,” she says. “Sofia is such a wonderful example where you get to see how she’s driven mad and how the world can drive someone mad, and how pain can drive people to do terrible things. I mean, that’s the world that we’re living in.”

Asked by the media during the show’s run how she felt her character was being received, she replied coyly: “I don’t read reviews. I’m too much of a scaredy cat. But I heard a general weather report that people like the show, and that was enough. Then, I stuck my head back in the sand. It’s always very nerve-racking to share your work with the world.”

Power & Passion

Earning a Critics’ Choice Award, a Golden Globe nomination, and her first Emmy win for Best Actress in a Limited Series for The Penguin was a career-defining moment that confirmed what her fans had long known: Milioti is a powerhouse. She doesn’t just meet expectations; she exceeds them, often in unexpected ways.

Off-screen, she is a passionate advocate for animal adoption. She has worked with PETA (People for the Ethical Treatment of Animals) to promote rescue efforts and is the proud owner of Rupert, a mixed-breed West Highland White Terrier. Her social media occasionally features Rupert’s antics, offering a glimpse into her personal life and her love for animals.

Camera Shy

Adding to her creative footprint, Milioti has contributed to various soundtracks and musical projects, as well as animated series and audiobooks. Whether singing or narrating, her voice carries a distinct emotional texture that adds depth to every project. What she doesn’t like is watching her own performances or indulging in self-reflection: “It’s uncomfortable to ruminate on oneself in a public setting – but I find it uncomfortable even if it’s not public.”

She begins every new acting challenge, she says, “with a lot of anxiety over the possibility that I would be unable to meet the role or the project or the writing. I can get in a little bit of a tailspin. It’s an imposter syndrome thing, I think.”

Flight & Fight

Post-Penguin, Cristin Milioti is poised for even higher-profile roles. Leads in the indie horror film Buddy and the FX series Seven Sisters are known to be on the horizon. What makes her so compelling is her refusal to be boxed in. At 40, she is not chasing fame or formulaic roles – she’s chasing stories that challenge her, characters that defy expectations, and projects that blur genre lines.

Drawn to narratives that explore the human condition in all its messy glory, and gravitating towards brilliant, damaged women fighting for control in chaotic worlds, she does it all with a mix of humour, heartbreak and steel.

Barrelsof Laughter: Raise your stein as the Munich spirit of Oktoberfest spreads global joy

Oktoberfest is more than just a beer festival – it’s a cultural phenomenon that brings together millions of people across the globe to celebrate Bavarian heritage, music, food and camaraderie. The original event in Munich traditionally runs from late September to early October – it’s glasses down at the Theresienwiese fairgrounds on 5 October this year – yet many international versions extend well beyond that, making it a month-long celebration of joy, tradition and indulgence.

The first Oktoberfest was held in 1810 to commemorate the marriage of Crown Prince Ludwig of Bavaria to Princess Therese of Saxony-Hildburghausen, and the venue in the southwest of Munich was named in the bride’s honour (Therese’s meadow). Münchners were invited to join the festivities, which included horse races, music and beer.

The event was such a success that it became an annual tradition, evolving into the world’s largest folk festival. Today, Oktoberfest is synonymous with beer tents, lederhosen, dirndls and traditional Bavarian music, but its roots lie in royal celebration and community spirit.

München Magic

More than six million visitors are expected to descend upon Theresienwiese for the 190th Munich Oktoberfest, and the Bavarian capital’s rendition remains the gold standard of Oktoberfest celebrations. The fun began on 20 September when the Mayor of Munich, Dieter Reiter, tapped the first keg and declared “O’zapft is!” (It’s tapped). Revellers spill into the 17 large beer tents and 21 smaller tents offering a unique atmosphere and exclusive beers supplied by the city’s ‘big six’ breweries. Bavarian specialities like pretzels and pork knuckle line stomachs awash with beer.

A traditional costume parade is held on the first Sunday of Oktoberfest, showcasing Bavarian attire, music and floats. Oide Wiesn, a nostalgic area in the southernmost section of the fairgrounds, was introduced in 2010 – two centuries on from the inaugural festival. Providing vintage rides and old-style beer tents, it proved so popular that it was retained.

While beer is the centrepiece of Oktoberfest, there’s a culture and etiquette to enjoying it respectfully. Only beer brewed within Munich city limits is served, and it is poured into a one-litre glass stein, properly called a maß. When making a toast, it is customary to look your companions in the eye and say “Prost!” But pace yourself – the alcohol content of Munich beers ranges from 5.8% to 6.5% ABV, which is generally higher than those brewed elsewhere.

Best of the Fests

While the Munich festival wraps up relatively early, many cities around the world host Oktoberfest throughout the month. These events blend local flair with Bavarian tradition, offering a more accessible way to join the fun. Oktoberfest Zinzinnati in Cincinnati, USA, is often hailed as the second-best beer-soaked shindig after the original. It was launched in 1976, and every year, revellers wet their whistles for a weekend in late September at the Ohio riverfront.

A plethora of Bavarian-themed festivals are held in the US during October. Snowbird Oktoberfest 2025 in Utah kicked off on 9 August and runs over 10 weekends until 12 October. Head there for German food alongside local beers, live music and artisan markets. Leavenworth in Washington state transforms into a Bavarian village over three weekends – 3–4, 10–11 and 17–18 October this year – presenting live music, vendor booths and family-friendly activities.

Bavaria meets the Wild West at Deadwood Oktoberfest in South Dakota, with locals and visitors alike enjoying a PolkaFest, wiener dog (dachshund) races and beer-barrel games from 3-4 October, while Carmel in Indiana hosts a cosy Saturday night festival on 3 October, starring live entertainment and local brews.

Beer Diary

Over in England, the Yorkshire city of Sheffield presents its lively Oktoberfest party on the 3rd, with Bavarian music, beer and themed décor. Steins of beer, mounds of sausages and musical acts come to Clapham in London from 10-25 October for Oktoberfest on the Common.

Surprisingly, perhaps, one of the biggest October bashes is held in Blumenau in Brazil, and spans the 8th to the 26th this year. One highlight is a nightly drinking competition, where contestants down, as rapidly as possible, one metre of beer from an elongated tulip glass. Across the Pacific, Brisbane, Australia, and Yokohama, Japan, also get into the annual Oktoberfest swing. Qingdao in China, the home of Tsingtao beer and once a German naval base, holds its annual International Beer Festival in the summer months, rather than October.

