Wanderer at Heart: What you don’t know about the Oscar-winning actress Frances McDormand

Frances McDormand is that mythical creature in Tinseltown, a thespian who – despite her advancing years (she turns 64 this month) – has managed to not only stay relevant to audiences the world over, but also regularly out-perform actresses of all ages. Proof positive of this staying power can be found with even the briefest perusal of her laundry list of awards. She clinched her first Best Actress Academy Award in 1997 for her starring role in the black comedy, Fargo, while just this year, she nabbed yet another Oscar, a Golden Globe, a British Film Academy Award and a Screen Actors Guild win for her widely acclaimed performance in Nomadland.

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Yet, despite having lived in the media limelight for nigh on a quarter of a century, the Illinois-born star’s penchant for evading almost all discussion of her personal life means that little is known about her aside from her onscreen performances. Over the years, though, the enigmatic actress has let a few interesting gems drop…

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Her First Name
Frances McDormand was actually born on 23 June 1957 as Cynthia Ann Smith in Gibson City, Illinois. It wasn’t until she was adopted at the age of one by pastor Vernon McDormand and his wife, Noreen, that she acquired the name that would emblazon billboards promoting some 40 films since 1984. To date, she still doesn’t know who her birth parents are. She was given the opportunity to meet her real mother as a teenager, but turned it down, though she harbours suspicions that Smith Sr. may have been one of her father’s parishioners.

Bible Belt Travels
Since her adoptive father’s responsibilities as a minister of the Disciples of Christ church included revitalising flagging congregations across the United States, much of Frances’s childhood was spent relocating to various Bible Belt communities. In addition to his religious duties, Vernon and his wife also found time to take in nine children over the years, meaning that the actress grew up in a large family.

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Freedom Through Expression
As the adopted daughter of a minister, she was required to behave with a certain amount of respectability and restraint. So, when her English teacher suggested the teenager take on the role of Lady Macbeth for a workshop, she leapt at the chance to leave propriety at the door. Speaking of this formative experience, she recalls: “That was the hook. It was the power of being a really shy, slightly suspect seventh-grader who could stand in front of a group of people and keep their attention.” Thus, the seeds of her acting career were sown.

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Anti-Embellishment
In an industry where cosmetic surgery and impossible beauty standards reign, Frances McDormand is an unabashedly non-compliant standout. Not only does she frown upon award shows – she’s known to be highly sceptical of any ceremony where actors are dressed up like dolls – she also forgoes make-up and jewellery, preferring instead to display a bare-faced charisma. Borrowed haute couture is yet another facet of red-carpet life that she shuns, having worn her own denim jacket to one such glamorous event.

Brothers Plus One
The long-standing leading lady has been married to Joel Coen – half of the smash directorial duo, the Coen brothers – since 1984. In fact, the couple met when she auditioned for a role in their directorial debut, Blood Simple. Twelve years later, another collaboration between the trio, Fargo, would garner McDormand her first slew of critical awards, finally and permanently catapulting her into the big leagues. Speaking of their happy meeting, she divulged: “It was a revelation that I could have a lover who I could also work with and I wasn’t intimidated by. I thought ‘Oh, my God! I can actually love and live – not subvert anything, not apologise for anything, not hide anything!’”

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A Mother’s Love
Though the couple don’t have biological children, they adopted a son, Pedro McDormand Coen, in Paraguay when he was just six months old. “As a mother, you live on the edge of disaster; you just do,” she has said. “I didn’t give birth to my son, I met him at six months old, but from the minute I held him and smelled him, I knew it was my job to keep him alive.” Interestingly, despite having Hollywood hotshots as parents, young Pedro has largely chosen to eschew the entertainment industry, and, instead, is a certified massage therapist and personal trainer.

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And the Awards Go To…
Few actresses have as storied a CV as Frances McDormand. The chameleonic star’s seemingly effortless ability to portray a wide array of characters has garnered her widespread critical acclaim, not to mention a treasure trove of awards. She has won three Academy Awards and two Golden Globes for big-screen performances such as Fargo, Three Billboards Outside Ebbing, Missouri and the recent Nomadland. If that weren’t enough, she also nabbed an Emmy for her role in the 2014 TV miniseries Olive Kitteridge, and garnered a Tony Award for treading the boards in the 2011 play, Good People.

Grand Theft Oscar
Interestingly, the Oscar she won for Three Billboards in 2018 made headlines in its own right when it strayed from McDormand’s possession during the Governor’s Ball after party. A paparazzo at the event, Terry Bryant, posted a Facebook video of himself clutching the golden statuette while gloating, “This is mine!” The award was returned to its rightful owner that evening, and Byrant was arrested for grand theft. He denied the charge and the case was dismissed before it went to trial.

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Bye-bye Acting?
Frances McDormand has never made a secret of her desire to leave Tinseltown and set off in an RV once she reached her sixties. This wish was further inflamed following her performance as Fern, a woman who loses her husband and her home, and journeys across the US picking up seasonal work in Nomadland. “[The movie] tapped into the truth of it,” she explains, “which was that at different points of my life, I’ve said to my husband, ‘I can’t take this anymore, I’m dropping out.’” Thankfully, while she has reportedly invested in a camper van, she hasn’t turned her back on Hollywood just yet, but that time may come sooner than the world expects – and is ready for.

