The Great Fashion Shift: The CFDA Fashion Awards champions inclusivity while pinpointing designers’ power to shape society

Fashion is more than just fabric and style; it is a form of expression and an industry that constantly evolves. Each year, the CFDA Fashion Awards celebrates the pinnacle of creativity, innovation and talent in the American fashion world. It not only recognises outstanding achievements but also serves as a platform to highlight the importance of fashion and its transformative power.

“Fashion, like all creative acts, is a sign of culture, which is to say, a sign of life,” said actress Anne Hathaway, as she hosted the glittering 2023 awards presentation in New York last month. “The ability to express nuance with fabric is a gift you all possess which I value so deeply, and the ability to do so six times a year without repeating yourself and missing a beat? I’m in awe. Fashion is a dream we can all live in.”

The CFDA Fashion Awards honours creators in a wide range of categories, including Womenswear, Menswear, Accessories, Emerging Talent and Lifetime Achievement. The event has emerged as a definitive moment in the fashion calendar, where the crème de la crème of the US industry gathers to celebrate talent and ingenuity.

It was established in 1981 by the Council of Fashion Designers of America (CFDA), a non-profit trade association of more than 450 prominent American designers of jewellery, accessories, womenswear and menswear, whose main mission is to increase the influence of American fashion in the world economy. Annual nominees, honourees and winners are determined by the CFDA Awards Guild, which is comprised of CFDA members, leading fashion journalists, stylists and top retail executives.

Designer Diversity

Dubbed the ‘Oscars of the Fashion World’ due to their celebrity and model influence, this year’s gala celebrated and questioned the very definition of what it meant to be a designer, as well as the power of immigrants, women’s rights and diversity on an evening where more designers of colour were nominated for awards than could have ever happened before. It also marked the passing of the CFDA torch from Tom Ford to another Tom – Thom Browne.

“As we approached this evening, we carefully thought about the appropriateness of having a fashion celebration at a time like this, but tonight is about so much more than celebrating individuals, it’s about coming together as a collective to champion creativity, diversity and inclusion within our American industry,” said Browne, who became the Council Chairman in January 2023.

The venue, the American Museum of Natural History, served as more than just a famous site. It contextualised the event further as the CDFA marked the history of US fashion with not one, but two unique tributes: venerated models Pat Cleveland and Bethann Hardison and designer Stephen Burrows honoured the 50th anniversary of the Battle of Versailles – the 1973 runway show in Paris that matched hallowed French designers against the then upstart Americans – while singer Mary J. Blige toasted the 50th anniversary of hip-hop by introducing a film by Hype Williams featuring Missy Elliott, LL Cool J and Salt-N-Pepa.

The Winners’ Circle

Tennis star Serena Williams, who became the first athlete to be fêted by the CFDA as she picked up the Fashion Icon Award, recalled her experience with fashion, reimagining traditional tennis outfits with denim skirts, purple tutus and bodysuits and knee-high boots and beads in her hair. “I stand here with you all today, not just as an athlete, but as someone who has personally experienced the extraordinary power of fashion,” she said. “Through fashion, we truly have the opportunity to paint our own tapestry and share our unique perspectives with the world.”

Trumping Joseph Altuzarra of Altuzarra, Christopher John Rogers, Raul Lopez of Luar and Tory Burch for the coveted top prize, Khaite’s Catherine Holstein earned the Womenswear Designer Award for the second consecutive year. As the award was presented, a list of qualities womenswear must possess was rattled off: “A design that fits a variety of body shapes, skin tones, age groups, personality types, seasons, budgets, hopes and dreams, passes 24/7 endurance performance stress tests, it’s aspirational, yet grounded, fully rooted in the myriad responsibilities of a woman’s daily life.”

Among the other winners this year were Willy Chavarria for Menswear, Diotima’s Rachel Scott for Emerging Designer, The Row’s Mary- Kate and Ashley Olsen for Accessory Designer, and Gwyneth Paltrow’s Goop for Innovation. Domenico De Sole, Chairman of Tom Ford International, claimed the Founder’s Award; Maria Cornejo clinched the Geoffrey Beene Lifetime Achievement Award; Mara Hoffman took home the Environmental Sustainability Award; and Alina Cho became the first Asian-American recipient of the Media Award.