Dressing and Grazing

One of the most beloved aspects of Oktoberfest is the Bavarian national costume; dressing up adds authenticity and fun for those who otherwise might only be there for the beer. In days gone by, how a woman wore her dirndl – a dress with a fitted bodice, full skirt and apron – signalled her relationship status. Tying the apron in a bow on the left side indicated that she was single, and having it on the right meant she was spoken for. Those who wore the bow in the centre were virgins, while widows – and waitresses – tied it at the back. There were no such complexities for those donning lederhosen – leather shorts with suspenders – matched with a checked shirt and alpine hat.

Oktoberfest is also a culinary delight. Expect hearty, comforting dishes that pair perfectly with beer. Bavarian musts include Weißwurst, a white sausage served with sweet mustard, and grilled Bratwurst sausage in a bun or with sauerkraut, as well as Schweinshaxe (crispy pork knuckle), Brezn (giant soft pretzel) and Kartoffelsalat (German-style potato salad). Save room for Apfelstrudel, warm apple pastry with lashings of vanilla sauce. Vegetarian options like Käsespätzle (cheese spaetzle) and mushroom goulash are increasingly available at the food stalls.

Party On

Oktoberfest is as much about music as it is about beer. Expect a mix of traditional Bavarian tunes, modern pop and international hits. Oompah bands playing brass instruments, accordion music and polka dancing conjure the spirit of old Europe. Ein Prosit by The Polka Brothers and Sweet Caroline are sing-along classics. Live performances, dance floors and DJ sets are common at festivals outside Bavaria.

In Munich, the fun extends beyond the beer tents to a full fairground with rides and games for all ages. Hop on the Ferris wheel for a panoramic view, be thrilled by the roller coasters, and get dizzy on the swing carousel. Bumper cars, haunted houses, carnival games, shooting galleries, and children’s areas with rides and crafts round out the attractions.

A celebration of life, laughter and shared joy, Oktoberfest is exhilarating, but it’s important to stay safe and balanced. Hydrate between beers, eat before drinking to slow alcohol absorption, and travel to the venue by public transport or designated driver. Wear comfortable shoes since you will be standing for hours in the crowds or dancing to the music.

Whether you’re clinking steins in Munich, supping from super-long glasses in Brazil or keg rolling in the US, the spirit of Oktoberfest is universal. It’s a time to embrace tradition, indulge in hearty fare, and connect with others in a festive atmosphere. So don your dirndl or lederhosen, raise your maß high, and join the world in crying: “O’zapft is!”

Concours Conquerors: Magnificent motors and a global luxury park at Blenheim Palace, England, every summer for Salon Privé

In the rarefied world of luxury events, few names carry the same weight as Salon Privé. For two decades, the quintessentially British affair has redefined what it means to celebrate automotive excellence, elegance and exclusivity. Last month marked the 20th anniversary of this car-centric pinnacle of prestige, and it delivered a spectacle more opulent, more curated and more globally coveted than ever before.

Salon Privé, named for the ‘salons’ in Paris where the European aristocracy of old would arrive in their horse-drawn carriages, began its run at London’s Hurlingham Club in 2006 before roaring over to the storied lawns of Blenheim Palace in Woodstock, Oxfordshire, in 2016. Each summer, the grounds of one of England’s largest stately homes are transformed into a living gallery of the world’s most exceptional automobiles, with haute-couture-clad high society assembling to admire them. But Salon Privé is more than a car show; it’s a cultural moment – a place where collectors, connoisseurs and the quietly powerful gather to be seen, to connect and to indulge in the finer things.

Invitation to the Palace

Blenheim is no ordinary backdrop for this display of gleaming metal and fashionable living. Steeped in history, the Unesco World Heritage Site was built in the early 18th century and became the home of the first Duke of Marlborough, John Churchill. Given this family connection, it is celebrated as the birthplace of Sir Winston Churchill.

Designed by architect and dramatist Sir John Vanbrugh, the house’s Baroque grandeur and manicured gardens set the tone for a week that is as much about atmosphere as it is about automobiles. The South Lawn becomes the epicentre of elegance, where vintage Bentleys and Bugattis sit alongside the latest hypercars from Koenigsegg, Pagani and Aston Martin.

For its 20th year, the event introduced all-weather glass pavilions – called the Galleries – to house the automotive elite, ensuring that even the British skies can’t dim the dazzle. The setting is as curated as the guest list, with every detail – from the Champagne flutes to the floral installations – designed to evoke timeless sophistication.

Car Sharp

At the heart of Salon Privé lies the Concours d’Elégance, which has been sponsored by bespoke insurer Aviva Private Clients since 2021. It is the UK’s only professionally judged parade of classic cars and arguably its most prestigious. Over two days, a handpicked selection of rare and historically significant vehicles is evaluated by an international panel of experts.

Concours entries in August 2025 included a 1932 Duesenberg Model SJ from the famed US marque of that era, hailed for its supercharged engines; a 1958 Mercedes-Benz 300 SL Roadster blessed with its original red interior; and a 1964 Alpine M64. Each magnificent motor comes with a provenance as rich as its design. The 1958 Mercedes, for instance, was once owned by actress Romy Schneider, while the French-made Alpine is one of only three prototypes built for the 1964 24 Hours of Le Mans race. It was then out of public view for almost five decades.

But the Concours d’Elégance isn’t just about nostalgia. The competitive parade also embraces more modern marvels, with categories for post-Second World War sports racers and pre-2000 Ferraris, as well as contemporary supercars. It’s a rare convergence of past and present, where craftsmanship and innovation are heralded in equal measure.

Global Tastemakers

Salon Privé’s allure lies not only in its exhibits but in its attendees. The event draws a discreet yet glittering crowd: high-net-worth individuals, royalty, fashion editors, motorsport legends, and collectors who arrive by helicopter or chauffeured Rolls-Royce. It’s a place where billionaires browse Bugattis, and where a chance conversation over cocktails might lead to the acquisition of a one-off Pagani or a vintage Patek Philippe watch.

