Witch Way Up: The multiple talents of Wicked star Cynthia Erivo have a growing legion of admirers spellbound

With her powerful vocals and dynamic performances, Cynthia Erivo has not only captivated audiences but also redefined what it means to be a leading light in the modern entertainment landscape. From the London stage to the Hollywood silver screen, her journey is nothing short of extraordinary.

Born on 8 January 1987, in Stockwell, South London, to Nigerian immigrants, Erivo faced challenges in childhood, particularly after her parents separated when she was still very young. Speaking about her upbringing, she reflects: “My mother has the strongest spirit I’ve ever encountered. She had to go through so much, and yet she still made sure that we had everything we needed, including love.” This early exposure to resilience undoubtedly shaped her identity as an artist.

She attended a Catholic girls’ school, where she began exploring her passion for performance. “The theatre was my escape,” she says. She then enrolled at the University of East London to study music psychology but transferred to the prestigious Royal Academy of Dramatic Art (Rada) to pursue her true calling. After graduating in 2010, she broke onto the scene with stage performances that showcased her vocal prowess and emotive range.

Setting the Stage

Erivo’s rise to fame was rapid and remarkable, particularly her portrayal of Celie Harris in the 2015 Broadway revival of The Color Purple, when she stepped comfortably into shoes originally filled by Whoopi Goldberg. This performance earned her a Tony Award for Best Actress in a Musical, as well as a Grammy for Best Musical Theatre Album. “Part of me feels like I’ve always been meant to do this,” she notes, illustrating her profound connection to her craft.

She expertly melded musicality with acting, performing pivotal roles in various productions. Following her Broadway success, she took her talents to film in 2018, making notable impressions in Widows and Bad Times at the El Royale. But it was her next role as American abolitionist Harriet Tubman in the biopic Harriet (2019) that solidified her status as a lead actor.

“To play Harriet Tubman is to connect with the essence of courage and determination,” she said at the time. “It’s about giving voice to those who fought so hard for their freedom.” The film brought her numerous accolades, including Academy Award nominations for Best Actress and Best Original Song, further showcasing her indisputable talent.

Musical Reality

That Erivo is a gifted singer-songwriter is also undeniable. Stand Up, which she co-wrote and performed for the film’s credits, resonated with audiences worldwide. “Music is an intrinsic part of who I am; it’s my means of expression,” she says, underscoring her artistic drive.

Her career has flourished further through her recent venture into the musical fantasy realm. Alongside Ariana Grande, she heads the celebrated cast of Wicked, a two-film adaptation of the iconic musical; the first instalment hit cinemas in November 2024, with Wicked Part Two scheduled for release late this year. She embodies the complex character of Elphaba, who is often seen as emblematic of the quest for self-discovery and empowerment. “Elphaba’s story is about embracing who you are, flaws and all,” she shares, echoing her own path in the industry.

Love in the Face of Hate

Beyond her professional accomplishments, Erivo’s personal life has become a topic of interest. A proud member of the queer community, she openly identifies as bisexual. “It’s essential for me to live my truth,” she asserts, taking to heart the multitude of identities she navigates.

She is currently in a relationship with US actress and producer Lena Waithe, and it is a partnership is built on mutual support and understanding. She underlines the importance of love and authenticity in one’s life: “No matter the challenges you face, love should always be unfiltered, raw and honest.”

Through her platform, she advocates representation and creates spaces for marginalised voices in the arts. “In a world that often silences marginalised stories, it’s crucial that we raise our voices and share our truths,” she says.

Embracing the Light

Erivo’s journey is a compelling tapestry woven from her identities as a queer individual and a Roman Catholic, both of which shape her understanding of love and faith. She eloquently expresses her belief that “God makes people as they’re meant to be”, challenging the narrow interpretations of faith that some individuals might impose.

“The rules for themselves that people put upon others have nothing to do with me and my faith,” she asserts. “Faith is so big – so much bigger than set rules.” For her, religion is not about stringent doctrines; it encompasses an expansive understanding of love and compassion.

Erivo firmly states the fundamental principle of her beliefs: “The main rule that we’re all supposed to follow is to love one another as you would love yourself.” This guiding tenet informs her actions and relationships, prompting her to cultivate kindness and empathy. She concludes: “If those are the things I’m following, then I think I’m following my faith.”

Legacy Beyond Performing

In embracing both her queerness and Catholicism, she not only navigates her own identity but also illuminates a path for others, inviting everyone to reflect on their own capacity for love and acceptance.

She emphasises the importance of growth and adaptation too, reflecting that “as time changes, we are also meant to change”. This perspective resonates deeply with her role in Wicked, where Elphaba’s journey symbolises a struggle against societal rejection and the quest for true belonging.

The actor and singer’s influence extends beyond her performances; she is also passionate about providing opportunities for emerging artists. Recently appointed as Vice-president of Rada, she sees this role as a chance to shape the future of theatre. “I feel a responsibility to uplift others and share the wisdom I’ve gained throughout my journey,” she notes.

Through her production company – named Edith’s Daughter in homage to her mother – Erivo is committed to developing inclusive projects that empower underrepresented communities. “I often think about how my mother fought for her voice to be heard. It’s a legacy I intend to honour through my work,” she reveals.

Defying Gravity

In a field that values uniformity, she is tearing down barriers and defying expectations. She carries with her the dreams of many who came before her and will emerge after as she plays Elphaba in Wicked, a project that speaks to her own identity and struggle. “Above all else, I want my story to inspire others to embrace their uniqueness and defy gravity,” she says.

Cynthia Erivo turns every position, every endeavour and every personal obstacle into a chance for development and transformation because of her genuineness, inventiveness and unshakable dedication to her work. Truly, she is more than just an actor and singer. An Academy Award winner this year? That would be wicked – and well deserved.

Artistry of a Carpenter: Pop star and actor Sabrina Carpenter is shaping her Hollywood world with a level head and skilled hands

Former teen star Sabrina Carpenter has blossomed into a multifaceted artist, captivating audiences with her talents in both music and acting. First gaining recognition on the Disney Channel series Girl Meets World (2014-2017), the now 25-year-old has since carved a unique space in the entertainment industry, transitioning from a young actress to a fully-fledged pop idol.

Sabrina Annlynn Carpenter was born on 11 May 1999 in Pennsylvania and raised in a creative environment, inspired by family, including her aunt Nancy Cartwright, the actor who voiced Bart Simpson. Homeschooled alongside her three elder sisters, she discovered her passion for music at a young age. By 10, she was posting covers of Christina Aguilera and Adele songs on YouTube, showcasing an impressive vocal range.

Her early efforts paid off when she came third in the US-wide singing contest, The Next Miley Cyrus Project, in 2009. This exposure, combined with her father’s support in building a recording studio, set the stage for her future success. In 2014, she signed with Hollywood Records, releasing her debut single, Can’t Blame a Girl for Trying, which marked the beginning of her musical journey.