Rose Tinted: Kate Winslet, one of Tinseltown’s all-time greats

With an Academy Award, an Emmy, three BAFTA Awards, four Golden Globes and even a Grammy win under her belt, British actress Kate Winslet is perhaps one of the most prolific and successful actresses of her generation. Known for her down-to-earth demeanour, chameleonic onscreen qualities and ability to portray strong, unusual female characters, she has reigned as one of Tinseltown’s favourite leading ladies for over 25 years. 
 
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But it seems no one is as surprised by the longevity and success of her career than Winslet herself. “I grew up surrounded by people who would go back to their day job between acting roles. My dad, my sister and my uncle would go and work in the sandwich place or the post office, waitressing or babysitting, and that’s what I did for a bit initially. Straight after Heavenly Creatures, I went back to the delicatessen. I was just very lucky that when I was 20, I was cast in Titanic,” she says, adding modestly, “I didn’t have to go back to the deli after Titanic.”

Her relief is well justified considering the rather impoverished circumstances of her upbringing. Born on 5 October, 1975 in the tiny British borough of Reading to Roger John Winslet, a perpetually struggling actor, and Sally Anne, a waitress and nanny, Kate Elizabeth Winslet and her three siblings were brought up on living hand-to-mouth and often relying on free meal benefits and charity to get by. 

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Growing up in a thespian family, it was unsurprising that Winslet was also bitten by the acting bug when just a child. Sadly, her schoolmates and peers were less than kind about her on-stage aspirations. “They called me ‘blubber’, they teased me for wanting to act and locked me in the cupboard and laughed at me,” she recalls, “I wasn’t the prettiest girl, and I was even told that I’d be lucky in my career if I was happy to settle for the fat girl parts. This unkindness made me feel truly horrendous.”

“They called me ‘blubber’, they eased me for wanting to act and locked me in the cupboard and laughed at me”

Thankfully, these early hits to her confidence didn’t deter the actress from pursuing her passions. Throughout her schooling, she took part in stage productions, television shows and even commercials, though she never landed a plum role due to being overweight. It wouldn’t be until 1994 that Winslet made her movie debut in Heavenly Creatures, a New Zealand psychological thriller directed by Lord of the Rings visionary Peter Jackson based on the real-life events of the 1954 Parker-Hulme murder case. 

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Hitherto-unknown to the entertainment industry, her portrayal of teenage murderess Juliet Hume garnered wide critical praise and the film, which was nominated for an Oscar that year, kickstarted the 19-year-old’s career. Merely a year later, she was cast as Marianne Dashwood in the big-screen adaptation of Jane Austen’s Sense and Sensibility alongside fellow British A-listers Tom Wilkinson, Emma Thompson and Hugh Grant, earning her first Academy Award and Golden Globe nominations and taking home her first BAFTA for Best Actress in a Supporting Role. 

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It was in 1997, though, that Winslet’s star power finally shone through. This was the year she was cast as Rose in director James Cameron’s mega blockbuster, Titanic, alongside her now-longtime co-star Leonardo DiCaprio. Although it was a commercial and critical success – breaking all previous box-office records to gross some US$2.195 billion against a budget of US$200 million.

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Post-Titanic, the actress chose to eschew other popular and potentially lucrative projects in favour of smaller indie films with alternative female roles, including the 1998 biopic Hideous KinkyHoly Smoke (1999), and 2000’s period drama Quills. In 2001, her embodiment of writer Iris Murdoch in Iris received even more nominations from a slew of prestigious award bodies. 

Kate Winslet continued her proclivity for offbeat roles in 2004, starring in Eternal Sunshine of the Spotless Mind. Two years later, she became the youngest actress to acquire five Academy Award nominations with the drama, Little Children. Followed by two more light-hearted endeavours, the rom-com The Holiday, and a voice role for animated film, Flushed Away. However, she returned with a vengeance, first co-starring with DiCaprio in Revolutionary Road, a historic drama directed by her then-husband, Sam Mendes. Then playing the challenging role of an illiterate WWII concentration camp guard in The Reader. For these performances, she finally claimed her first two Golden Globes, as well as her only Academy Award to date. 

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Since then, she’s continued her chameleonic tendencies by playing the villain in the hit science fiction Divergent series, as an accused murderess in The Dressmaker, tech giant Steve Jobs’ wife in his eponymous 2016 biopic. Speaking of her relentless drive, she says: “My work ethic is no one is bloody going to do it for you. At the end of the day, if the chips are down and something goes wrong, you should only ever have yourself to blame. So dig deep, get on with it and don’t complain.”

“If the chips are down and something goes wrong, you should only ever have yourself to blame”

Even as the momentum of her onscreen projects presses on relentlessly, outside of the limelight, she still finds time to contribute to various causes. The mother of three is perhaps best known for her commitment to raising awareness about autism through non-profit The Golden Hat Foundation, that she co-founded in 2010 with Margaret Ericsdottir, whom she met while filming A Mother’s Courage: Talking About Autism. She’s also published a book titled The Golden Hat: Talking Back to Autism, and for her collective charitable works, she was honoured with Spain’s Yo Dona Award for Best Humanitarian Work

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Most recently, the multi-talented actress received rave reviews for her portrayal of British palaeontologist Mary Anning in Ammonite, which premiered at the Toronto International Film Festival a few months ago. The controversial film centres around an imagined, passionate romantic relationship between Anning and geologist Charlotte Murchison. Speaking about her decision to accept the role, Winslet says: “We need more films like this so that the world can reach a place that is more equal and compassionate – where LGBTQ relationships are simply normalised and shown without fear or hesitation.” Next, the British actress is set to voice the titular horse in a film adaptation of Black Beauty