This year’s 20th edition was all geared up to welcome more than 25,000 guests across five days, with some 70 percent of concours entries arriving from overseas. The international flavour was unmistakable, with judges and exhibitors hailing from Italy, Germany, the US, India and beyond.

While the automobiles are the stars, Salon Privé is equally a celebration of the luxury lifestyle. The retail village is a curated collection of the world’s finest brands – think bespoke tailoring, rare timepieces and fine art. There are even opportunities for guests to browse for helicopters, private jets and superyachts, thus keeping abreast of the latest trends in airborne and seaborne indulgence.

Dining is an experience in itself, from a gourmet buffet luncheon at the Spencer Pavilion to Michelin-level cuisine served alongside vintage Pommery Champagne at the ultra-exclusive Glass House. Afternoon tea is elevated to an art form, and the rosé flows freely from 11.30 am. VIP hospitality guests are transported back in time as they enjoy exclusive access to the Blenheim Estate via the Duke of Marlborough’s private entrance, crossing the Grand Bridge over the lake.

Daily Elegance

Each day of Salon Privé offers a distinct flavour. Always meticulously choreographed, yet effortlessly relaxed, this car-spotting extravaganza exudes a balance like no other event on the summer calendar. The Concours d’Elégance takes centre stage on Wednesday and Thursday, with daily parades and private unveilings culminating in the judging of the classic automotive talent on view. Ladies’ Day by Boodles follows on Friday, a gala of fashion and femininity where hats meet horsepower. Anticipate statement fascinators and designer heels and a chance to win a piece of Boodles jewellery.

On Supercar Saturday, the North and South Lawns become playgrounds for the UK’s top car clubs, with the Salon Privé Club Trophy awarded to the most exceptional motor present. Sunday is Supercar & Lifestyle Club Day featuring vibrant displays and live parades. This new addition for 2025 celebrates all the rich trappings of life that go hand-in-hand with owning a classic car.

Debuts & Deals

For the luxury names in motoring, Salon Privé is not just a showcase but a launchpad. The event has become a favoured venue for global debuts, with the likes of Rolls-Royce, Bentley and McLaren choosing to present new models on the palace lawn rather than a traditional auto show. This year, unveilings from Aston Martin and Rimac were scheduled, plus a surprise debut from a new electric hypercar marque.

But what happens behind the velvet ropes is just as important. Private sales, off-market deals and insider introductions are part of the Salon Privé DNA. It’s where collectors find their next acquisition, and where brands court their most discerning clientele.

Sustainability with Style

In a nod to the future, Salon Privé 2025 was also the first automotive event globally to achieve B Corp Certification – a testament to its commitment to sustainability and ethical luxury. From carbon offsetting to locally sourced menus and eco-conscious exhibitors, the event proved that opulence and responsibility can coexist.

But Salon Privé isn’t just an event, it’s an experience. A place where time slows, where beauty is revered, and where the world’s most exquisite machines meet their match in the people who admire them. Whether you’re a collector, a curator, or simply a connoisseur of the finer things, mingling amid the metal and glass of Salon Privé is a must. Just don’t forget your sunglasses.

Head Over Heels: From horse riding to pole dancing, Anora actor Mikey Madison is assured and authentic in everything she does

Once a shy girl who devoted much of her time to her beloved horse, Mikey Madison is now riding the wave of Hollywood success. While labelling herself an introvert, the Anora star enjoys occupying the headspace of extroverts. “If I play these [extreme] characters, then I’m going to get to experience so much life and living through them. And it doesn’t have to be me, you know? I get to have a safety net.” When collecting her Best Actress Academy Award statuette in March this year, Madison stepped up, aged 25, as the first Gen Z Oscar winner for acting.

Mikaela Madison Rosberg was born in Los Angeles on 25 March 1999, alongside her twin brother, into a family with a past claim to fame – one of her relatives was Clarence Hailey Long Jr, a rugged Texas cowboy who appeared on the cover of the August 1949 issue of Life magazine and was the inspiration for the iconic cigarette-advertising ‘Marlboro Man’.

Although growing up in a vibrant city known for its performance arts, young Mikey initially inherited Long’s passion for riding. Her parents, both psychologists and supportive of her ambitions, allowed her to be homeschooled so could dedicate herself to equestrianism. It wasn’t until she was 14 that her head was turned toward acting. “I loved the ritual of getting to the barn and taking care of my horse, but it’s kind of an isolating sport,” she says of horse riding. “I felt called in another direction.”

LA Spirit

Having enrolled in acting classes, she made the pivotal decision to focus on acting full-time, forgoing college to immerse herself in auditions. It was then that her upbringing in Los Angeles, amid a backdrop of aspiring artists and established stars, provided her with a unique perspective on the entertainment world.

She first caught the eye at 17 as the eldest, and often angry, daughter in the television family assembled by Pamela Adlon for the comedy-drama series Better Things (2016-2020). “That show was my film school, my college, and I learned a lot about acting too, certainly,” she says.

Her film breakthrough came in Quentin Tarantino’s Once Upon a Time in Hollywood (2019), which examines the changing dynamics of Tinseltown in the late 1960s. She shone among a large ensemble cast which included big names like Leonardo DiCaprio, Brad Pitt and Margot Robbie, playing the small but pivotal role of Susan ‘Sadie’ Atkins, one of Charles Manson’s notorious ‘family’ who murdered actress Sharon Tate and four others on 9 August 1969. Praised by critics for her authenticity and emotional depth, the young actor demonstrated her versatility and positioned herself as a new talent to watch.

The main takeaway for Madison herself, though, was the opportunity to be directed by one of her heroes. “It was a dream come true,” she exclaims of working with Tarantino. “It was completely unbelievable and the greatest entry into film for me. But it was also, ‘OK, well, f***, I just worked with my hero at 19. What am I going to do now?’”

Brooklyn Bound

Nabbing the titular role in the Palme d’Or and Oscar triumph Anora (2024) was her answer. In fact, she didn’t even have to audition for the part since writer-director-producer-editor Sean Baker had spotted her in Scream (2022), the fifth instalment of the iconic slasher series, and recalled her work in Once Upon a Time in Hollywood. He wrote this hard-edged, modern American romance centring on a bold, brassy stripper-cum-occasional sex worker with Madison in mind.