Plan A

A decade later, an espresso served during one of her European trips spawned another hit song. Released this spring, Espresso is a catchy pop jam full of cheeky quotables, including a chorus built around the unlikely phrase, ‘That’s that me espresso’.” Carpenter has confessed to having the song stuck in her head and then “decided to put that burden on other people”.

“I’m just annoying. I’m literally just annoying,” she says of her climb to pop stardom. “I never had the plan B, and it wasn’t even a thought in my mind that it wouldn’t work out. I just always knew it was about not if it would happen but when it would happen.”

Carpenter’s music reflects a diverse range of styles, incorporating elements of folk-pop, R&B and dance-pop. Influenced by powerhouse vocalists like Christina Aguilera and Rihanna, she has embraced her identity as an artist, creating authentic and relatable anthems. Beyond her music she has made a name for herself in movies, headlining notable projects such as Adventures in Babysitting (2016), The Hate U Give (2018) and Clouds (2020). The Netflix comedies Tall Girl (2019) and Work It (2020) showcase her versatility and commitment to storytelling. Broadening her artistic repertoire, she also took her talents to Broadway, starring in the musical Mean Girls (2020).

Adventures in Chart-topping

Carpenter’s early discography includes four studio albums: Eyes Wide Open (2015), Evolution (2016), Singular: Act I (2018) and the following year, Singular: Act II. Hits like Alien, Almost Love and Sue Me saw her topping the US Dance Club Songs chart, establishing her presence in the pop landscape. In 2021, she made a bold move to Island Records and released Skin, her first entry on the Billboard Hot 100.

Her fifth album, Emails I Can’t Send (2022), received critical acclaim, with singles Nonsense and Feather climbing the US Pop Airplay charts. The latest venture, this year’s Short n’ Sweet, debuted at the top of the Billboard 200 in September, marking a significant milestone in her career. Featuring the chart-topping Espresso as well as Please Please Please, it further solidifies her status as a pop sensation.

“Obviously, I write songs about exactly how I feel, so I guess I can’t be so surprised that people are interested in who and what those songs are about. That’s something that comes with the territory,” she says.

On Stage for Society

Carpenter is not only a talented performer but also a passionate advocate for various causes. Since 2016, she has supported the Ryan Seacrest Foundation to inspire today’s youth and participated in initiatives promoting mental health and LGBTQ+ rights. Her partnership with the nonprofit PLUS1 during her Short n’ Sweet Tour aims to uplift marginalised communities, emphasising her commitment to social change.

In a recent collaboration with US ice-cream parlour chain Van Leeuwen, Carpenter introduced an espresso flavour, with profits benefiting the New York-based Ali Forney Center, which supports homeless LGBTQ+ youth. Her dedication to philanthropy highlights her desire to make a positive impact through her platform.

Dividing her time between New York and Los Angeles, she likes sketching and visits Disney World with her Irish actor beau, Barry Keoghan. She’s not a club girl but enjoys eating at a beautiful restaurant. “As much as people want to believe you’re tuned into every little thing, I’m not because I’m constantly working,” she notes.

Before her concert tour, which kicked off in September in the US and ends next March in Italy, she did get a little downtime. She arrived at the Met Gala wearing a gorgeous bespoke Oscar de la Renta bustier gown, and made her debut on Saturday Night Live, performing Espresso and a Nonsense/Feather mashup, as well as playing Daphne in a Scooby-Doo-themed segment.

Meeting the World Head On

Whether she’s on stage, in front of the camera or championing important causes, Carpenter embodies the spirit of a modern-day icon. Her journey is just beginning and she’s feeling more ambitious and determined than ever.

“I feel really grateful that this has happened over the course of a lot of time of me figuring it out because it doesn’t feel like it was sprung up on me,” she says. “It’s almost like I can just relax and be excited about it. I say Sabrina wasn’t built in a day.”

From her Disney roots to her current status as a pop phenomenon, Sabrina Carpenter is a testament to the power of perseverance and creativity, lighting the way for aspiring artists everywhere. As she continues to evolve as both an artist and an individual, she remains a beacon of inspiration for her fans. With her unique blend of talent, authenticity and advocacy, she is poised to influence the entertainment industry for years to come.

“I don’t know how to describe it,” she says. “When you’re a child and you just have a feeling of, I know I’m going to do this someday. I know I’m going to do this for the rest of my life. I know this is the path I need to follow, whatever that means for me, and whatever success that means for me is what I’m destined for. I have dreams and goals, and I will say I’m a little bit of a freak manifester sometimes, which is a blessing and a curse depending on how you look at it. I always knew deep down that this was something I would do with my life, and I didn’t ever really doubt that, even when shit was hitting the ceiling fan,” she says, quoting her own “Please Please Please” lyrics. “No pun intended. I don’t think I ever doubted it.”

Now and Glen: Keeping his feet on the ground is firmly in character for Twisters’ star Glen Powell

Following years on the fringes of stardom, Glen Powell has finally become a veritable Hollywood celebrity. After appearing in Oscar-winning (for Best Sound) Top Gun: Maverick (2022) and garnering attention for his part as Ben in the sleeper hit Anyone but You (2023), the 35-year-old actor has moved swiftly from a lesser-known treasure to one of the industry’s favourite leading men.

Born in Austin, Texas, into a close-knit family, Powell and his two sisters were raised to have a strong work ethic and a sense of ambition. His paternal ancestors were Lipka Tatars – a Turkic ethnic group which settled in Lithuania – adding a unique layer to the actor’s identity.

A sporty child, he attended Westwood High School, where he played both football and lacrosse. After graduating, he enrolled at the University of Texas at Austin, majoring in communication, but left before completing his degree to pursue acting full-time. As a mark of his determined and responsible nature, he is still intent on finishing his tertiary studies, setting next year as his deadline. With film roles now flooding in, it’s one commitment he may not be able to meet.

Lost Star

Powell’s foray into acting began in his mid-teens, with a role in Spy Kids 3-D: Game Over (2003), where he shared the screen with legends like Antonio Banderas and Sylvester Stallone. His Hollywood journey began after appearing in The Great Debaters (2007), directed by Denzel Washington when he caught the eye of agent Ed Limato. He was encouraged to relocate to Los Angeles, but it was no easy transition. He faced numerous rejections and struggled to find consistent work, auditioning unsuccessfully for roles in Friday Night Lights (despite being from Texas and a high-school football player), Cowboys & Aliens, and more.

“I was having a really hard time,” admits Powell, while promoting this year’s star turn in Twisters. “It’s just a miracle. Any time you can pay the bills and survive on acting, it’s a miracle.”

Becoming Indispensable

The struggling actor’s fortunes turned in the mid-2010s and he started to land larger roles. He played a hacker in The Expendables 3 (2014), which reunited him with Stallone and Banderas. It was a crucial experience as Powell sought guidance from Stallone on navigating Hollywood.

