Charles Pang on failure, ‘tiger parents’ and educating China

For Charles Pang, Executive Director of the Canadian International School of Beijing, success is more than just academic… 

You grew up in Canada. What do you recall of those years?

I moved to Toronto when I was about five or six and went to boarding school there, which proved to be one of the most wonderful experiences of my life. Some of the people I met during that time became lifelong friends.

What brought you back to Hong Kong?

You could say that I never really came back to Hong Kong. After university, I headed off to join the family education business in Beijing. It was only after I got married that I started to spend more time in Hong Kong, largely because my wife – and then, later, my kids – lived here.

Read: Singer Charlene Chou Xuan on spreading traditional Chinese music to new audiences

Initially, your family was heavily involved in the textile sector, but then switched into education. What triggered such a dramatic change?

Around 1994, my father was part of Team Canada, a business delegation invited to meet Li Peng, then the Chinese Prime Minister. One of the issues discussed was the possibility of exporting the Canadian education system to China. With Li’s blessing, we then launched the Canadian International School of Beijing (CISB), with my father as one of the founders. Today, CISB has more than 30 branches across China, catering mainly to the expat community.

Do you see your schools as having had an impact on China’s education system overall?

Education in China is very much focused on the gao kao, the National Higher Education Entrance Examination, an approach that I find quite one dimensional. Typically, the teacher speaks and the student just listens. In our schools, the teacher is more of a guide, rather than forcing education on students.

We also took a lead in terms of technology. Some 10 years ago, we were the first to bring Smart Boards into the classroom. Now, nearly all of the schools in China have followed our lead.

Over recent years, the education sector has been transformed. What do you see as the most dramatic change?

When we started CISB 16 years ago, education was not at all technology-based and everything was still taught in a traditional fashion. Now, the internet has become an integral part of the educational process.

This is to the extent that we rarely use blackboards or whiteboards anymore, with many schools set to become entirely paperless. Similarly, homework and assessments can now be submitted online, with teachers able to instantly award grades and provide feedback. It also allows parents to go online and check grades in real time.

Moving on, you’ve now ventured into the luggage sector…

Ah, Ventris; it’s an aspirational lifestyle brand. The concept came about two years ago and then a few of us got together and informally launched the brand. Initially, we were just making luggage for family and friends but, after a few people commented on its commercial potential, we decided to get more serious about it. The brand has been under development ever since, with an online launch planned very soon.

The luggage sector is famously competitive – what do you see as Ventris’ USP?

It’s made from carbon-fibre, the same material racing cars are built from. As a result, it’s super-sturdy, yet very light. While we hope it will appeal to those who enjoy a fast-paced, jet-set lifestyle, it’s not going to be mass-produced. It’s a bespoke line for a distinctly niche clientele. We definitely won’t be going up against TUMI, Rimowa or any of the other big brands.

Does that complete your business portfolio or do you have other plans?

Well, I have just opened a restaurant in Causeway Bay – the Phó Metro. We also have a number of new schools opening this year – two in the US and two in Canada. Just as we brought Western education to China, we’re now looking to export Chinese language and culture to North America, with the Chinese Ministry of Education being one of our key backers. It’s also partly about giving the children of Chinese ex-pats the opportunity to learn about their own language and culture.

Read: A guide to gentlemen’s grooming and skincare in Hong Kong 

In terms of teaching your own children, what are the most important values you have sought to instill in them?

For me, it’s important that they grow up well-mannered and considerate. I am actually okay if they don’t turn out to be too academically-inclined. I am a great believer in the importance of kids being kids.

Right now, I see a lot of ‘tiger’ parents in Hong Kong, mums and dads who are constantly pushing their kids to over-achieve at school. Many of them are packing their kids’ after-school hours with endless extra-curricular activities and supplementary tutoring, with their children having little say in it.

I feel most Hong Kong kids don’t really get the freedom to enjoy their childhood. While I was growing up in Canada, we really had the chance to be ourselves and kids need that. They shouldn’t be burdened with their parents own unfulfilled ambitions.

Read: The 300 Most Powerful People in Hong Kong

Overall, then, do you see yourself as a laid-back parent?

No, not laid-back, but I do want my children to realise their full potential in as natural a way as possible. Of course, that doesn’t mean there are no ground rules. While I ensure that homework is done, I don’t force them to do things they don’t like. Inevitably, if you force your children into learning something they have no interest in, they will never excel at it.

Finally, as a successful entrepreneur with several businesses under your belt, what advice would you give to those looking to follow in your footsteps?