In turn, the actor threw herself into the role, casting off her inner California girl. Displaying her strong work ethic and thirst for perfection, she visited strip clubs, learnt pole dancing and basic Russian, and even lived in Brighton Beach for a month to acquire a thick Brooklyn accent.

As she collected a cache of trophies for Anora, Madison dedicated them to the women who earn their living as sex workers. “I’ve made friends who are dancers,” she relates. “I wanted every aspect of Ani’s career and what she does to be realistic – but also [to show] that’s not her entire life; that’s just her job. I didn’t want [her line of work] to be sensationalised or dramatised in a negative way. I just wanted it to be what it was.”

Slow & Shy

She says of the character: “[Ani’s] very boisterous and scrappy and has so much attitude. And she has this incredible fighting spirit that I really admire, and I don’t think that’s me at all. In terms of energy, I’m a lower-energy person. I just move through the world in a slower manner.” A rare celebrity who eschews social media and doesn’t like to talk about herself, the actor prefers to live “in her own little world”.

Madison has been open about her struggles with shyness and social difficulties as a child, when she found solace spending time with animals. She encourages others to prioritise their mental wellbeing, reinforcing her commitment to authenticity.

As a relatively inexperienced actor, she has been inspired by the women who have paved the way in Hollywood. She acknowledges the importance of representation in film and television, advocating for diverse stories and complex characters. Her passion for storytelling aligns with her desire to contribute meaningfully to the industry.

“I would like to see more men in power being outspoken about women’s issues in Hollywood… the kind of world we live in, men are in a position of power – actors, producers, directors. They should be uplifting women. I think that should be a man’s role,” she says.

Emotional Ride

Looking ahead to surely an even more glittering future, she is eager to explore new opportunities that challenge her as an actress. She is keen on taking on diverse roles that push her boundaries and projects that resonate with her values, whether in film or television. “[Acting] is an emotional job, and so for me, I approach it in an emotional way,” she stresses. “I’m taking my time [committing to a new project, and] I’m grateful that I have the luxury of being able to do right now.”

She acknowledges that making Anora was a “crazy, life-changing” experience. The low-key star views acting as “creating something together” and takes pleasure in the fact “that whatever I make, for at least one person it will be their favourite thing”. With her first headlining role, Mikey Madison has touched the hearts of millions.

Rage Against the Machine:The humans whose creative output feeds AI bots are striking back on the legal battleground

As generative artificial-intelligence tools from Grammarly to ChatGPT grab the popular imagination, the world’s creatives feel increasingly marginalised, fearful of their ability to eke out a living in the all too near future. Generative AI sifts through human-generated content – texts, sounds, images and videos – to train its models to compose music, or create a painting, or generate a TV advert. Scraping through such data, known as text and data mining (TDM), is often without the consent of the content owners.

Protests against the use of AI to create new forms of artistic output without recompense or the consent of the original creators rage on around the globe. A protest album called Is This What We Want? was released earlier this year in response to proposed changes in UK copyright law that would mean AI developers could train their models using material available on the internet unless those holding the rights to this content specifically elected to opt out of providing permission.

Available on Spotify, the album consists of silent recordings from empty studios and performance spaces, and involved more than 1,000 musicians. The 12 tracks listed spell out a powerful message: “The British Government must not legalise music theft to benefit AI companies.”

In the art world, an Augmented Intelligence auction held in New York this spring also caused a furore. Prior to the sale, an open letter signed by thousands of artists called for its cancellation, decrying the “mass theft” of human artists’ work by AI companies.

The vexatious issue is underscored by the fact that many governments are keen to promote a thriving ecosystem for both tech firms and artistic creators, even though myriad legal and ethical considerations swirl around the promotion of this nascent technology.

Composer protection

Due to AI’s increasing influence in various sectors, the Hong Kong government launched a public consultation last year on the enhancement of the Copyright Ordinance to reflect AI technology development. In its submission to the consultation paper, the Composers and Authors Society of Hong Kong (Cash) – which manages the copyright of musical works for more than three million members locally and from affiliated societies overseas – said copyright protection should not only be provided to the “arranger” of the works but also extend to the author or owner of the underlying work. Like the protesters in the UK, it believes an opt-out model proposed by the government unfairly shifts the burden to the copyright owner who has to take an active step to safeguard their rights.

Instead, Cash proposes the implementation of an opt-in system, arguing that “the default position should be … it is illegal to use any music without permission, unless the author or the composer has expressed an intention to sell their rights to the tech company.” In their view, when there is commercial use of copyrighted material for TDM purposes, the owners of the work should be remunerated, and this remuneration should be based on licensing arrangements between the owners and the AI companies.

Legal conundrum

Hong Kong-based lawyer Ellie Patel, the founder and CEO of Re-think Legal, believes the generative AI issue is exacerbated by the legal framework in most jurisdictions lagging behind modern technological developments. “Governments are now scrambling to put in place laws to govern the creation and use of AI, but this is just the start of the process,” she says. “Ultimately, it’s only when these laws are interpreted and tested by the courts, and harmonised on an international level that real certainty regarding rights and obligations will be established.”

Patel is torn on the subject of “fair use” exemptions to train AI models. These allow for use of content without the threat of copyright infringement in certain circumstances, such as education and news reporting. As a trademark and intellectual property expert, she has clients who are creators and others who are in the tech industry.

She supports the development of AI, viewing it as an increasingly important public and corporate tool. “That said, creators also need protection and, in the main, should be rewarded for their contribution,” she notes. “It is all about striking a balance between the two – but striking that balance is no mean feat.”

Jonathan Chu, an Intellectual Property Partner at CMS in Hong Kong, warns that if there are too many restrictions on the use of copyright works for training AI, it will hamper innovation, and jurisdictions with the most stringent laws on AI development will be left behind. He urges greater clarity on the issue.

Remixing the past

Hong Kong University of Science and Technology Professor Andrew Horner, whose primary research interests are music synthesis and timbre, sees generative AI as the exciting new “kid on the creativity block” shaking up the artistic landscape. He has no qualms about generative AI learning from the “rich tapestry of existing content – music, literature, visual art and more”.