Two years later, he starred in Richard Linklater’s Everybody Wants Some!!, a nostalgic look at college life, and his portrayal of astronaut John Glenn in Hidden Figures further showcased his versatility. His comedic talent shone in films like Set It Up (2018) and the Ryan Murphy horror-comedy TV series Scream Queens (2015).

Sky is the Limit

In 2022, Powell’s career reached new heights with Top Gun: Maverick. Initially auditioning for the key role of Bradley ‘Rooster’ Bradshaw, he was offered the part of hot-headed Jake ‘Hangman’ Seresin instead and it took a call from Maverick himself, Tom Cruise, to persuade him to take it. The film not only became a box-office success but also established Powell as a breakout star. His performance resonated with audiences, cementing his status in the industry.

Following Maverick, he lent his voice to the animated film Apollo 10 1⁄2: A Space Age Childhood and starred in Devotion, a biographical war film that he also produced. Despite mixed reactions to his latter venture, his roles continued to showcase his range and dedication.

Passion Projects

Powell’s recent romantic turn in Anyone but You alongside popular Euphoria and The White Lotus actor Sydney Sweeney generated significant buzz and box-office success. The film’s marketing strategy played on the chemistry between the two stars, leading to speculation about their off-screen relationship.

Many view Powell’s other release last year, Hit Man – which he co-wrote and produced with Linklater – as a defining moment in his career. Revisiting the undercover cop theme but with a twist, the film received critical acclaim. His performance was praised and highlighted his growth as both an actor and a filmmaker.

He says: “I think we were all confident that when a genre is being ignored, it just means you haven’t made a really good one in a while. It doesn’t mean the genre is poisonous. It doesn’t mean that audiences don’t want it.” Are romcoms over? Clearly not. “The genre isn’t dead – you just stopped caring!”

Marvelous Future?

He enjoys DC and Marvel movies but has received no offer to star in one – at least not yet. “You know I’ve never gotten a call from DC or Marvel,” he notes. “But I’m a fan of everything they do.”

Powell has featured in a DC film, however. Way back in 2012, he had a tiny, tragic role in The Dark Knight Rises as a stock dealer who is strangled by Bane (Tom Hardy). He has expressed a desire to portray Batman one day, sharing that he has a “wild take” on the role.

Commenting on his rationale in selecting from the slew of scripts now beckoning, he states: “It’s about choosing where you’re going to make an audience happy and where you’re going to make yourself happy.”

Looking ahead, he will star in the thriller Huntington and the Hulu series Chad Powers, which he co-created. He is also set to headline a new adaptation, directed by Edgar Wright, of the Stephen King dystopian novel The Running Man, which promises to expand an already broad artistic repertoire.

Staying Humble

Powell wisely distances himself from disparaging remarks about his Hollywood contemporaries. An anonymous producer tweeted in late August that Powell is now a movie star “in the sense that audiences go to movies to see him”, then threw some Gosling shade: “Unlike an actor like Ryan Gosling, whose appeal is mostly limited to female audiences, Glen appeals to both females and males.”

Powell’s reaction was on point. “Gosling is a legend. I’m just Glen,” he posted, riffing on the Barbie star’s ‘I’m just Ken’ catchphrase. The answer rapidly gained traction on social media, with 100,000 likes and counting, at time of writing.

Trust Issue

Of Powell’s many positive traits, caring is up there near the top. His films have a level of attention, devotion and effort rarely seen in modern-day Hollywood. And he plans to keep it that way.

“I’m trying to build trust with the audience that I’m going to work my butt off to make sure they’re entertained,” he says. “That way, when they show up and pay their US$15 for a ticket, they’ll at least be able to say, ‘I know that this dude is going to try to deliver quality. He’s going to summon every bit of himself to try to deliver quality.’”

As Glen Powell continues to evolve both personally and professionally, audiences eagerly anticipate what the high-flying star will achieve next.

Magical Johnson: Madame Web’s Dakota Johnson rises above the film hate and those who bring down others in life

Few aspiring Hollywood actors can boast the pedigree of Dakota Johnson. As the daughter of Miami Vice icon Don Johnson and Working Girl Melanie Griffith, and granddaughter of glamorous The Birds star Tippi Hedron, Johnson’s path to fame was paved with both privilege and the challenge of carving out a star in her own right. Remarkable performances, savvy career decisions – for the most part – and a strong sense of social responsibility have seen her deliver beyond the high expectations placed on famous offspring.

Dakota Mayi Johnson, who turns 35 next month, was exposed to the entertainment industry at birth – in Austin, Texas, where her father was shooting a romantic thriller, The Hot Spot. Her childhood was defined by transience, as she accompanied her parents to countless film sets and premières around the world. This unmoored upbringing, as she has described it, instilled the talent of adaptability and a desire to find her own anchor.

Despite her parents’ discouragement, her interest in acting blossomed early on. She began modelling at the age of 12, honing her skills and gaining confidence in the public eye. However, her path was not without obstacles – she was diagnosed with ADHD as a child and struggled with depression in her mid-teens.

Shades of Success

Perhaps inevitably young Dakota’s first film was a family affair as she and her half-sister, Stella Banderas, appeared as the daughters of their real-life mother in Crazy in Alabama (1999), directed by her stepfather, Antonio Banderas. Her breakthrough, though, came in 2015 when she landed the lead role of Anastasia Steele, opposite Jamie Dornan, in the highly anticipated film adaptations of the Fifty Shades novels. Navigating the complex and controversial nature of the character, she demonstrated a nuanced understanding of the role, earning praise for her performance.

While the Fifty Shades trilogy faced widespread criticism, Johnson’s portrayal of Anastasia was often cited as the standout element. She used the platform to advocate for women’s rights and body positivity, forging her status as a voice for empowerment in the industry.

Roles to Play

Following the exposure of the Fifty Shades films, Johnson’s career took an impressive turn. She showcased her versatility in a range of roles, from the crime drama Black Mass (2015) to the horror film Suspiria (2018) and the coming-of-age story The Peanut Butter Falcon. Her performances draw critical acclaim, solidifying her reputation as a talented and versatile actress. In 2021, she delivered a standout turn in the psychological drama The Lost Daughter, directed by Maggie Gyllenhaal, cementing her status as a dramatic powerhouse.

Alongside her acting career, Johnson has demonstrated a keen entrepreneurial spirit. She co-founded a production company, TeaTime Pictures, with the goal of developing compelling film and television projects. This venture has allowed her to expand her creative horizons and take greater control of her artistic choices.

Additionally, she has advocated for important causes, including collaborating with more than 300 women in Hollywood to establish the Time’s Up initiative against sexual harassment and discrimination in the industry. Her commitment to empowerment and social responsibility has solidified her reputation as a multifaceted and socially conscious artist.