As an entrepreneur, you should never be afraid to fail. Not all businesses will succeed, and failure is part of the learning process. On top of that, you need a good business plan, solid finances and a willingness to work very hard indeed. Above all, though, learn from your mistakes and apply that knowledge to your next venture.

 

The full version of this interview appears on Gafencu Magazine’s March 2018 print issue as “Class Act” by Suchetana Mukhopadhyay. You can download the free app for digital editions of the magazine.

The Perfect Fit: Clothier Mark Cho gives us the low-down on classic menswear

Mark Cho is the co-founder of classic menswear store The Armoury and co-owner of British retailer Drake’s. Having worked in commercial real estate in the UK and China for many years, Cho decided to pursue his passion for clothing after helping W.W. Chan & Sons Tailor with their London trunk shows.

Cho gives us the lowdown on the true meaning of classic menswear and the evolution of The Armoury in this exclusive online Q&A following our February 2018 print coverage.

Having cut your teeth in real estate, how did you wind up working in menswear?

I used to work in commercial real estate in the UK and China, and then about seven years ago I decided to pursue my passion for clothing.

I’ve been into classic, tailored clothing ever since I was a teen. The school I attended allowed students to switch from a uniform to a suit at age 16, so with that in mind I started investigating my options. Once I started peeling back the layers, I realised there were all these aesthetic and cultural rules that underscored classic menswear. I was instantly hooked.

What’s the idea behind The Armoury?

The tagline for The Armoury is “international classic artisanal clothiers”. A lot of people don’t realise that aside from the traditional British or Italian aesthetic, many other countries are making great classic clothing. We wanted to show the world that there’s great stuff in Spain, France and Japan as well as what you might expect from the more obvious tailoring regions.

Gafencu's interview with Mark Cho
Your style seems to be the epitome of classic. Do you follow fashion trends at all?

I typically stay within the realm of classic. I don’t buy overly designed clothing–it’s too trend-driven and ‘of the moment’. What I do appreciate about fashion, though, is that it’s a shared experience. It brings a group of people together for the sole reason that everyone is wearing the same thing, and I think that can be beautiful.

How did you come to co-own Drake’s?

I took over Drake’s in 2010. At the time, I had been purchasing ties from Drake’s to sell at The Armoury and W.W. Chan. The owner, Michael Drake, was looking to retire and he had no successor. He was starting to think about selling the company and I happened to be in the right place at the right time.

In my opinion, Drake’s has the finest neckties on the market. I love the aesthetic – it’s British but draws from French and Italian influences when it comes to colour. I grew up in the UK, so naturally I have an affinity for all things British.

You’ve well versed in the history of tailoring in Hong Kong. Is it an industry that can survive here?

 I think there’s a viable future, but it will have to adapt. A lot of Hong Kong tailors have moved their productions to China. Unfortunately, Hong Kong has had a reputation of being a cheap and cheerful tailoring city for far too long, and they didn’t price in what it would take to keep the industry going for successive generations. It’s a real shame because the quality of Hong Kong tailoring is extremely good, and they’re quite cheap for what you get – perhaps too cheap. Many might not be able to afford taking on an apprentice. A lot of the good tailors are heading towards retirement with no guarantee that the next generation will take over.  

Gafencu's interview with Mark Cho

What’s the most valuable item in your closet?

The Armoury collaborated with Tokyo-based clothier Tailor CAID to create a new aesthetic, which doesn’t happen often because tailoring is such a mature thing. We set out to make something original, and what we ended up with was the Model 99 suit, which I actually wore for Gafencu’s photo shoot.

The Model 99 is all about drape, which means that the chest in the jacket doesn’t necessarily touch the body. It harks back to military uniforms and the idea that the chest should be fuller and a little more curved..

It’s probably my most interesting and valuable garment because it’s the summation of my experiences with getting to know a lot of different people over the years and being able to put all those ideas and influences into one garment.

Thank you.

Catch our main interview with Mark Cho in Gafencu magazine’s February 2018 print issue, out now!

Yen Kuok gets candid on fashion and identity (Part II)

In an online exclusive for Gafencu magazine, Robert Kuok’s youngest daughter talks about giving up her Malaysian passport and fashion inspirations. Gafencu sits down for an exclusive interview with the sprightly fashionpreneur.

Yen Kuok at the Gafencu photo shoot last December 2017 at her father’s Island Shangri-La

In part two of our exclusive digital-only edition Q&A with Yen Kuok, we get up close and personal with the founder of second-hand luxury business Guiltless, who considers herself full Hong Kongese. If you missed the first part, read all about it here.