He states that throughout history, artists have drawn inspiration from each other’s creations. “A classic example in music is Miles Davis paying tribute to Stravinsky’s The Rite of Spring,” he says. “In this sense, generative AI is simply carrying forward this vibrant legacy. No creator operates in a vacuum; they are always influenced by the world around them and the inspirations that strike their fancy.”

Two disco songwriters recently lost a legal case alleging that Dua Lipa copied her single Levitating from their tracks, and Horner believes this highlights the beautiful – and sometimes tricky – dance of creativity. “It’s only natural for songwriters to mix and remix elements from others’ work, adding their own unique flair,” he insists. “After all, if you create something that inspires, it’s likely others will want to take that spark and run with it.”

For him, the crux of the matter is whether the output of generative AI models resonates with us and inspires meaningful experiences. “It’s an exhilarating time for creativity, making it easier than ever to play with sounds and forge new musical landscapes,” he says. “There are so many ways to pay tribute to a song: you can cover it, create a mashup that fuses it with another track, or compose something entirely fresh that reflects your personal take on it. It’s all part of the vibrant tapestry of music-making.”

Horner suggests the creative lineage of a piece should be honoured by giving a shout-out to the artist or artists who influenced it. Musician David Robinson, who is paid royalties for a book and tape he created, is strongly in favour of AI as a tool to enhance the creative process, but believes musicians should be compensated if AI uses their material.

Pushing art forward

Art-world pioneers including Refik Anadol, Sougwen Chung, Sander Coers, Anna Ridler and Victor Wong have used AI to expand artistic possibilities, blending human intuition with machine-generated aesthetics. Karen Sanig, who founded Art Law at Mishcon de Reya, says that for some artists, AI is less a threat than a transformative tool, deeply integrated into their creative processes in sophisticated ways. However, she is concerned that AI systems which scrape vast datasets of artworks en masse, and without consent, deny artists control over how their work is used or reproduced.

AI-generated imitations could also both damage the integrity of a work of art and dilute an artist’s reputation, hence conversations about moral rights (such as the right to attribution, or the protection of a work’s integrity), passing off are vital alongside copyright considerations.

“Legislators face a daunting challenge – not only must they crystallise a formula to regulate a technology that evolves daily, they must reconcile AI’s data-driven mechanics with intellectual property frameworks built largely for human authorship,” notes Sanig.

Hong Kong-based entrepreneur Matey Yordanov of Antei AI Development Hub says he has developed an imperceptible ‘mask’ technology that adds an invisible layer to any type of media, leading to the corruption of the AI training output if protected files are used. “This not only safeguards the media from being copied, but also prevents deepfakes and impersonation of artists, which is becoming increasingly more critical with the development of AI,” he affirms.

Avatar Hurrah: From sci-fi to Emilia Pérez to Lioness, Zoe Saldaña embraces each role with a roar of cultural pride

With a gripping personal narrative and a career that continually elevates her to unfathomable heights, Zoe Saldaña is a voice for those who dare to dream beyond limitations. Having swept the awards board with her Best Supporting Actress spin in Emilia Pérez, she is set for an Avatar return by year’s end, and her remarkable journey from loss to triumph is a testament to the power of the human spirit.

Born in New Jersey to a Dominican father and a Puerto Rican-Dominican mother, Saldaña quickly assimilated the notions of passion and tenacity. Her secure childhood in a community steeped in dual cultural identities was shattered at age nine by the loss of her father in a car accident. The family was thrust into tumultuous times, with Zoe and her two sisters, Cisely and Mariel, shifting to live with relatives in the Dominican Republic in a search of stability.

She would return to the US in her teens to finish her education in Queens, New York and find her calling in acting. “I learned in a very innocent, unconscious way when I was very young that I need to live in art because I find peace,” reflects the 46-year-old star.

Unbreakable Bonds

Throughout interviews, Saldaña expresses that this early adversity shaped her understanding of strength and love. “When my father passed away, we all went straight into survival mode,” she says, revealing how such formative experiences helped her cultivate bonds with her sisters. “You can’t expect them to have the same capacity and to understand what you’re going through.”

This connection ignited a passion for dance, which offered her solace. She trained in ballet, a discipline that requires not only skill but also a remarkable level of focus, something she struggled to maintain. She eventually quit due to doubts about her own capabilities: “I did not have the feet, but I had too much pride.” While she turned to the theatre, dance would remain a crucial element of her career; she broke into movies playing a dancer in Center Stage (2000) and ultimately found expression in roles that required her to merge her artistic talents with her powerful storytelling abilities.

Saldaña’s first on-screen role, at age 22, in the long-running TV show Law & Order (1999) laid the groundwork for a career characterised by remarkable versatility. While critics often deride the juvenile antics of films from the early 2000s, she regards these experiences as stepping stones to her illustrious career. “I have been pushed and pulled in a shocking number of directions, and I’m grateful for every single one,” she affirms, facing the challenges of Hollywood with grace.

Cosmic Force

As Saldaña’s popularity soared, she transitioned into blockbuster territory with key roles in the Star Trek reboot and Avatar, films that would solidify her place among the highest-grossing actresses of all time. Arguably, her industry inflection came from portraying powerful women in sci-fi films. As communications officer Uhura in Star Trek and warrior Neytiri in Avatar, she exemplified strength, intelligence and vulnerability.

“I like the fact that there’s more than one female in an action movie,” she shares, advocating for inclusivity within her roles. At a time when many women found themselves pigeonholed, she navigated through uncharted space, delivering memorable performances that would transcend the screen.

Portraying Gamora in the Guardians of the Galaxy franchise further established Saldaña as a leading female figure in Hollywood. The complex nature of her character – an assassin turned protector – mirrored her own journey toward empowerment, emphasising that feminism comes in myriad voices. “There is a certain freedom of the imagination in science fiction,” she asserts. “You have to project yourself into a world that you’re unfamiliar with.” Her ability to bring this voice to life ignited conversations about representation in media and inspired countless fans.