Jonathan Anderson of JW Anderson and Loewe, whose halftime-show outfit for Rihanna at this year’s Super Bowl will live long in the memory, was honoured as the International Designer of the Year, while Vera Wang received the Board of Directors’ Tribute, celebrating her work in the bridal fashion. “I hope this adds a much-needed light on the bridal industry for a fashion veteran like myself, who barely made it to the altar at 40 and was probably the woman least likely to get married, let alone devote 30-plus years to creating wedding gowns,” said Wang with a smile.

Fashion Forward and Onward

As presenters and winners subtly addressed global and fashion issues, the tone of the event shifted to one of solemnity. One of the event’s most heart-wrenching moments was during Cornejo’s Lifetime Achievement acceptance speech. “I dedicate this award to peace and the many children that are voiceless, who will not have a lifetime,” said former US First Lady Michelle Obama’s go-to designer whose family fled Chile as political refugees when she was a child.

The 2023 ceremony was certainly far more star-studded than in years past. But despite the glitz and glamour, it was about using this platform to a greater cause and a call for unity. And maybe that was a clue to the import of the event: in a world that is increasingly angry and divided, this was a time for an industry to come together and make peace. But while a show of inclusivity and moving, impactful speeches is important, is it enough?

Anya Taylor-Joy’s stratospheric rise to stardom

Rewind to some 10 years back and Anya Taylor-Joy was just another aspiring actress looking for a big break. Today, though, she’s widely acknowledged as one of the hottest leading ladies in Tinseltown, with an impressive CV that covers everything from horror films (2015’s The Witch, and M Night Shyamalan’s Split a year later), to the eponymous leading role in Jane Austen’s Emma.

More recently, her note-perfect portrayal of troubled chess prodigy Bess Harmon in Netflix’s multi-award-winning The Queen’s Gambit saw her lap up yet more limelight. Offscreen, her undoubted talent has seen her notch up a Golden Globe and a Screen Actors Guild Award, while she has also been nominated for an Emmy. Amid all this, it’s sometimes hard to remember she’s just 26 years old.

It’s also fair to say that her career trajectory continues to be stratospheric. She did, after all, kickoff 2022 with the release of The Northman, a hugely multiplex-friendly Viking epic starring Alexander Skarsgard and Nicole Kidman. Then, just last month, she could be found heading up Amsterdam, a period comedy thriller that saw her sharing the top billing with such Hollywood luminaries as Christian Bale, Margot Robbie and John David Washington.

This month, her busy year continues with the release of The Menu, a black comedy featuring such renowned knockabout A-listers as Ralph Fiennes and Nicholas Hoult. It seems like her name is getting better known by the minute, however, there’s probably still quite a lot you don’t actually know about Ms. Taylor-Joy.

Citizen of the World

Anya-Josephine Marie Taylor-Joy, to give her full name, has something of a multicultural background. Her father, retired banker Dennis Alan Taylor, is Argentinean of English / Scottish descent, while her psychologist mother, Jennifer Marina Joy was born in Zambia but has both English and Spanish heritage. For her part, Anya, the couple’s youngest child, was born in Miami on 16 April 1996. It was not, however, her home for long.

Globetrotting Childhood

Although this undoubtedly glamorous leading lady may be a US citizen, she actually spent many of her early years in Buenos Aires, with her family having decamped there soon after her birth. As a result, Taylor-Joy’s first language is actually Spanish. After six years, much to her apparent dismay, her parents then decided to relocate to London – a move she objected to so strongly that refused to learn English for two years in the hope this would ensure her swift return to Argentina. It didn’t.

School Struggles

Her unhappiness was compounded by the vicious bullying she was subject to by her British classmates (she attended the prestigious Kensington-based prep school Hill House, the alma mater of such luminaries as songstress Lily Allen and newlycrowned King Charles III).

Recalling this turbulent time, she says: “Argentina was all green and I had horses and animals everywhere. Then, all of a sudden, I was in a big city and couldn’t speak the language. I didn’t really feel like I fitted in anywhere. I was too English to be Argentine, too Argentine to be English and too American to be anything.

