July 1997 was the end of an era – 150 years of colonial rule had just ended, the British Hong Kong “dragon and lion” flag was lowered to make way for not one, but two flags under the “one country, two systems” principle to be hoisted over the SAR. Every morning since then, China’s five-starred red flag and Hong Kong’s five-petalled, white bauhinia flower against the red backdrop, fly over the autonomous state.
The British colony-turned-Special Administrative Region of China has never flown an independent flag, but flags have played an integral role in its politics and history. Seven years ahead of the handover, the white bauhinia flower emblem was selected from thousands of submissions to be the centrepiece of the new Hong Kong flag.
The bauhinia – a genus of five-petalled flowering plants – already enjoyed an elevated status in the city, with our very own hybrid cultivar being the official flower since 1965. Named in the early 20th century after Sir Henry Blake, the 1898-1903 botany-loving Governor, it was deemed an apt representation of the place itself – a conglomeration of backgrounds and contrasts.
“The hybrid nature of the plant is seen as symbolic of Hong Kong’s history and how the colony had drawn its strength first from Britain and then China”
Bauhinia blakeana, or Hong Kong orchid tree, is distinguished by intense, pinkish-purple flowers that bloom from November to March. The fragrant, semi-evergreen flowering plant is an ideal streetscaping solution, but in a region which boasts a diverse flora including some 390 native tree species, the elevation to national emblem of a sterile cultivar of non-indigenous parents that propagates only by hand-grafting was met with some puzzlement. In Portraits of Trees of Hong Kong and Southern China, co-author Richard Saunders described this barren badge as an “arguably inauspicious” choice for a “city built on mixed Chinese and British heritage”.
Flag History
The new flag was on the drawing board as early as 1984, when the government called for design concepts that best reflected “the spirit of ‘one country, two systems’”. From among more than 7,000 submissions – many littered with dragons and stars – six sketches were shortlisted by a panel of judges, but they fell short of expectations. Thus, three of the jurists – architect Tao Ho, designer Hon Bing-wah and sculptor Van Lau – were asked to remedy the situation and submit a proposal.
“The stylised flower is asymmetrical, and therefore its form implies movement, alluding to Hong Kong’s democratic energy and economic vitality”
They put their heads together to envision an abstract design of white bauhinia petals in a clockwise motion on a red background, and it received the resounding approval of China’s National People’s Congress in 1990. Unlike the static symbol of the Urban Council, the post-handover emblem was admired for its lyrical, poetic interpretation of Hong Kong’s native flower.
“We had to avoid certain shapes like the crescent, which could be religiously sensitive,” explained Hon, fittingly a Bronze Bauhinia Star-winning artist. “A triangle enclosing a circle that suggests Lion Rock wasn’t lively enough. A sailboat couldn’t represent the whole of Hong Kong’s diverse communities. A dolphin wasn’t appropriate enough, while a dragon had varied resonances across cultures.”
Settling on the flower as a “neutral” choice, Hon has related that they were “inspired by the auspicious spiral patterns found in Chinese paper-cutting aesthetics” that thus “arranged the bauhinia flower’s five petals like a windmill, incorporating movements to symbolise that Hong Kong is an energetic city that never stops progressing forward.”
Shanghai-born, Harvard-educated Ho, whose legacy also includes the Arts Centre and the panda enclosure at Ocean Park, concurred. He wrote on his website: “The stylised flower is asymmetrical, and therefore its form implies movement, alluding to Hong Kong’s democratic energy and economic vitality. The red background represents China, and the five stars… hint at the integration of the ‘one country, two systems’ policy.” The respected architect passed away two years ago this month at the age of 82.
Also Read: Reclaiming Hong Kong: A history of the changing coastline
Flower Power
Despite the name and appearance, the Hong Kong bauhinia isn’t an orchid, but rather a tree from the legume family, which includes the likes of peas and beans. The undoubtedly pretty petals were accidently discovered in 1880 by French Catholic missionary Jean-Marie Delavay while hiking in Pok Fu Lam. Fascinated by the brilliant magenta of its flowers, Delavay took a cutting and propagated it near Béthanie, then a sanatorium belonging to the French Mission. A few years later, the plant was offered to the Botanical Gardens.
Now abundant, it has been planted extensively throughout the territory since 1914. All Bauhinia blakeana are believed to have hailed from the French missionary’s ancestor tree, and since the Hong Kong orchid tree is sterile (bearing no seeds or fruit), each was cultivated by hand by someone who took the stock of an old tree, stuck it onto another root, and let the descendants grow from there.
Foreign Roots
It’s not just this barren nature that makes the flower seem an unlikely choice as a symbol of Hong Kong; its parents also have no ties to the city. In 2005, Saunders traced the origins of Bauhinia blakeana by comparing its breeding system with those of other bauhinias. He confirmed that the cultivar is the result of hybridisation between two exotic plants: Bauhinia purpurea (the purple bauhinia or camel’s foot), a native of the Indian subcontinent and Myanmar, and Bauhinia variegata (the orchid tree or mountain ebony), found abundantly in China and East Asia.
Though its rise from flower pot to flag pole may have had some detractors, the fact that our bauhinia flourished in Hong Kong from overseas heritage will endear it to many citizens who share a similar origin story. The stylised white five-petal bauhinia flower amid a red field has fluttered in the morning breeze more often of late – in schools as well as government landmarks – flies over the city in a symbolic representation of the region’s ‘one country, two systems’ governing principle.
One person’s trash is another’s treasure. While Saunders and others may have objected to its selection, the Urban Council, which oversaw public services and facilities under British rule, unanimously praised the decision. Indeed, the body had adopted the bauhinia as its logo 25 years previously. The hybrid nature of the plant is seen as symbolic of Hong Kong’s history and how the city had drawn its strength first from Britain and then China.
Also Read: Pulse of the Peak: Chronicling the ascent of Asia’s oldest furnicular
(Text: Nikita Mishra Photos: Hon-Bing-Wah)