Claiming Her Identity

While the spotlight has been a constant companion, Saldaña has carefully curated a personal life filled with integrity. She married Italian artist Marco Perego in 2013 after a whirlwind romance and raises three boys in a trilingual household. The actress is intriguing not only for her roles but also for her candidness regarding her own struggles, including with the autoimmune disease Hashimoto’s thyroiditis. In an age where perfectionism reigns supreme, her humility is refreshing.

At the core of her narrative lies the desire to connect and inspire through her art. “My life has always been saved, over and over again, by people who have taken me in, by guiding me, raising me, and educating me,” muses the mother of three, attributing her success not just to hard work, but to the rich support network of family, friends and mentors. This gives depth to her actions and dignity to her voice, especially as she champions causes close to her heart, like diversity in media.

Vision for the Future

Her Academy Award-winning role in Emilia Pérez centres on camaraderie and the complexity of human connection. As the main thread propelling a story steeped in themes of empowerment and social commentary, Saldaña sheds layers as a performer, demonstrating her ability to redefine herself throughout her career. “For Emilia, every scene felt like reconnecting with parts of me throughout my life where I felt that kind of desperation,” she shares, emphasising the emotional weight of her work.

Her evolving roles signal a shift from merely occupying space in Hollywood to creating it. Avatar: Fire and Ash’s scheduled December release and her participation in prolific American TV creator Taylor Sheridan’s Lioness further display her commitment to exploring neglected narratives within the female experience. As she looks forward to new challenges, Saldaña appears more than ever equipped to navigate the highs and lows of showbiz without losing her essence. “What if I just f**king go all in?” she readily contemplates, a mantra of sorts that underlines her fearless approach to life.

Against the backdrop of a dazzling industry, Zoe Saldaña emerges as a multi-faceted force who wields her creativity to empower others. Embracing her Latino heritage, challenging the status quo, and redefining the notion of femininity in her work, she sets the stage for a brighter future – one where women no longer just break barriers, but dismantle them entirely.

Empire Of Opulence: Outshining European crown jewels, the Mughal court’s magnificence was set in extraordinary stones

When you think of extravagance and splendour, the Mughal Empire immediately springs to mind, its legacy twinkling in the gems that adorn its history. From luxuriously carved turban ornaments to richly coloured necklaces dripping with lush stones, Mughal jewellery paints a picture of opulent artistry and cultural richness that continues to resonate today.

The Mughals were not just rulers; they were connoisseurs of beauty. Shimmering across South Asia from the 16th to the 19th centuries, the Mughal court was marked by an unmatched passion for the opulence of jewels. Exquisite diamonds, vibrant emeralds, luscious rubies and exceptional pearls were their treasures. These royal gemstones were not merely decorative; they represented power, wealth and artistry – a glimmering narrative of the greatness of an empire that once spanned present-day Afghanistan, Pakistan and Bangladesh as well as India and beyond.

The Mughal treasury was legendary, rumoured to contain inestimable riches in gold, silver and jewels that would make even the wealthiest modern magnate gawk in admiration. The opulence was tangible; just consider the Peacock Throne, the 17th-century solid-gold and gem-encrusted seat of power of the fifth Mughal emperor, Shah Jahan. Deemed to be one of the wonders of the world, it symbolised absolute power and splendour.

The vastness of the Mughals’ wealth and the sheer artistry displayed in their treasures were the envy of all who came to pay their respects. In a practice as diplomatic as dazzling, intricate gem-studded jewels would be gifted to foreign dignitaries or presented as tokens of love in strategic alliances. Wealthy princesses were arrayed in priceless dowries to secure political ties, with exquisite pieces carefully chosen not just for beauty but also as measures of worth and influence.

Royal Bling

Mughal jewellery is a story woven in gold and gemstones. Each piece tells a tale of luxury, craftsmanship and the complexity of status. The jewels were powerful symbols, often displayed by emperors to signify their authority. Turban ornaments, for instance, nodded to royal lineage. The sarpech or jigha, crafted in gold and studded with brilliant stones, displayed elegance and functionality. The design often included a majestic feather and was reminiscent of the emperor’s sceptre.

Among the crowning glories of the era was the famous Great Mogul Diamond. Discovered amid the rich Golconda mines of southern India in 1650, this magnificent stone weighed a staggering 280 carats. Resembling half a chicken’s egg in size and shape, it was gifted by a wealthy general, Emir Jemla, to Shah Jahan. Tales swirl around this famous diamond, especially that of French traveller Jean-Baptiste Tavernier, who marvelled at its brilliance and sketched its image in 1665.

However, the diamond’s tale took a dramatic turn when it was looted by Persian ruler Nader Shah in 1739, along with the Peacock Throne, and disappeared into the pages of history. Some say it was later recut into the Orlov Diamond, a shard of Mughal majesty residing in the Russian imperial sceptre now displayed at the Kremlin.

Ornate Armoury

Not just about ornamentation, Mughal jewellery also served practical purposes. The bazuband, worn around the upper arm and adorned with gemstones, offered protection in battle while serving as an ornate declaration of wealth and prowess. Inherently functional yet intricately beautiful, items like dagger handles were crafted from precious metals, integrating luxury into everyday life. The Mughal armoury reflected not only martial readiness but also an appreciation for artistry that time has not forgotten.

Mughal jewellery often featured intricate designs inspired by nature, with symbols like the lotus – representing beauty and eternity – woven into their aesthetics. The appeal of gemstones also ran deep; with diamonds symbolising strength and emeralds embodying renewal, they were chosen as much for their physical beauty as for their spiritual significance.

Embedded Artistry

With unparalleled advancements in jewellery craftsmanship, the Mughal era is also synonymous with innovation. Techniques such as kundan, meenakari and jadau created masterpieces of unrivalled elegance. Kundan involved meticulous craftsmanship wherein gold foil secured stones in place, achieving a seamless finish and enhancing the brilliance of each gem.

Meenakari, or the enchanting art of enamelling, splashed vibrant colours across metal surfaces, depicting flower and fauna motifs that have become synonymous with Mughal aesthetics. Jadau, a technique of embedding stones within softened gold, ensured beauty and security in each piece, elevating the craftsmanship to new heights.

Visitors to London this month can revel in such marvels, as the V&A presents, until 5 May, an exhibition of The Great Mughals: Art, Architecture and Opulence, showcasing the extraordinary creativity and culture that characterised the reigns of emperors Akbar, Jahangir and Shah Jahan.