Would you say that the tag of ‘Robert Kuok’s daughter’ has been a heavy presence following you around?

Growing up, it was definitely not something I was proud of. At school I was a good student, so I was picked to join interschool organisations. I remember we would go to meetings and afterwards my driver would come pick me up, but obviously it would be awkward if everyone’s taking the MTR. They’d be like, ‘How are you getting back?’ to which I would say, ‘Oh, I’m walking to the bus stop.’ ‘Which bus stop?’ ‘Oh I don’t remember the name, somewhere down that road’ – I would try to cover it up.

If I had been sent to an international school like my older siblings, I probably would have been very different, but my parents decided to send me to Diocesan Girls’ School – one of the most academically competitive local schools in town. The environment was cutthroat, pushing me to prioritise doing well in my studies. I was much more chilled and less driven before going to DGS as a kid!

Your dad being Malaysian Chinese, would you consider yourself Hong Kongese?

I consider myself one hundred percent Hong Kongese. I gave up my Malaysian passport – I don’t speak the language, don’t have any friends there, rarely go there. I might as well call myself Japanese ‘cause I go to Tokyo more often than KL!

You would never catch me dead in something like Céline or Haider Ackermann, I’m not going for that aesthetic. I have been in this maximalist phase for the past few years versus minimalism.

What do you like to do in your free time?

I had a really horrible break up a year and a half ago, and it wrecked my skin. I’ve gone through really tough periods before, but that was the only time my skin was affected so dramatically by emotional stress. I broke out had rashes everywhere – it was horrible. I didn’t leave the house, I was crying everyday… I finally said, ‘I need to fix my life. Let me start with my skin.’

I began looking into skincare, going deep from ingredients to ‘What is the best kind of exfoliator?’ or ‘What’s the difference between an apricot shell scrub and a walnut shell scrub??’ [Laughs]

When I set my heart on something I go all in, so ever since then I’ve become all my friends’ go-to person whenever they have skin problems or want recommendations. I’m always the first to know about beauty gadgets, home lasers, nano-current devices, LED facial machines… That’s what I do in my free time – I read beauty blogs to research on skincare!

Styling by San Wong; Photography by Neville Lee

 

Let’s talk about fashion, since you’ve taken the deep dive into doing business in the industry ever since. Who are your favourite icons and go-to designers?

You would never catch me dead in something like Céline or Haider Ackermann, I’m not going for that aesthetic. I’m all about Erdem, Nanette Lepore, and of course the Dolce & Gabbanas,  the Cavallis, the Versaces…I have been in this maximalist phase for the past few years versus minimalism.

There’s a fine line between what I mentioned and being overdone or tacky, sure, but I can’t help but be drawn to complexity and pattern. Etro is one example, for the diversity of textures, and then there’s Iris van Herpen who does 3D printing, which is all about the intricacy. Check out some of her runway pieces, they’re really beautiful. I remember she came out with this innovative skeleton dress which visualized the inside of the body outside [Editor’s Note: The piece was later acquired by the Metropolitan Museum of Art].

Iris van Herpen’s plastic skeleton dress represents her feeling of being reborn during a parachuting jump. (Cariole June 2011)

Today it’s women’s fashion, lifestyle goods and gadgets; tomorrow you mentioned wanting to expand into men’s and children’s wear. What’s next – with the recent success of your pop up, do you plan to open a physical shop eventually?

We had never entertained the idea of opening a permanent physical shop because looking at the likes of Net-a-Porter, staying online has been one of the reasons they’ve been able to maintain a successful international business model with an image extending to all corners of the world. Once you have a physical shop, you become localised to a certain place. But this pop-up has been a pleasant surprise, so I wouldn’t completely rule it out, but right now I’d rather focus on online.

Thank you.

Catch our main interview with Yen Kuok on Gafencu magazine’s March 2018 print issue coming out in newsstands on the 1st of March 2018!

 

Interview by: Julienne C. Raboca

Alisan Fine Arts hosts HK’s no.1 nature photographer Stephen King’s first solo exhibition

 

Alisan Fine Arts is currently hosting Stephen King’s first solo photography exhibition, Rhythms in Nature, from 24 January to 2 March 2018. Stephen, a landscape photographer based in Hong Kong, explores the hidden patterns in nature through his photographs. With several published works and awards under his belt, he has been recently ranked # 3 in the world (and #1 in HK) in the World’s Top Ten Landscape Photographers 2017 competition held by One Eyeland. We caught up with the ace photographer at the opening of his exhibition at Alisan Fine Arts.