Web Insight

Johnson’s intelligent rise to Hollywood lead player hit a bump this spring when she starred in the superhero film Madame Web. Not only was the movie’s financial reception lacklustre, but it was also lambasted by the media. Characteristically, she speaks candidly about the experience: “It’s like, ‘Dakota Johnson Breaks Her Silence on Madame Web’s Fucking Box Office Failure,’” she told Bustle magazine with a laugh in her first major interview following its debut. “No, I’m not breaking any silence. I’m just talking.”

She didn’t mince words when asked about the “nasty reviews” garnered by the Sony Spider-Man Universe offering. “Unfortunately, I’m not surprised that this has gone down the way it has,” she replied, explaining that often in large studio ventures springing from lucrative intellectual property (Marvel comics in this case) “decisions are being made by committees, and art does not do well when it’s made by committee”.

“Films are made by a filmmaker and a team of artists around them. You cannot make art based on numbers and algorithms. My feeling has been for a long time that audiences are extremely smart, and executives have started to believe that they’re not. Audiences will always be able to sniff out BS. Even if films start to be made with AI, humans aren’t going to want to see those.”

Superhero Ending

The performer added that she is unlikely to get entangled in another Madame Web-esque project: “I had never done anything like it before. I probably will never do anything like it again because I don’t make sense in that world. And I know that now.”

Johnson previously spoke about her complicated relationship with the Fifty Shades trilogy, and she shared similar feelings regarding her latest movie. “Sometimes in this industry, you sign on to something and it’s one thing, and then as you’re making it, it becomes a completely different thing, and you’re like, Wait, what?” she says. “But it was a real learning experience, and of course, it’s not nice to be a part of something that’s ripped to shreds, but I can’t say that I don’t understand.”

She has hinted at behind-the-scenes discord, revealing in one interview that “drastic changes” were made to the script and joking on Saturday Night Live it was “kind of like if AI generated your boyfriend’s perfect movie”. Her costar Sydney Sweeney also participated in the roasting, saying in her SNL episode: “You might have seen me in Anyone but You or Euphoria. You definitely did not see me in Madame Web!”

Positive Trajectory

Despite the web of negativity, Johnson has taken the experience in her stride, using it as a learning opportunity as she continues to navigate her career. Her candid reflections offer a refreshingly honest perspective on the realities of working on a high-profile, studio-driven project.

Dakota Johnson’s journey from the daughter of Hollywood royalty to a breakout star in her own right is a testament to her talent, resilience and unwavering determination. Through her diverse and acclaimed performances, her entrepreneurial ventures and her advocacy work, she has reached a unique and inspiring place in the entertainment industry. Her story serves as a shining example of the power of talent, tenacity and a willingness to challenge the status quo.

Dragon’s Breadth: From the Tardis to the Iron Throne, Matt Smith is an acting ace on fire

Matt Smith has cemented his status as one of the most versatile and captivating actors of his generation. Beginning with his breakthrough role as the Eleventh Doctor in the beloved British sci-fi series Doctor Who, he soon gained plaudits for his portrayal of Prince Philip in Netflix’s The Crown, and now he’s bringing down the house (no potential spoiler intended) as another royal consort, Daemon Targaryen, in the slow-burning HBO blockbuster House of the Dragon.

Smith’s ability to inhabit complex, larger-than-life characters has earned him critical acclaim and a legion of devoted fans. Born in 1982, in Northampton, England, the young Matthew Robert Smith was a passionate athlete, excelling in sports like football and golf; he captained the Leicester City youth team before an injury put paid to his professional soccer dream. He had to be pushed by a teacher to participate in a school drama, but this discovery of the performing arts would ultimately shape the course of his career.

“I was always a bit of a performer as a kid,” he reflects. “I loved being on stage, entertaining people. It just felt natural to me, like it was something I was meant to do.”

Even before completing his Drama and Creative Writing degree at the University of East Anglia, Smith was treading the boards with the National Youth Theatre. More stage roles and a sprinkling of television credits followed, but when he caught the eye of the Doctor Who production team in 2009 and was announced – at just 26 years old and a relative unknown – as the Eleventh Doctor, the startled British entertainment media quipped “Doctor Who?”

Right on Time

Smith’s tenure as the iconic Time Lord (2010-2014) proved pivotal and it was a test he passed with flying colours. Tasked with stepping into the shoes of revered actors like Patrick Troughton, Jon Pertwee and Tom Baker, and more latterly Christopher Eccleston and David Tennant, he brought a unique blend of youthful energy, quirky charm and dramatic depth to the role.

“When I got the call to be the Doctor, I was over the moon,” he recalls. “It was a dream come true, but also a huge responsibility. I knew I had to make the part my own while respecting the legacy of the character.”

His portrayal was widely acclaimed – he even secured the Doctor’s first Bafta TV nomination for Best Actor. Smith quickly became a household name, and his memorable performances and eccentric wardrobe were the stuff of pop-culture legend.

Jewel in The Crown

After leaving Doctor Who in 2013, Smith continued to showcase his versatility, tackling a wide range of roles in film, television and theatre. In 2016-2017, he earned critical praise for his portrayal of Prince Philip, opposite Claire Foy as Queen Elizabeth II, in the first two seasons of The Crown. He captured the complexities of the Royal consort with remarkable depth and nuance, receiving an Emmy nomination and an unexpected response from Philip’s grandson, Prince Harry.

“I met Harry once, at polo, which sounds a bit grand, but it wasn’t that grand,” remarks Smith. “And he walked up to me and went, ‘Granddad’.”

The actor adds: “It was a fascinating challenge to bring such an iconic historical figure to life. I wanted to explore the man behind the public persona, to understand his motivations and the weight of his responsibilities.”

Fire Starter

More recently, Smith has assumed the mantle of a very different prince – Daemon Targaryen in the highly praised and watched Game of Thrones prequel series, House of the Dragon. Channelling his signature blend of charisma and intensity, he has wowed audiences with his dynamic turns as the complex and often-controversial Targaryen prince.

The spin-off was a big gamble, considering the somewhat divisive reaction to Thrones’ series finale. It began promisingly, with many judging its 2022 pilot better than the entirety of GoT Season 8 – in no small part due to Smith’s presence as an arrogant swashbuckler – and has matured in the second season into a satisfying and occasionally terrifying battle of wills between, and within, the Greens and the Blacks.

Woke Bloke

The actor was recently hailed online for gently correcting a red-carpet exchange in which a reporter misgenders his House of the Dragon co-star Emma D’Arcy. During an interview at the Season 2 premiere, he discussed the climactic moment in the first-season finale when Daemon notifies Rhaenyra (D’Arcy) of the loss of her son, Lucerys. Sue Perkins, the host of Sky’s fan programme House of the Dragon: War Room, had earlier spoken to D’Arcy and used the wrong pronoun when telling Smith that “she gave you all the credit” for the scene.