Resurgent Heritage

Fast forward to present day, Indian jewellery has been experiencing a renaissance. Over the past few years, a myriad of global celebrities, from Nicole Kidman and Madonna to Indian stars like Kareena Kapoor and Isha Ambani, have flaunted Indian designs, spotlighting the intricate craftsmanship and cultural wealth of the subcontinent. Modern jewellers, like the talented Hanut Singh, are skilfully combining traditional artistry with contemporary flair, creating dazzling pieces that appeal to a cornucopia of tastes.

This resurgence goes beyond mere aesthetics; it celebrates cultural representation and community pride while expanding markets and promoting unique narratives. The sustainable practices adopted by many current artisans resonate beautifully with today’s conscientious consumers, ensuring that Indian jewellery evolves without losing its deep-rooted essence.

Marriage of Extravagance

While the echoes of the Mughal era resonate through history, its artistic legacy remains on display at Indian weddings. Traditional wedding jewellery often embraces the Mughal essence. Today’s brides and grooms don majestic turban ornaments and treasured heirloom pieces that harken back t

A Bridgerton Hurrah: There’s no falling down for Jonathan Bailey, whose charisma has carried him from stage prodigy to Hollywood sensation

Few performers mirror the complexity of human experience with as much raw talent and charm as Jonathan Bailey. Celebrating his 37th birthday this month, the Bridgerton and Fellow Travelers star can credit an abundance of perseverance and passion for his successful move from child actor to major stage and screen presence. With accolades lining the walls of his career ¬– including a Laurence Olivier Award and a Critics’ Choice Television Award, Bailey’s trajectory signifies more than just talent; it represents the evolution of an artist willing to transcend boundaries.

His childhood in the countryside of Oxfordshire, England, amid the nurturing gazes of four remarkable women – his mother and three elder sisters – and a father with unwavering resolve shaped Bailey’s outlook on life. His passion for acting ignited at the tender age of five when a family outing to London to see a production of Oliver! planted the seed of ambition in his young mind. “That was my awakening moment,” he recalls. “I was transfixed by the magic of storytelling and the ability to transport people into different worlds.”

His early years were marked by performances that honed his craft, starting with primary-school plays and continuing onto stage roles with the Royal Shakespeare Company. He starred as Gavroche in a West End production of Les Misérables at the age of eight. Enveloped in a cocoon of creativity and ambition, he headed to the bright lights of greater stages – a path he decided to embrace fully, forgoing drama school in favour of real-world experience.

“I’ve never gone in as the overdog, and that’s liberating,” he reflects. “I want my experiences to drive my performances. I think that’s what keeps me grounded.”

Diverse Roles and Dramatic Range

Bailey’s ascent in the acting world gained momentum through a host of versatile portrayals. He broke into British television playing a university freshman in the comedy Off the Hook (2009) and a teenage Leonardo da Vinci in Leonardo (2012-12), but it was his role as the earnest journalist Olly Stevens in the critically acclaimed series Broadchurch (2013-15) that saw him capture hearts. While that show bolstered his reputation as a dynamic actor, it was the theatre that truly showcased the depth of his artistry.

Appearances in classic plays like Othello (2013) and contemporary works such as The York Realist (2018) served to solidify his status as a leading man of modern theatre. “The theatre is where I feel most secure,” he explains. “There’s a tangible energy from the audience that compels me. I thrive off their reactions.”

It was also in 2018 that Bailey took a significant leap, stepping into the gender-swapped role of Jamie in a new production of the 1970 Stephen Sondheim musical, Company. His award-winning performance dazzled critics, marking him as a swift and nimble presence on stage. “Performing Getting Married Today every night felt exhilarating – it was my playground,” he recalls.

Finding Freedom in Fame

Yet, it was portraying Lord Anthony Bridgerton in the ongoing Netflix series Bridgerton that catapulted Bailey to global fame, serving as both a blessing and a complicating chapter of his life. The first season (2020) took social media by storm, garnering massive viewership and shadows of adoration mixed with scrutiny.

“Initially, I was overwhelmed by the fame,” he admits candidly. “It felt hard-hitting, like being thrust into this whirlwind. But the support system around me has been vital.”

With newfound celebrity status, he tackled the challenges of public adoration, learning to adapt and maintain a sense of normalcy amid chaos. “I’m really good now at saying no to photos, for my sanity’s sake,” he adds with a chuckle.

Safe Haven on Stage

As he navigates the glamorous yet complicated world of stardom, Bailey remains firmly rooted in his passion for storytelling and finds safety once again in a return to the theatre. He plays the titular role in Richard II, which runs at London’s Bridge Theatre until 10 May. “The stage has this protective aura – it’s immersive and liberating,” he reflects. “You get to explore life through characters, almost like dress-rehearsing your own existence.”

His collaboration with director Nicholas Hytner marks a significant homecoming for the actor, and one that has been a foundational part of his career. “Nicholas gave me my biggest break as Cassio in Othello. His mentorship has shaped me significantly. I feel like I’m coming back to a safe space where I can grow and shine,” he enthuses.

Bailey possesses a deep understanding of Shakespeare, bringing the flawed and complex character of King Richard to life with an acute sense of vulnerability. “How do you portray someone utterly inadequate ruling in such powerful circumstances? That’s the journey I’m eager to embrace,” he shares. Reminding the world why he has cemented his place in the hearts of theatre enthusiasts and television viewers alike, Bailey’s performance has been hailed by critics as luminous and charismatic.

Offstage Dreams

With his career at an all-time high, conversations naturally drift towards the future – specifically, the possibility of starting a family. The generally private Bailey, who came out publicly as gay in 2018, reveals: “Yes, I desire children – it’s such a privilege for a man. But I’m conscious of my current [busy] lifestyle. I want to ensure that if and when the time comes, I can be present.”

In a world that often prioritises ambition, he yearns for a balance that could offer a reimagined sense of home. “I’ve been reading about adoption and the prospects of co-parenting. I want a family, but I want to do it thoughtfully,” he emphasises.