Your exhibition is named Rhythms in Nature. What is the significance of this name?

Patterns or rhythms in landscapes fascinate me. Sometimes, these patterns are obvious, at other times, hidden. As human beings, we respond emotionally to these patterns and rhythms. We can see these patterns in grand vista-type shots or in intimate shots like grouping of leaves or designs on a rock. These natural rhythms really resonate with me and I hope to convey the same feelings to my viewers.

Alisan Fine Arts

Some of your photographs look like paintings. Are you influenced by Chinese painters and their art?

I do get this a lot. I think it’s because as a painter you can put elements on your canvas exactly as you wish. You don’t have any extraneous elements. Everything fits together harmoniously because you can control it. On the other hand, a photo can be chaotic or random.

For me, as a photographer, composition is very, very important. I take a lot of care to compose my photos. I brutally exclude things that don’t add to a picture. So when people see my photos, they compare them to paintings, because, like paintings, my photos don’t have extraneous elements.

To get to your question, I have been surrounded by Chinese paintings all my life because my mother owns an art gallery. My use of negative space and vertical composition is borrowed from Chinese paintings. But it’s not just Chinese paintings that influence me. I am also influenced by the works of Western painters like Georgia O’Keefe, Mark Rothko, etc. It’s not a conscious decision on my part, but unconsciously I feel drawn to the aesthetics of their paintings.

You have been honoured with several rewards and recognition. Is there any that is particularly close to your heart?

One of my photos was recently selected to be on the October cover of Landscape Photography Magazine.  I have also won the Best Single Image award in the Earth & Climate category in Travel Photographer of the Year 2017, and have been ranked #3 in the World’s Top Ten Landscape Photographers 2017 competition held by One Eyeland. Last year I had a photo published in the Outdoor Photography Magazine in their top 150 photos. I have just been informed that they have selected two photos for the Top 150 list this year among 18,000 submissions. In fact, the two photos selected are displayed here at Alisan Fine Arts exhibition.

Alisan Fine Arts

What are the challenges of taking landscape photos?

The thing about taking landscape photos is that it is very unpredictable. You can plan where you want to shoot, you can go to the best spot for taking photos, but the weather’s going to be different from what you planned. The light will be different from what you planned. So you need to be a bit spontaneous and work with what the landscape has on offer. This can be challenging, but this makes it so much fun as well. The same landscape looks completely different in different conditions. If there’s a storm coming, it could look dramatic, if you are shooting in direct sun, you can play with the patterns in the shadow. It’s all about your emotional response to the nature in front of you.

Gal Power: Gal Gadot shatters superhero glass ceiling with Wonder Woman debut

Gal Gadot has captured hearts as Wonder Woman

Former Miss Israel and mother-of-two Gal Gadot was catapulted to superstardom last year with the record-breaking success of Wonder Woman. After appearing in the second highest-grossing movie of the year (second only to Star Wars: The Last Jedi), Gadot made another appearance in Justice League (November), securing her place as 2017’s highest-grossing actress and third highest-grossing actor, period.

Considering’s Gadot’s relative Hollywood obscurity prior, these achievements are not to be sniffed at. It only took 70 years to bring Wonder Woman to the big screen – a rare female lead in a world of male superheroes. It’s also been more than 40 years since the character, played by Lynda Carter, appeared on TV.

Whether she intended to or not, Gal Gadot (that’s Ga-dote) has shown the world that women can rise to the top of their careers, be successful mothers and look fabulously fit all at the same time. Getting there was no small feat, though.

Gal Gadot is redefining gender roles in the superhero genre

Gadot prepared for her first appearance as Wonder Woman in Batman v Superman (2016) by training six days a week with horseback riding lessons, martial arts, sword fighting and weightlifting. By the time she shot her first stand-alone, hundred-million dollar movie, she had gained 7.7kg (17lbs) in pure muscle – spurring her husband to hit the gym more just to keep up with her physical prowess.

In Wonder Woman (2017), Gadot plays an Amazonian princess fighting against evil in World War I. Audiences the world over were shocked to learn that she had performed choreographed fights and running scenes while five months’ pregnant with her second child.

Born in Rosh Ha’Ayin, Israel, Gadot studied dance and played several sports in her youth. “I was a dancer for 12 years,” says Gadot, who did ballet, hip-hop, modern and jazz. Standing at 1.78m, she received offers to model throughout her teens. After high school, she was crowned Miss Israel in 2004 and went on to represent her country in the Miss Universe pageant.