“The other kids just didn’t understand me in any shape or form. I used to get locked in lockers. I spent a lot of time in school crying in bathrooms. When I was 16, I then dropped out to pursue acting.”

Road to Stardom

Although acting was undeniably her passion, she initially began work in the fashion industry after her potential as a model quickly became apparent. As fate would have it, one of her first shoots took place on the set of Downton Abbey, the award-winning UK period soap opera. Here a chance encounter with actor Allen Leech (more popularly known as “Tom Branson”, the show’s Irish chauffeur) led him to introduce her to his agent.

Recalling this particularly lucky break, she says: “I’m still so amazed he did that as he had no reason to and there was no benefit for him. Cat, the agent in question, said that he really pushed me and kept asking her if she’d contacted me, telling her: ‘You really need to call this girl!’” 

Unbeknownst to all concerned, this kindhearted gesture would transform Taylor-Joy’s life. The apparently reluctant agent went on to send her script for The Witch, the 2015 award-winning horror movie that saw her make her big-screen debut.

Seminal Year

In 2019, when many of her peers were just really setting out on their careers, Taylor-Joy was already starting to gravitate towards the big league.

Indeed, it was over these 12 months that she undertook three gruelling back-to-back projects – director Autumn de Wilde’s 2020 interpretation of Jane Austen’s Emma, horror film Last Night in Soho and The Queen’s Gambit ¬– with just a day’s break between each. Recalling this exhausting period, she says: “While I survived on Diet Coke, cigarettes and coffee, by the end of it, I was like: ‘I need to eat a vegetable.’”

Golden Globe Gaffe

The immense success of The Queen’s Gambit saw Taylor-Joy lauded by critics and the general public alike. Among the many accolades she received for her portrayal of chess prodigy Beth Harmon, was the Golden Globe for Best Actress in a Limited Series or TV Movie. Given her Argentinean heritage, this technically made her the first Latina star to win the award.

When certain New York-headquartered magazine dubbed her “the first woman of colour to win the category since Queen Latifah in 2008 and only the fifth woman of colour to win overall since 1982, when the category was introduced,” the article went viral and the internet exploded at this apparent racial misrepresentation. Soon thereafter, the publication removed the offending sentence and publicly acknowledged the actress as a “white Latina”.

What’s Next
At present, the actress shows no signs that she’s likely to slow down any time soon. She’s already been signed up to voice Princess Peach in the upcoming The Super Mario Bros Movie, while she is also wrapping production on Furiosa, the prequel to post-apocalyptic cult classic Mad Max: Fury Road, which sees her take over from Charlize Theron as a younger take on the title character.

 

(Text: Tenzing Thondup)

Cartier shines bright at the annual Emmy Awards

Any awards show is an occasion to dress your best and show off your bling. Cartier was on hand to help some TV personalities shine just a little bit brighter at the 69th Annual Emmy Awards.

Alexander Skarsgård, who won Outstanding Supporting Actor in a Limited Series or Movie for his role in Big Little Lies, was spotted with a vintage 1929 platinum and diamond brooch. His co-star Laura Dern picked up her Outstanding Supporting Actress award wearing a Panthère de Cartier ring studded with tsavorite garnets and onyx.

Other big names also showed their support for the jewellery house. White Collar star Matt Bomer was spotted with a diamond-accented 18-carat white gold Ballon Bleu de Cartier watch and Cartier Picot décor cufflinks.

Comedienne Tina Fey was decked out in Cartier High Jewellery diamond earrings, a Maillon Panthère bracelet and a sapphire and diamond topped platinum ring.

It was definitely a star-studded event where the stars shone bright and the jewels shone even brighter!

Trendsetters, celebrities flock to Pentahotel’s pool party

Trendsetters and celebrities alike flocked to Pentahotel in Kowloon for a poolside party in honour of the hotel chain’s new season of events across Asia.

Pentahotel is the first international brand hotel located in the famous Kai Tak district.

Managing Director of Pentahotel Alastair Thomann said: “The Kai Tak district in Kowloon East is fast becoming a destination of choice for young locals and travellers in Hong Kong, with more and more large-scale events drawing attention to this vibrant neighbourhood.

“This is why Pentahotel Hong Kong, Kowloon, was the ideal choice for us to kick-off this exciting series of events.”

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