“I can’t take the credit, [but] I have to say, aren’t they brilliant?” he answered smartly, using D’Arcy’s preferred ‘they/them’ pronouns. “They are absolutely brilliant and you’re in for a real treat with Emma this year, I think Emma’s put in … a really great performance.”

Smith has always lauded his co-star, and he recently confessed that part of what made filming Season 2 so tough was that he didn’t get as much on-screen time with D’Arcy. “It was difficult to do it without them because I love them – a person with real depth, sardonic humour and fierce intellect,” he remarked on losing D’Arcy as a scene partner.

Matt the Master

Smith’s ability to immerse himself fully in his characters is the result of meticulous preparation and a deep understanding of the material. “I don’t just memorise the lines and show up on set,” he explains. “I do extensive research, delving into the character’s backstory, their motivations, and the historical context of the story. I want to bring authenticity and depth to every role I take on.”

This dedication to his craft is evident in his performances, as he seamlessly transitions between the ranging emotional beats required of complex characters like the Doctor, Prince Philip and Prince Daemon. As he continues to captivate audiences, it’s clear that he is a master of his craft – a versatile and compelling actor who has left an indelible mark on the entertainment industry.

“Matt is an absolute masterclass in acting,” agrees The Crown creator Peter Morgan. “He has the rare ability to convey the full spectrum of human emotion, from the light-hearted and playful to the deeply haunting and introspective.”

Ways of Hathaway: America’s sweetheart Anne Hathaway has journeyed from girl next door to empowering woman of the world

Anne Hathaway has been a fixture in Hollywood for more than two decades, cementing her status as one of America’s most beloved and talented actresses. With her girl-next-door charm and undeniable acting chops, the ingénue has blossomed into an influential humanitarian and won over audiences worldwide.

Born in Brooklyn, New York in 1982, Hathaway was drawn to the performing arts and appeared in local theatre productions while still at school – her mother, Kate McCauley, was an actress. “I knew from a very early age that this is what I wanted to do with my life,” she reflects. “There was just something about being on stage that felt so natural and exhilarating to me.”

The family moved to New Jersey, where she graduated from Millburn High School and attended Vassar College before transferring to New York University’s Gallatin School of Individualized Study. Her breakout role came in 2001 when she was cast as the clumsy-yet-charming Princess Mia Thermopolis in The Princess Diaries. The movie was a runaway success, and Hathaway’s star began a rapid ascent.

Showing her versatility as an actor, she took on a variety of roles, from ground-breaking romance Brokeback Mountain (2005) and comedy The Devil Wears Prada (2006) to iconic musical Les Misérables (2012), for which she won an Academy Award for Best Supporting Actress.

“As an actor, I’m always looking to push myself and tackle roles that will allow me to grow and explore new emotional terrain,” says Hathaway, who turns 42 in November. “Fantine (a single mother forced into prostitution in Les Misérables) was one of the most demanding and rewarding parts I’ve ever had the privilege of playing.”

Her modus operandi is to immerse herself completely in her roles. For Fantine, she shed 25 pounds and resolved to shave her head after researching that this look was genuine to the historical period. She also insisted on more than 20 takes of her character’s lament, I Dreamed a Dream, despite the fact that director Ang Lee thought she had nailed it on the fourth attempt.

She gets so into the zone when filming that she feels as if she leaves her body: “The truth is that you let go. You black out a little bit. You come up at the end and you’re like, ‘What just happened?’”

Positive Outlook

Hathaway has spoken candidly about her approach to life and happiness. “I think the most important thing is to find what you love and just go for it,” she once said. “Don’t let fear or self-doubt hold you back.”

She also emphasises the importance of self-care and finding balance in life. “It’s so easy to get caught up in the hustle and bustle of this industry, but I’ve learned that it’s crucial to take time for yourself. Whether it’s a yoga session, a long walk, or just a quiet moment of reflection, those moments of self-care are what keep me grounded and happy.”

Hathaway’s commitment to authenticity and willingness to show vulnerability have also been sources of inspiration for her fans. “I’ve had my fair share of ups and downs, and I think it’s important to be honest about that,” she says. Her first husband, Italian property developer Raffaello Follieri, was imprisoned for fraud in 2008. “It’s not always easy, but I believe that by embracing our flaws and our struggles, we can find true happiness and fulfilment.”

She believes she is now less stressed and nicer as a mother to Jonathan, eight, and Jack, four – her sons with actor-producer Adam Shulman whom she married in 2012 – and applies that gentleness to herself: “When I was younger, the way that I knew how to improve was by being hard on myself. There’s a ceiling to that path. I had to relearn what it means to have a drive but to do it in a nurturing way. And that’s when you go, ‘Oh, if there’s a ceiling, I haven’t discovered it yet.’”

A Voice for Good

Off-screen, Hathaway uses her platform to advocate for important causes. She is a long-time supporter of the Nike Foundation’s efforts to empower adolescent girls in developing countries, lending her celebrity to raise awareness and funds for initiatives in education, healthcare and economic opportunities. In addition, she has been a vocal advocate for LGBTQ+ rights and mental health issues, using her social-media platform to speak out against discrimination and destigmatise conversations about mind wellness. She has also participated in fundraisers and public awareness campaigns related to these causes, demonstrating her commitment to using her influence to create positive change.

“I believe that we all have a responsibility to use our voice and platform to make a positive difference,” she remarks. “These are issues that are deeply important to me, and I’m honoured to be able to lend my support.”

Through her philanthropic work and willingness to use her voice for important social issues, Hathaway has consistently shown that she is dedicated to making a meaningful impact beyond her achievements in the entertainment industry. Her determination to do good serves as an inspiring example for her fellow celebrities and the general public alike.

Future Path

From Disney adolescent princess to celestial monarch in Tim Burton’s Alice In Wonderland (2010), Anne Hathaway is a real Hollywood blue blood. Paradoxically, she is the go-to girl next door; intellectual and alluring; and as loved by women as she is cherished by men. She shows no signs of slowing down, continuing to captivate audiences with her work. She earned praise for her role as WeWork founder Adam Neumann’s wife Rebekah in the Apple TV+ miniseries WeCrashed (2022), starred in this year’s Amazon Prime romantic comedy The Idea of You, and will appear opposite Ewan McGregor in the sci-fi movie Flowervale Street next year.

When reflecting on her remarkable career, Hathaway emphasises the importance of staying true to oneself. “The best advice I can give is to find what lights you up and pursue it with passion and authenticity,” she says. “That’s the path to true fulfilment, both professionally and personally.”

Guided by her inspiring talent, unwavering dedication and compassionate spirit, Anne Hathaway’s remarkable journey serves as a testament to the power of following your dreams – and underlines how celebrities can use their platform to make a difference in the world.