Before becoming an actress, Gal Gadot was a beauty pageant contestant

“I was 18, and I had some time in between going to the army,” she told W magazine. “My mom figured, ‘Hey, why don’t I send your photo?’ I got in but never thought I would win.” Despite her reservations, the experience paved the way to a career in modelling and exposed her to international travel.

After wrapping up Miss Universe and modelling for some time, she went home to serve two years in the Israeli Defense Forces – a mandatory requirement for all Jewish Israelis, both male and female.

“I wish no country had the need for an army,” she says. “But in Israel serving is part of being an Israeli. You’ve got to give back to the state … It’s not about you. You give your freedom away. You learn discipline and respect.”

After the army, she enrolled in IDC Herzliya College to study law. Her studies were interrupted, though, when a casting director for Quantum of Solace contacted her after seeing her modelling card on her agency’s wall.

Israeli actress Gal Gadot is shining in the spotlight

“I said, ‘No way am I going to audition to be a Bond girl,'” she says. “‘I’m studying law and international relations. I’m way too serious and smart to be an actress, and besides, the script is all in English.” Her first language is Hebrew.

She pursued the role nonetheless and received multiple callbacks, which required her to split time between Tel Aviv and Los Angeles. “Throughout this process I realised that acting is so much more fun than going to law school!” she says.

While someone else was ultimately cast as James Bond’s love interest, the process got Gadot into acting. She started seeing an acting coach, then landed her first role in an Israeli TV series.

“I had finished my first year in school, and I decided to stop when I got that project,” she says. “Then that same Bond casting director cast me as Gisele in Fast & Furious – my first movie.”

Gal Gadot at Comic Con

After Gadot’s big screen Hollywood debut in 2009, she was asked to return for the sequels: Fast Five (2011), Fast & Furious 6 (2013) and Furious 7 (2015).

“Whenever I met with producers, writers or directors, I said I wanted to portray a strong, independent woman,” says Gadot. “Cut to Wonder Woman.”

Gadot’s big break came when she turned 30, in a move she never imagined as a child growing up in small-town Israel. But before she became Wonder Woman, she had to endure numerous callbacks and screen tests, only to be let down repeatedly.

“It would be a ‘no’, over and over,” she says, recalling being on the brink of quitting. “Then my agent called and said Warner Brothers wanted to audition me for something.”

Gal Gadot continues to charm audiences as Wonder Woman in latest DC movie

Zack Snyder, the director of Batman v Superman, finally called and asked her, “Have you ever heard of Wonder Woman?”

“My jaw dropped,” she says. “I tried to sound nonchalant, like, ‘Oh yeah, Wonder Woman, sure.’” It was a whirlwind from that point up until Wonder Woman’s premiere on May 2017 in Hollywood.

“It should have happened a long time ago,” she says. “People are looking for (a superheroine), waiting for one, and I’m so happy and grateful to be the one who is actually doing it.”

At Comic-Con in July 2015, Gal Gadot introduced herself to an enthralled crowd. “I feel like I’ve been given such a huge opportunity to show the strong, beautiful side of women,” she said. “Finally, Wonder Woman is getting the respect of having her own movie!” The room broke out in wild applause.

Gal Gadot says she accidentally fell into acting

Beyond the big screen, she is playing another important role: mother of two. She and her husband, Yaron Varsano, are the proud parents of two little girls – Alma, six, and Maya, born last year.

“The Jewish guilt I feel about being a working mom is the hardest thing,” she says. “When Alma was around two, I was really anxious about moving her from one country to the other. It was my husband who told me: ‘Gal, think about what kind of a role model you want to be. If you want to show Alma that she can follow her dreams, that’s what you should do, and we will figure out the logistics.’”

Gadot believes feminism is part of being a woman and mother. “There are such misconceptions as to what a feminist is. Feminism is about equality. I want all people to have the same opportunities and to get the same salaries for the same jobs.

“I realise I’m doing what I want to do because of the women before me who laid the groundwork. Without them I wouldn’t be an educated working mother who is following her dreams. I wouldn’t be here.”

In October 2016, the United Nations invited Gal Gadot and Lynda Carter, the original Wonder Woman, to a special panel. The comic book heroine was named an “honorary ambassador for the empowerment of women and girls”. However, the event was sabotaged by protesters accusing the character of being “overtly sexualised”.