Man Behind the Actor

Amid the glamour of fame, Bailey emphasises the importance of giving back to the community. Through his charitable efforts with Just Like Us and The Shameless Fund, which he launched last summer, he strives to raise awareness and support for LGBTQ+ issues globally. “If I can fill the spaces that I didn’t have while growing up, I feel that’s a brilliant thing,” he states.

When Bailey isn’t acting, he finds solace in nature – cycling, paddleboarding and mountaineering are among his favourite pursuits. He embodies a grounded spirit, finding time to enjoy life outside the glitz and glamour of Hollywood.

And clearly, this is just beginning. With a commitment to authentic storytelling, an admirable camaraderie with his fellow creatives, and a heart steadfastly directed towards making the world a better place, Jonathan Bailey’s legacy will undoubtedly inspire many generations of actors yet to come.

Grande Melody: How four-octave powerhouse Ariana Grande transformed heartbreak into chart-topping anthems while championing kindness along the way

While her Wicked success is certainly a key juncture in Ariana Grande’s phenomenal career, she is quick to cast her mind back to a Florida Panthers hockey game when she was eight years old and her rendition of The Star-Spangled Banner charmed the crowd. “It was that moment on stage that truly ignited my passion for performing,” recalls the American pop star and actress, reflecting on the early signs of her impending greatness.

Ariana Grande-Butera entered the world in Boca Raton, Florida, on 26 June 1993 amid a rich cultural tapestry deeply woven with her Italian roots. “My grandmother was a huge inspiration for me as a child,” she reminisces. “She always pushed me to pursue my passions, and that childlike dream of singing became a fierce reality.”

Early Crescendo

Before her songs conquered the realm of music, she showcased her talents on the small screen, capturing the hearts of millions as the teenage Cat Valentine on the Nickelodeon sitcom Victorious. “Acting was my first love, but music was always my priority,” she explains.

Her dual career blossomed during her time on Sam & Cat, another Nickelodeon hit, which emphasised her knack for comedy and her timing. Channelling the playful spirit of her character, Grande’s skits were filled with her signature wit. “I wanted to create something positive for young people instead of just being a cliché,” she declares, showcasing her deep understanding of the impact of representation.

Doing it Her Way

After stepping off the stage and into the studio at age 20, she dropped her debut album, Yours Truly (2013), which catapulted her into the limelight. Its success came with the hit single The Way. “When I first heard it on the radio, I felt like I was dreaming. It was a fast track to everything I had ever wanted,” she remarks. A blend of her R&B influences with a modern twist, the record set the tone for Grande’s career, proving she was more than just a former child star; she was a serious musician ready to break free from genre constraints.

She did just that in her sophomore effort, My Everything (2014), which included the hit Break Free and solidified her spot in the pop universe. The album’s lead song, Problem, featuring Australian rapper Iggy Azalea, became an international sensation. Grande beams as she recounts: “It was my anthem; it felt like everyone was singing along, and I couldn’t believe it!” With hooks that got stuck in your head and beats that made you dance, she was on top of the world, juggling a successful music career with her acting roots.

Rebounding from Atrocity

As she explored deeper into her artistry, the albums Sweetener (2018) and Thank U, Next (2019) charted her evolution from pop princess to musical powerhouse. “These albums were more personal,” she admits. “After the Manchester Arena attack [in 2017], I needed to reflect and heal, and music became my therapy.”

In Thank U, Next, she bravely acknowledges her past relationships with vulnerability and confidence – a powerful message that resonated with fans. “Every experience has shaped me into who I am today,” she continues. “I wanted women to know that it’s okay to embrace your journey.”

The accolades poured in, with Sweetener snagging a Grammy Award. Grande, who has rapidly amassed an array of awards, insists: “These honours are nice, but the real victory is seeing how my music helps people.” Her deeply rooted philosophies on kindness and empowerment thread through her discussions, further cementing her commitment to being a symbol of resilience and inspiration.

Voice for Women

Grande’s sixth studio album, Positions (2020), marked a distinct shift as she spotlighted her role as a woman embracing her sexuality, empowerment and responsibilities. “People often think that women should fit into boxes, but I believe I can be all-encompassing,” she declares. The album’s title track, along with collaborations like Stuck with U with Justin Bieber and Rain on Me with Lady Gaga, all achieved great commercial success, further placing her at the apex of the pop landscape.

As if her musical prowess wasn’t enough, Grande delved into business ventures including a cosmetics brand, R.E.M. Beauty and a stable of fragrances, the statement scent God is a Woman among them. “With every drop, I want to ensure that my fans see themselves in what I create,” she states emphatically. “It’s about building a community that keeps dreaming.”

Kindness in Every Cadence

Beyond her musical dominance, Grande has made significant strides in philanthropy and activism. From her initiatives supporting mental health and LGBTQ+ rights to her work after the Manchester bombing, she has proven to be a compassionate leader.

“I believe in using my platform for good,” she states resolutely. “It might just be a small spark, but together we can create major change.” Her efforts, including organising the One Love Manchester benefit concert, have raised millions and showed her profound commitment to her fans and community.

Glinda Glory

Last year proved a milestone in her career as she stepped into the magical world of musical theatre – her self-proclaimed first love – playing Glinda in the critically acclaimed film adaptation of Broadway blockbuster Wicked. “I had dreamed of this moment since I was just a little girl,” she shares, excitement dripping from her words. This transition from sitcom star and pop icon to Hollywood actress not only showcases her vocal abilities but also her range as a performer and a person.

“Finding roles that resonate with me, like Glinda, means I can inspire others to chase their dreams no matter their circumstances,” she adds, her empathy spilling over. Her performance was both universally hailed and Oscar-nominated, confirming that she has indeed paved her own path to stardom and credibility in the arts.

Legacy of Love

Ariana Grande stands poised as a cultural icon. Having sold more than 90 million records worldwide – a feat for which she might cry “I’m so xxxxin’ grateful” – she is one of the world’s most successful music artists. Yet, her relentless dedication suggests that we are far from witnessing the last of her magical touch.

“Every challenge I’ve faced only makes me stronger,” she remarks. “I want to continue to create art that speaks to people and reminds them that they are loved.” Through her journey, from a child star to an adult artist, Grande not only shares her gifts but also spreads a powerful message: find your voice and soar!