Kraven Power: From Bullet Train to Marvel villain and on to Bond? Aaron Taylor-Johnson remains surprisingly grounded

Aaron Taylor-Johnson has captivated audiences worldwide with his versatile acting and magnetic on-screen presence. The British talent, who turns 34 this month, has carved out an impressive career, transitioning seamlessly from independent films to big-budget blockbusters, and industry spies suggest he might take on the biggest action role out there – a certain Bond, James Bond.

Born in 1990 in High Wycombe, England, Taylor-Johnson’s passion for the arts blossomed at a young age. He recalls: “As a kid, I was always putting on little shows and performances for my family. I knew early on that acting was my calling.” His breakthrough role came in 2009 when he starred (under his birth name, Aaron Johnson) in the critically acclaimed film Nowhere Boy, portraying the teenage John Lennon. The performance earned him a trio of British film award nominations and showcased his remarkable talent. “I wanted to do justice to Lennon’s story and capture the complexity of his character,” the actor reflects.

Following this breakout success, he continued to impress, taking on diverse roles that showcased his impressive range. In 2010, he headlined the action-packed Kick-Ass, playing a high-school student who becomes a superhero. “I loved the opportunity to explore the duality of the character – the shy teenager and the fearless masked avenger,” he says.

Taylor-Johnson’s range was further demonstrated in films like Anna Karenina (2012), Godzilla (2014) and Nocturnal Animals (2016), for which he earned critical acclaim and a Golden Globe Best Supporting Actor trophy. “I’m drawn to characters that challenge me and allow me to step outside of my comfort zone,” the actor reveals.

Age is More Than a Number

In life and work, Taylor-Johnson has advanced quickly. In addition to acting from the age of six, he married his Nowhere Boy director Sam Taylor-Wood in 2012 at just 22 and had children at a young age. His wife is 24 years his senior, and the couple adopted a shared surname of Taylor-Johnson.

When he was 13, he starred in the Jackie Chan-Owen Wilson vehicle, Shanghai Knights, and at the youthful age of 15, he dropped out of school. He gained knowledge by working on movie sets instead of attending drama school. “You work with good and bad actors, divas and non-divas. You learn how not to behave. You get skilled at misbehaving,” he claims.

Reflecting on (as it turned out) a well-spent youth, he recalls his travels with his mother to London from their Wycombe home – a 60-mile round trip – to attend countless auditions. “It wasn’t easy. Sometimes I’d audition twice a day five days a week, up and down London. My mum would take me to Amersham.”

Quite the Character

Taylor-Johnson has consistently sought out diverse and challenging roles, a strategy that has played a pivotal role in shaping his versatile on-screen persona. “I’m not interested in playing the same type of character over and over again,” he has said. “I want to constantly challenge myself and explore new avenues of storytelling.”

Each performance has showcased his remarkable ability to inhabit vastly different characters and bring them to life with authenticity and depth. “As an actor, I’m constantly searching for roles that will push me to grow and expand my abilities,” he explains. “I’m not afraid to take risks or step outside of my comfort zone if it means I can deliver a powerful and memorable performance.”

This dedication to exploring new creative horizons has earned the actor critical acclaim and a reputation as one of the most versatile performers of his generation. “I’m driven by a desire to tell stories that matter, to create characters that resonate with people on an emotional level,” he shares. “That’s what keeps me motivated and excited about my craft.”

2024, Beyond and Bond?

Fast-forward to 2024, and Taylor-Johnson still seems to be moving at a faster pace than many of his peers. He will appear in Robert Eggers’ remake of the 1922 F.W. Murnau silent horror masterpiece Nosferatu with Bill Skarsgård, who plays the titular vampire. On the horizon too is the lead role in the Marvel superhero instalment Kraven the Hunter. Next year there will be Fuze, a heist thriller from Hell or High Water director David Mackenzie, and 28 Years Later, Danny Boyle’s post-apocalyptic sequel.

More flamboyant, mainstream roles have been inserted in between. He recently starred in David Leitch’s charming action film The Fall Guy, portraying an arrogant A-lister whose stuntman happens to be Ryan Gosling. Huge action scenes abound in the movie, which is basically Barbie’s Ken amplified to the maximum.

At time of writing, Taylor-Johnson neither confirms nor denies the Bond rumour. “I don’t feel like I need to have a future drawn out for me,” he says. “It’s the best when you sometimes lose all inhibitions completely, and you feel like you’re dangling there, and the director has sort of got one finger on the back of your shirt, so you don’t fall. It’s all about chasing that feeling. There’s nothing so exhilarating as that.”

This analogy is nearly exactly in line with the vibrancy and physical elegance that define his on-screen persona. Whether he’s fighting Brad Pitt on a Bullet Train or tearing through the African savannah with a knife in the Kraven the Hunter trailer, Taylor-Johnson has shown that he is an incredibly physical actor for whom the tough demands of the part are intrinsic to the character’s transformation. He explains: “I grew up dancing; I work with movement coaches.”

As Taylor-Johnson continues to impress audiences and critics alike with his diverse filmography, it is clear that his impact on the industry will be felt for years to come. By challenging preconceptions and demonstrating the power of versatility and emotional depth, the actor has set a new standard for what it means to be a celebrity.

Wondering what’s next for Hollywood’s most grounded new leading man has occupied many column inches in the entertainment media. Will he really step into Daniel Craig’s shoes? Well, it’s certainly no time for dreams to die.

Set in Stone: Double Oscar winner Emma Stone’s bold acting choices have enriched our viewing experience

Emma Stone has been a favourite in Hollywood for more than 10 years, enthralling with her girl-next-door charm, comedic timing and amazing range. Her audacious approach to the lead in Poor Things, the Frankenstein-like tale of a Victorian-era woman who commits suicide and is resurrected with the brain of her unborn child, paid off. It earned her a second Academy Award for Best Actress, placing her on par with film industry icons such as Meryl Streep, Jodie Foster and Elizabeth Taylor.

“It’s not about me. It’s about a team that came together to make something greater than the sum of its parts,” she declared as she accepted the statuette. “And that is the best part about making movies, it’s all of us together.”

It was a deserved win, with Stone dominating the Yorgos Lanthimos film as the unconventional Bella Baxter, who embarks on a daring and liberating voyage of self-discovery. “Bella falls in love with life itself, rather than a person. She accepts the good and the bad in equal measure, and that really made me look at life differently,” she noted at the Golden Globes ceremony in January.

Once upon a tone

Emily Jean Stone was born in Scottsdale, Arizona on 6 November 1988 and began acting at an early age, participating in youth theatre. She was home-schooled for a spell and then dropped out before finishing high school, moving to Los Angeles in order to follow her passion. Her breakthrough performance was in the teen comedy, Superbad, in 2007, where her natural humour and likeability were evident. Parts in movies such as Easy A (2010), The Help and Crazy, Stupid, Love (both in 2011) solidified her position as a rising star.