A petition signed by nearly 45,000 people prompted the UN to nix the campaign. Gadot said in response, “When people argue that Wonder Woman should ‘cover up’, I don’t quite get it. They say, ‘If she’s smart and strong, she can’t also be sexy.’ That’s not fair. Why can’t she be all of the above?”

Text: Julienne C. Raboca
Photos: AFP

Harrison Ford: Looking back at the iconic actor’s storied legacy

Harrison Ford as Han Solo in the original Star Wars trilogy

Fittingly, it was Star Wars (1977) that gave the world its first inkling that Harrison Ford was a truly stellar leading man. Side-by-side with Chewbacca, his Wookie wingman, the then 33-year-old Ford made the part of Han Solo his own, with his piloting of the iconic Millennium Falcon proving the launch pad to his portrayal of countless other leading men – from Indiana Jones to Jack Ryan, by way of Rick Deckard, the is-he-isn’t-he replicant who took centrestage in the two Blade Runner movies (1982 and 2017).

Looking back today, he is quick to acknowledge the importance of his role in that far, far away galaxy in terms of his own career, saying, “Star Wars really did mark the beginning of my working life.”

Repaying this debt, he went on to star in a further three instalments of the swashbuckling space saga – The Empire Strikes Back (1980), Return of the Jedi (1983) and The Force Awakens (2015), with his apparent death in the latter triggering a fan-spasm among the Star Wars faithful. His commitment to defeating Darth Vader and his evil cohorts, however, seldom stopped him from becoming the founding father of other franchises across a career that has now spanned more than half a century.

Harrison Ford is a multiple award winner

Along the way, he has notched up four appearances as Indiana Jones, two appearances as Blade Runner’s Deckard and as Jack Ryan, Tom Clancy’s ever-ingenious CIA operative. Return gigs aside, he also dominated the screen in more than his fair share of the most iconic movies to have been released over the last 50 years, including Apocalypse Now (1979), Witness (1985) and The Fugitive (1992).

Despite his glittering cinematic CV, Harrison Ford was no overnight success. Indeed, prior to his big Star Wars break, he trained as a carpenter, determined to have a fallback profession should Hollywood fail to recognise his thespianic qualities. By the time Star Wars plucked him from relative obscurity, he had already spent more than a decade failing to set the film world alight in such uninspiring roles as “airport worker” in 1970’s counterculture hit Zabriskie Point and “irate motorist” in Luv, a 1967 slapstick rom-com.

Despite his advancing age, actor Harrison Ford continues to star in action blockbusters

Looking back at his early struggles to make his mark in the fickle world of filmdom, he says, “It took me a long time to figure out how to act and how to give directors just what they wanted.” He was a persistent student, though, and by the time he auditioned for American Graffiti, a 1973 coming-of-age comedy, he had learned enough of his craft to impress its director – 32-year-old George Walton Lucas, the man who was just three years away from making Star Wars, the highest-grossing movie of all time.

Despite his relatively short screentime in American Graffiti, Ford’s performance was clearly memorable enough to land him a spot on the shortlist for the role of Solo. While Star Wars elevated Lucas into a select pantheon of the World’s Most Commercially Successful Directors Ever, it had a similarly transformative effect on Harrison’s own life. Pretty much overnight, he became an internationally-feted superstar, lauded wherever Star Wars became the hottest ticket in town – which was pretty much everywhere.

With fame also comes rumours and gossip. In terms of affairs, Harrison Ford has been linked to several of his leading ladies, including Lesley Ann-Down, his co-star in 1979’s Hanover Street. He was, however, just as likely to be flirting as fighting, as he apparently loathed Sean Young who played opposite him in the original Blade Runner.

Harrison Ford is known for his action hero roles

There was also the “fact” that he bought the Sunset Hills Golf Course (he hadn’t), was suffering from Parkinson’s Disease (he wasn’t) and, on several occasions, that he had died, a claim that most recently surfaced on 1 January this year. One apparently scurrilous tale, however, turned out to be true, when he finally acknowledged that he had, in fact, had a brief but intense affair with Carrie Fisher, his love interest in the original Star Wars movie.

The claim had first surfaced in The Princess Diarist, the final instalment in Fisher’s memoirs, published in December 2016, just a month before her untimely death. It was a testament to the affection widely felt towards both performers that the revelation proved endearing rather than outrageous.

Harrison Ford reprises his role as Han Solo in the latest Star Wars instalment

As to Ford’s own mortality, while he is clearly still with us, over the last couple of years it could be seen that he is tying up the loose ends of his cinematic legacy. In 2015, Han Solo was grimly cut down by his own son in The Force Awakens, while last year’s Blade Runner 2049, although clearly leaving Ford’s character alive, did seem to mark the end of his particular story arc.

For 2020, we are promised the fifth Indiana Jones movie, giving the by then 78-year-old actor the chance to reprise the last of his truly iconic movie roles. Should it all end for him then, though, perhaps that carpentry qualification will finally prove its worth.

Text: Robert Blain
Photos: AFP

Margaret Lee trades charcoals and paint for metals and gemstones with Maret Fine Jewellery

Margaret Lee is an artist and the founder of MARET Fine Jewellery, a recently launched brand celebrating Hong Kong craftsmanship in the world of haute joaillerie.

When did you first realise you wanted to become an artist?

Ever since I was born. I started drawing in kindergarten and never stopped. Any time I picked up a pen, I intuitively knew what to do next – where to make a mark, and whether the colour was right or wrong. I drew on denim jackets and running shoes. I designed aprons, wooden boxes, travel bags, mahjong tables – everything I could get my hands on. I believe I was born with it.

Chinese families often want their children to become doctors, lawyers or bankers – but as an artist you chose the road less taken. Did you face any career-related pressures growing up?

Yes, it was exactly the same for my family! I needed to convince them that art was my calling. They kept asking, “Why don’t you go for law or medicine – something more professional?” I needed to prove myself, so I worked hard and joined art competitions. I applied to the best schools and literally carried my portfolio all the way to Parsons. At that time nothing was digital, so I brought my 3D sculptures and paintings to the school by hand. It wasn’t easy, but it was worth it.

You were the first Asian artist to host a solo exhibition at the Hofberg Palace in Vienna. How did that come about?

I had always liked the idea of Vienna, but I had never been there. So when my husband was scheduled to go on a business trip to Austria, I happily accompanied him. Once there, a friend introduced us to a very nice Viennese family. They asked me what I was doing, so I told them about my paintings. They seemed genuinely interested, so I promised to send them a CD-ROM of my paintings to show them some of my work.

They ended up passing it along to the director of the Hofberg exhibition, who followed up with an invitation to present there in three months’ time! At first I said, “No way, it’s too rushed.” They responded saying they would do whatever it took to make it happen and arranged the shipments, so I went for it. Looking back, I’m honoured to have had that experience. It was like a dream come true.

Margaret Lee

Do you think it’s challenging for Asian artists to break into the international market?

People used to consider European paintings to be more sophisticated for their historical value and adherence to tradition. They were more prized, especially those done by the Old Masters dating back to the 1700s.

But the world is now changing, and modern art has gained its own rightful standing. There are quite a few Chinese painters who have shot to the top – actually, the most expensive paintings are now from China. Hopefully artists from Hong Kong will also get noticed soon – you never know!

In 2015, you established MARET Fine Jewellery. What made you want to go into jewellery?

I consider myself an inventor more than a jewellery designer. I look at jewellery as mini sculptures that people can carry around and use for some purpose other than decoration. I prefer jewellery that’s functional, and that’s why I design iWatch straps, magnifying glass necklaces and ear rocks [jewellery for wireless earphones]. I wanted to invent things that you would typically carry around that double as luxury products.

What were your inspirations for the current collection?

Right now I’m doing a line targeting a younger demographic, so it’s more for the online market and it’s set at a lower price point. It’s based on the trinkets my husband gave me when we were young lovers. We’ve known each other since the age of 19, and the concept is inspired by our first gifts to each other, from the days of puppy love.

Margaret Lee

Are any of your children interested in art?

I have two kids, an 18-year-old son and a 15-year-old daughter. He excels in the arts, and my daughter is a budding chef. I don’t pressure them, though. I think all subjects are important. I just want them to be themselves.

What’s your vision for MARET?

I hope that MARET becomes a well-known brand, not just as a jewellery company, but also as a representation of Hong Kong design. I want to promote Hong Kong craftsmanship – it deserves to be recognised.

My inspirations are Bruce Lee, fashion designer Vivienne Tam and Margaret Chan, who served as director-general of the World Health Organization, because all are positive representatives of Hong Kong and Hong Kong culture.

Looking back at your career, what would you call your biggest success?

I would say I haven’t reached my peak yet – that’s why I keep working.

Thank you.