Stone’s first Oscar came in 2017 for her turn as struggling actress Mia in the dreamy musical romance La La Land, Damien Chazelle’s ode to Hollywood’s Golden Age. The dazzling musical showcased her versatility as both a powerhouse singer and a nuanced dramatic performer.

“My mom would play Les Misérables in our house when I was growing up,” she recalls. “She told me the story and then I saw it on stage when I was eight, and it was transformative for me. I loved it. After that, singing became a medium of expressing feelings that was so much bigger than just saying it.”

As she reiterates in many interviews, however, dancing used to be her favourite art form. She took dance lessons for 10 years, mostly tap classes, but was not as technically proficient as other budding young dancers. She eventually realised that acting spoke to her in a different way.

“I think I connected with acting I was more able to bring to life what I wanted to,” she says. “Performing helped me as a kid to channel my energy somewhere else, to put it out instead of turning it inward. Acting is therapy, especially as a kid. It was nice to have an outlet like that when I was really struggling with panic attacks. Being on stage early on made me less afraid to try things that are challenging and scary.”

Odd is good

With Stone’s glittering ascent showing no signs of slowing, she likes to express her opinion on odd topics as many people do, proving that being a superstar does not make one ‘special’.

“When I was younger, I had a soft spot for anything spooky and I would go to visit cemeteries,” she shares. “I’m still interested in that stuff, but not in a negative way. Once you understand that your time is limited, you live with a lot more awareness. Why should I worry about everything else? The actual reality is death. And I think there’s something strangely comforting about that.”

Her real life is as colourful as her reel life. Having previously dated actors Kieran Culkin and Andrew Garfield, she tied the knot with writer-director Dave McCary in 2020, and the couple welcomed daughter Louise Jean in 2021. They live in Austin, Texas, where she can go out, see friends and lead a normal life, or at least, a more normal life than she would have in Hollywood. She and Jennifer Lawrence are close: “We go on trips together, we hang out at each other’s houses in New York and watch [fantasy comedy film] Hocus Pocus.”

Although Stone is known as a redhead, her natural hair colour is blonde. She dyed it red on the advice of Superbad director Judd Apatow and the colour has remained almost ever since.

Ready, set, go!

Off the sound stage, she served as producer on Poor Things and executive producer of the 2023 black comedy-horror TV series The Curse, in which she stars alongside creator-writers Nathan Fielder and Benny Safdie. Through their production company, Fruit Tree, Stone and McCary also guided the comedy film A Real Pain to life; written, directed and starring Jesse Eisenberg, it premiered at the Sundance Film Festival in January. Numbering among Fruit Tree’s credits as well is Problemista (2023), the brainchild of writer and comedian Julio Torres, who created two of Stone’s best-ever Saturday Night Live skits, Wells for Boys and The Actress.

Stone’s talent and diverse roles have earned her a substantial fortune, with her current net worth reportedly estimated at about US$40 million (HK$313 million). She’s also a dedicated philanthropist, supporting causes such as cancer research and Stand Up to Cancer – her mother is a cancer survivor.

“I learn from my mistakes … I never feel like I am doing it all right all the time. But that’s okay. Being human is okay. That’s a hard lesson if you are a sensitive person; when you care about people and you don’t want to hurt anybody, you don’t want to f*** up. And it’s hard because you will,” she confesses.

This all paints a picture of Emma Stone as a kind of auteur, giving herself and others a platform to experiment with their greatest and most unusual work – work meant to challenge the audience. After two critically acclaimed collaborations with Lanthimos, The Favourite (2018) and Poor Things, she is set to make it a trio with the Greek maestro. Kinds of Kindness debuts at the Cannes Film Festival this month. Bring on more Emma Stone brilliance, we say.

Taylor Making: From the Kissing Booth to Instagram, rising star Taylor Zakhar Perez shouts out for equity

In the vast landscape of Hollywood, certain individuals possess the talent and drive to capture our attention and leave a lasting impact. Taylor Zakhar Perez, a rising star, has emerged as one such individual, captivating audiences with his acting prowess and using his celebrity platform to advocate for social causes close to his heart.

Born on Christmas Eve 1991, in South Chicago Heights, Illinois, into a family of Mexican, Middle Eastern and Eastern European ancestry, Taylor discovered his passion for the performing arts at a young age. Raised in a supportive environment that nurtured his creativity, he participated in school plays and local theatre productions. After completing high school, where he excelled at swimming, the budding thespian pursued his dreams and enrolled at the American Musical and Dramatic Academy in Los Angeles, where he honed his acting skills and laid the foundation for his future career.

Kissing Tell

“Failure wasn’t an option,” says Zakhar Perez today of his decade-plus journey through Hollywood. Now 31, the actor moved away from his seven siblings in the Midwest to attend UCLA – in part so he could moonlight as an assistant at creative agency Art Department, where his uncle worked at the time. That was in addition to a few other gigs and, of course, attending class.

“I was working three or four jobs at one time: school, Art Department, production assisting, acting classes, and I was also a cater-waiter,” he says. “I didn’t move to Hollywood to not do what I wanted to do.”

It was in the second part of Netflix’s high-school romantic comedy series The Kissing Booth that Zakhar Perez made his big screen debut as Marco Peña, the dreamy, muscular and gifted “snack” that Elle (Joey King) calls him. Fans of the first film had launched co-stars King and Jacob Elordi into superstardom seemingly overnight, and Zakhar Perez received similar treatment. Within hours of The Kissing Booth 2’s release in 2020, he had more than four million Instagram followers. He was blown away by the response.

“I think my Instagram glitched, and my DMs [direct messages] still don’t work!” he exclaimed shortly after, highlighting the seeming absurdity of his instant appeal. “I try to delete them, I’ve talked to Instagram like, ‘Hey, I think these DMs are breaking my phone. It just glitches all the time.’ And they’ve tried to do it, but they still come in hot.”

His charismatic portrayal of the charming and confident Marco garnered critical acclaim and quickly endeared him to audiences worldwide. The following year he reprised his role in The Kissing Booth 3, solidifying his status as a rising star in the industry.

Honour Colour

Zakhar Perez is not only known for his talent but also for his unwavering support for the LGBTQ+ community. Since entering show business, he has expressed his commitment to creating an inclusive and accepting society. “Love knows no boundaries, and it’s high time we embrace and celebrate the diversity within the LGBTQ+ community,” he notes. “Acceptance is the first step towards building a society where everyone feels seen, heard and loved.”

As a vocal and highly visible advocate for LGBTQ+ rights, he has actively participated in events and initiatives that promote equality and understanding. He says: “As an actor, I believe it’s crucial to use my platform to amplify voices that are often marginalised. Supporting the LGBTQ+ community is not only a moral obligation, but it’s also about creating a more compassionate and inclusive world.”