Text: Julienne C. Raboca

Best of 2017: We look back with pride at Gafencu’s top five posts last year

As 2017 draws to a close, we take a look at the year gone by and highlight some of Gafencu’s top posts in the last year.

Be it our feature on rooftop climbers in HK or our video chat with one of the city’s prominent dietitians on healthier eating habits or our coverage of Hong Kong’s own ballerina, our posts have ticked the right boxes in our readers’ hearts.

And of course, excerpts from our magazine interviews are a staple favourite, with prominent faces like Claudia Shaw and Jason Cohen shooting up our views.

One thing’s for certain! 2018 is going to be bigger and better with lots to keep you hooked! Happy New Year!

Gafencu’s much-awaited Power List 300 for 2017 is here!

After careful selection and review, we have for you the eagerly anticipated Gafencu Power List 300. From the top honchos in the white-collar corporate world and fashion moguls to the key influencers and movers and shakers in Hong Kong, our list comprises only the crème de la crème of society. Check out who’s made it to the list and who’s fallen from graces here.

Sa Sa director Melody Kwok-Chan talks beauty and brand strategy

Melody Kwok-Chan is the director of corporate strategy and development at cosmetics retailer Sa Sa International Holdings Limited.

You spent a decade abroad. What brought you back to Hong Kong?

I attended high school in Canada for two years and then moved to Australia. I went to university in Melbourne, first studying marketing at RMIT and then earning my master’s in international business from Monash.

I’m a pretty independent person, but after eight years in Australia I started to feel homesick so I decided to move back to Hong Kong. I love everything about Australia – the food, the weather, the vacation spots – but career-wise Hong Kong is a better fit for me. Plus, my family is here.

Based on my experience, I would advise students to go abroad to learn about another culture firsthand. Experiencing it for yourself is much more meaningful than reading about it in a book or seeing it on TV. Looking back, I wish I could have studied in more countries and learned different languages.

Your parents founded Sa Sa nearly 40 years ago. Did you think you’d end up working for the family company?

 I’ve had an interest in cosmetics ever since I was young and always dreamed of working in the beauty or fashion industry. I think that can be attributed to my parents’ influence and all the hours I spent in Sa Sa stores growing up. My parents occasionally let me sample the products while helping out at the shop. Cosmetics were practically my toys.

On top of that, after graduation I wanted to help reduce my parents’ workload, so I decided to complete the company’s management trainee programme. After that, I joined Sa Sa’s marketing department.

What does your role at Sa Sa entail?

I oversee marketing, product development and business plans. On the product side, I’m tasked with selecting the highest quality products for our stores.

I also monitor beauty trends. European and Japanese brands used to be the most popular, but customers now want Korean products.

On the marketing side, we organise a few major annual events, like the Sa Sa Ladies’ Purse Day, held in conjunction with The Hong Kong Jockey Club.

How has Sa Sa grown over the years?

The first Sa Sa store was in a basement and measured only 40 sq.m. There were two employees: my mom and dad. As the first male consultant at Sa Sa, my dad quickly learned the value of his opinion. When my dad told a customer that a certain shade of lipstick looked beautiful on her, she almost always bought the product. Now you can see many male beauty consultants in our stores.

My parents then opened their second shop in Causeway Bay, right beside Sogo. From there, Sa Sa continued to grow. We now have about 60 shops in mainland China, 100 in Hong Kong and more than 280 altogether in Asia.

To what do you attribute Sa Sa’s success?

I think it all boils down to our products and service. We stress the importance of quality and train our staff to provide excellent customer service. Our beauty consultants undergo nearly 260 hours of training, enabling them to provide personalised beauty advice to our customers.

How did you get involved with the Hong Kong Girl Guides Association?

My mom is also a member, so I learned about it through her involvement. I love having the opportunity to work with teenage girls. I created a cosmetics course for the girls to learn how to look professional and put-together when they enter the workforce.

I also helped establish Sa Sa’s first charity platform – the Sa Sa Making Life Beautiful Charity Fund – in 2013. It has been helping young people build self-confidence and spread positive energy throughout the community.

Do you have a role model?

It would have to be my parents. They started Sa Sa in 1978 when it was just a tiny shop in Causeway Bay and transformed it into the first cosmetic one-stop shop in Hong Kong. My mom is extremely detailed, while my dad is adept at managing a business. They’ve taught me so many important lessons, and I’m still learning from them.

Thank you.

Interview: Emily Petsko

For the full article, please check out the latest issue of Gafencu’s print magazine or the Gafencu app. Download the app from the Google Play Store or Apple App Store