In addition to his support for the LGBTQ+ community, Zakhar Perez is a champion of mental health awareness. Recognising the importance of destigmatising mental health struggles, he has openly discussed his own experiences and encouraged open conversations about mental well- being. His dedication to raising awareness and promoting self-care serves as an inspiration to many.

Movies and Movements

Zakhar Perez is always moving forward. Having two successful films in quick succession under his belt, he was keen to take riskier steps in his career and continue to develop as an artist. “I’m inspired to lead more, inspired to throw myself in with talented people who are better than me. I just wanna learn it all,” he said at the time.

His guest role as a firefighter and potential raunchy cover star in HBO Max’s female-driven, female-created show Minx (2022) allowed him to do just that. The unconventional rom-com was greatly altered by this series set in the 1970s about the launch of an erotic magazine for women.

Zakhar Perez was thrilled to work with comedy great Jake Johnson of New Girl fame, who played one of the show’s leads.

His most recent film role sees him playing the co-lead. In the Amazon romantic comedy Red, White and Royal Blue, he is the gay son of the US president who falls for a prince of England – another character that casts him in a different light to his legion of adoring fans.

For him, life lessons aren’t limited to the big screen and cameras. He actively seeks to use his stardom to inform people about critical subjects, particularly in this era of performative ‘repost culture’. He has personally and consciously explored the topic of environmental challenges on his Instagram.

“I really like digging my heels into one social issue and being like, ‘This is what I know. This is what I’m learning,’” he says. “And maybe the people that follow me will have read everything along the way and understood it.”

And he’s all about practising what he preaches. “I’m trying to figure out composting. I’m trying to figure out a garden and chickens,” he laughs. “I’ll be that crazy chicken dad!”

Zakhar Perez’s background, career and advocacy works reflect his multifaceted, multicultural nature as an actor and individual. Through his talent, authenticity and dedication, he has positioned himself as a role model for future generations of actors and as a rising star with a passion for making a difference in the world. As his journey continues, audiences can anticipate witnessing his growth and impact both on and off the screen.

However, he may need a chicken-sitter when he’s away on long shoots, which is what he plans to do, keeping an open mind to wherever his next move will take him.

Yes, She Chan! – Gemma Chan’s powerful performances and outspoken advocacy have shattered barriers and opened doors for under

Gemma Chan’s high cheekbones, bright eyes and full lips characterise a face that is symmetrical to the point where it seems statistically improbable. This may be the reason behind her frequent casting in superpowered or non-human roles, such as the selfless android, Mia, in the British TV series Humans, space sniper Minn-Erva in Captain Marvel, and immortal alien Sersi in Eternals. But though her striking face will have helped her acting career, it is really just a superficial footnote to a person who runs truly deep.

Long before Hollywood came calling with a part in Crazy Rich Asians, Chan nearly took a different professional path. She declined a job offer from a prestigious London legal firm after earning her law degree at Oxford University in 2004. Rather, she enrolled at the esteemed acting school Drama Centre London. Two decades on, the British-Chinese actor has reached a comfortable level of celebrity status, capturing the hearts of audiences worldwide with her talent and unwavering commitment to breaking barriers in the entertainment industry.

Not So Crazy Rich

From humble beginnings to trailblazer, Gemma Chan’s life story is one of perseverance, resilience and a relentless pursuit of empowering others. She has openly acknowledged that her parents – hardworking Chinese immigrants from Hong Kong (father) and mainland China originally (mother) – overcame great adversity to earn degrees in engineering and pharmacy respectively.

Now aged 41, she was born in London and raised in a tight-knit Chinese family who had made Scotland their home. Her parents instilled in her the values of hard work, education and cultural heritage. Her father had survived two years of homelessness when their one-room flat in Hong Kong burned down and put his five siblings through school by working on oil tankers – which is why he considered Gemma’s artistic dreams not at all practical.

Some of her many early jobs include stocking shelves at the UK chemist chain, Boots, manning a shopping centre perfume counter and working as a lifeguard – all unimaginably far from the glamorous lifestyle she is now experiencing.

Diversity in Hollywood

But her breakthrough via the role of Astrid Leong-Teo, a strong, independent woman and a famous actress, in the surprise hit Crazy Rich Asians (2018) proved her father’s view wrong. The film not only became a global phenomenon but also marked a significant milestone for Asian representation in Tinseltown.

In various interviews, Chan has emphasised the importance of diversity in the film industry. She believes in the power of representation and the positive impact it can have on audiences. She says: “When people see themselves on screen, it validates their existence, their experiences, and it tells them that their stories matter.”

Playing celebrated social climber Bess of Hardwick in Mary Queen of Scots (also 2018) was another step toward prominence, and it was swiftly followed by her strong entry into the Marvel universe. Chan has a platform now that she is well-known in the media, and she is using it to every minority’s benefit.

She has been spotted on the red carpet, sporting clothing from Asian designers including Jason Wu, Prabal Gurung, Kenzo, Altuzarra and Adeam. “I was just so moved,” she says.

Power to the Women

Beyond her on-screen presence, Chan has been a vocal advocate for women’s rights and combating gender stereotypes. Spotlighting the need for more complex and diverse female characters, she says: “It’s important to tell stories about women, showing them as fully realised human beings with desires, flaws and dreams.”

She did just that in Captain Marvel, supporting the first standalone female title character (played by Brie Larson) in the Marvel universe in the first Marvel film directed by a woman. Chan also expresses her admiration for Gurung who has been “putting plus-size and transgender models on the runway”. She adds: “I love opening up a magazine and seeing a whole mixture of body types … grey hair, dark skin, wrinkles – we are saying that we find these things beautiful.”

Chan’s passion for empowering women extends beyond her acting career. She has been involved with various organisations, including the Time’s Up movement, to call out sexual harassment, address inequality and promote gender parity in the entertainment industry and beyond. Her advocacy work amplifies marginalised voices and challenges societal norms.

She supports Time’s Up Justice and Equality Fund, the British counterpart of the Legal Defense Fund that assists people challenging workplace sexual harassment and an unequal status quo. Additionally, she collaborated with fellow actor Ruth Wilson and the British Film Institute to conduct educational sessions with more than 400 drama school students on how to spot various forms of power abuse, comprehend nudity clauses, and safeguard oneself from compromising audition scenarios.

“What’s going to be expected of you if you have to do a sex scene? What if you get asked to do something you’re not comfortable with? How can you say no?” asks Chan. “These are things they don’t teach you in drama school.”

To Be Continued

Despite her rising fame, Gemma Chan remains grounded and acknowledges the challenges she has faced. She emphasises the importance of staying true to oneself, stating, “It’s really important to find your own voice and your own path, and to not be afraid of speaking out and saying no.”

With all this activity in her life, from superhuman roles to battling for better industry standards, what could be next on her agenda? She expresses a desire to create more opportunities for underrepresented voices, saying: “I want to be part of making those stories visible, and hopefully, that will inspire someone else to tell their story.”